Television Series Revivals…revived

SKU-000127210_XLDid Gilligan and his fellow castaways ever get rescued? Is Dr. Marcus Welby still making house calls? Is Marcia Brady single? What kind of father did Beaver Cleaver grow up to be? Those burning questions and many, many more about your favorite TV characters are answered in my book Television Series Revivals:  Sequels and Remakes of Cancelled Series, which examines every TV series remake and sequel produced from 1955-1992.

The book, which was originally published in hardcover in 1993 by McFarland & Co., is now available in a $16.95 trade paperback edition from iUniverse through the Authors Guild's Back-in-Print program (and at no charge to me).

The sequels and remakes of nearly one hundred shows, from ADAM-12 to WKRP IN CINCINNATI, are examined in detail and include airdates,  cast lists and production credits. There's also a special section on animated revivals and sequels, like STAR TREK and GILLIGANS ISLAND. 

Here's what Booklist had to say about the book:

Have you ever wondered what happened to the castaways on "Gilligan's Island"? Many people have, and that is why producers, directors, and actors come together to revive canceled shows for reunion specials, feature films, or whole new series. Television Series Revivals is a compilation of information on the various mutations original series have undergone since cancellation. "Star Trek" is a good example of this phenomenon. It originally aired on network television in the late 1960s. Due to the immense popularity of the show in reruns and its cultlike fan clubs, the series was revived, first as a cartoon series, then as a series of motion pictures, and finally as a new series, "Star Trek: The Next Generation."

Entries are arranged alphabetically by original series title. Each entry follows the same format: the air dates and network of the original series; a plot synopsis for the revived series, film, or special; background information on the show; the title of the new show; its network and broadcast date. Information about each show came from a variety of sources: releases, reviews, and periodical articles. Plot synopses may be a bit confusing as the author combines the plots of all revivals, sequels, or remakes into one narrative. For a series such as "Eight Is Enough," which was followed by "Eight Is Enough: A Family Reunion" and "An Eight Is Enough Wedding," it is difficult to tell where one story line leaves off and another begins.

For a series to be included in this volume it must have featured continuing characters and have been in cancellation for at least one year, not simply on hiatus. Certain kinds of shows are not included: those based on literary characters (e.g., Sherlock Holmes); anthologies (with the exception of "Twilight Zone" and "Alfred Hitchcock Presents"), variety shows, and game shows.

An appendix listing "Animated Revivals" and a bibliography of related titles round out the work. The index includes show titles, actors, and producers and directors. Black-and-white photos of cast members are provided for some shows.

As long as television viewers express nostalgia for the shows they once watched, producers will continue to revive them. Public library customers and librarians will find Television Series Revivals a useful and entertaining volume.

More TV on the Big Screen

It seems like every week someone is dusting off an old TV show and developing it for the big screen. Last week it was TJ HOOKER, this week it's THE BIG VALLEY. Variety reports:

The 1960s television Western that starred Barbara Stanwyck is being adapted into an independent feature by Kate Edelman Johnson and Daniel Adams through their Panther Entertainment banner.

Adams will direct the pic from his own script, whose storyline was developed with series creators Louis F. Edelman and A.I. Bezzerides. Plot borrows elements from the show’s pilot and several episodes.

I don't see the point of reviving the show…it's not as if it has a huge following. It would make far more sense to give the big screen treatment to more well known TV westerns like GUNSMOKE, HAVE GUN WILL TRAVEL, or BONANZA (which BIG VALLEY essentially ripped off).

This is Why Ken Levine Wins Emmys

Ken Levine's blog post today isn't just a brilliant satire of Aaron Sorkin's distinct style…it's also great writing. I loved it. Here's a taste:

EXT. KAUFFMAN STADIUM — NIGHT

THE MANAGER, LEO, TROTS OUT TO THE MOUND TO TALK TO BELEAGURED PITCHER, DANNY (THERE’S ALWAYS A DANNY). THE BASES ARE LOADED. THE CROWD IS GOING NUTS. IT’S GAME SEVEN OF THE WORLD SERIES.

LEO

You can’t get a good lobster in this town.

DANNY

Last I checked we were in Kansas City.

LEO

4.6 billion pork ribs sold every year and 18.9 tons of beef consumed annually since 1997 –

DANNY

They like their beef, what can I tell ya?

LEO

But you’d think just for variety’s sake.

DANNY

I can still throw my curve.

LEO

For strikes?

DANNY

I’m not throwing enough?

LEO

I’ve seen more lobsters.

DANNY WALKS TO THE ROSIN SACK, GIVES IT A SQUEEZE, DECIDES TO KEEP WALKING. HE AND LEO NOW WALK OUT INTO CENTER FIELD.

DANNY

It’s just that…
LEO

What? Kathy?

DANNY

No. Cabs. There’s no cohesiveness on this team. After road games, 25 cabs for 25 players. There used to be a thing called “the greater good”, forgoing your needs for the betterment of the team and community who looks to us for their identity and self worth. When I’m trying to save a game I’m really trying to save a factory. If baseball is a metaphor for life, then responsibility is its first cousin simile. And Kathy.

LEO

That’s a “1” on your back and not a “2”.

DANNY

I can’t help it. She knocks my sanitary socks off.

“Before I was a TV writer, I was a street poet…”

Screenwriter, novelist, and teacher William Rabkin reveals the method to his madness, and gives some good career advice to aspiring screenwriters, in an interview at Write On today. Here's an excerpt:

How important is diversification for a writer?

I’m a big advocate of diversification. Right now, all our markets are shrinking—not a great problem if you’re, say, the showrunner of Desperate Housewives. But for the rest of us, we’re watching TV staffs shrinking, original screenplay sales diving, publishing in serious trouble. We can’t know where the next opportunity is going to come from—so it’s best to make yourself available for as many opportunities as possible.

How can a writer best get his or her work noticed?

Write really well. Oh, and if you can show up in a sex tape with a celebrity, that would help, too.

What’s Next, Diagnosis Murder?

I can think of a lot of TV shows that would make great movies, but TJ HOOKER isn't one of them. But Variety reports that director Chuck Russell, writers Brent Maddock & S.S. Wilson,  and series creator Rick Husky are mounting  a big screen remake of the cheesy, 1980s  William Shatner series, which ran for four seasons on ABC. Hey, maybe they can get Chris Pine to play Hooker.