Television

I Hate The WGA Elections

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Writers-guild-of-america-west-logo I hate it when we're asked to vote for new WGA officers and board members. We get inundated with mails, each side attacking the other, and then we get that bulging election packet, with its candidate statements, candidate rebuttals, rebuttals of rebuttals, rebuttals of rebuttals of rebuttals, the non-candidate statements, the rebuttals of non-candidate statements, and the endorsement ads. Accusations, counter-accusations, and counter-counter-counter accusations.

I don't bother with most of that crap. I read nothing but the candidates statements and make my decisions based on that, my personal knowledge (if any) of the individual candidates, and my own take on where the industry stands and what I believe the direction of the Guild should be. I do not vote according to slates. I vote according to a candidate's principles, experience, ideas, and vision. But most important of all, I vote. 

If you are a WGA member, I urge you to vote as well.

For what it's worth, here is who I voted for:

President: Elias Davis

Vice-President: Tom Schulman

Secretary-Treasurer: Christopher Keyser

Board Members: Patric Verrone, Howard Rodman, Carleton Eastlake, Dan Wilcox, Ian Deitchman, Linda Burstyn, Chip Johannessen, and Luvh Rakhe.

Writing Staffs Shrinking

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Variety reports what I've been hearing from TV writer friends for months…writing staffs are shrinking dramatically.

"I definitely feel as if there are (fewer) jobs out there," says Damon Lindelof, exec producer of ABC's LOST. "Whereas new shows from pilots that got picked up used to have 10 to 12 writers — that was the size of our staff in 2004 — we're just eight now.

[…]William Rotko, exec producer of the FBI-themed Patrick Swayze starrer THE BEAST, which finished its one-season run for A&E, says a confluence of events has altered the TV dynamic.

"I don't know if it's a combination of the recession and the prior writers' strike," he says. "They kind of landed one after another. After the writers' strike, it seemed this was going to happen anyway, but the recession sped up the process of reducing the size of the writers' room.

There are also fewer scripted shows than there were in the past. The major networks have all given up offering new, scripted fare on Saturdays, there's more reality shows than ever, and NBC has scrapped five hours of prime-time for Jay Leno's new show.

While cable has picked up some of the slack by producing original dramas, they are short orders with small staffs. It all adds up to the worst job market for TV writers than I have ever seen before. It's shocking to me how many of my friends…experienced, successful scribes, some with shelves of Emmy Awards… are out of work right now. 

Who is the Clueless Moron now?

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Back in 2004, under the heading "Clueless Morons," I blogged about a group calling themselves the Colonial Fan Force, who took out a full-page ad in Variety clamoring for a BATTLESTAR GALACTICA movie starring the original cast. The ad read, in part: 

Millions of fans still dream of seeing the Battlestar Galactica roam the heavens once more in a big screen continuations of the epic story that began in 1978 with the original cast and characters leading a new generation of warriors

I wrote:

Yeah, right… there are millions, no TENS of millions, of fans clamoring for the return of Herb Jefferson, Laurette Sprang, Dirk Benedict, and Richard Hatch (who is not nearly as powerful an actor as the nude guy of the same name on "Survivor"… nor as successful). I suspect the real audience is about 100 fat guys in their 40s, who at this very moment are busily duping all their Heather Thomas videos onto DVD..

[…]I am always amused by the losers who spend their comic book money on pointless ads like this (or, worse, the ones who publish a synopsis of, or excerpt from, their unsold screenplays)

[…] the folks at "The Colonial Fan Force" urge the readers of Variety (most of whom are entertainment industry professionals) to write writer/producer Glen A. Larson and Tom DeSanto, a guy who once tried to launch a movie version of the TV show. This shows just how little the people who paid for this ad understand about how the business works…and even sillier when you consider the SciFi Channel is already in the midst of shooting a new "Battlestar Galactica" TV series from NBC/Universal Studios with an all-new cast led by Edward James Olmos.

And that was the nicest thing I had to say about the Colonial Fan Force. 

Well, ladies and gentlemen, the joke is on me. Today Variety reported that Universal, Glen A. Larson, Bryan Singer and Tom DeSanto are mounting a feature film version of BATTLESTAR GALACTICA that will be a "complete re-imagining" that is unrelated to the recently wrapped series.

While this isn't the reunion the Colonial Fan Force was clamoring for, and it's happening after the end of the new BATTLESTAR GALACTICA series, and it isn't the result of a letter-writing campaign, it is a feature film and it's likely to be closer to the original series than the SciFi Channel series was.

So who is the clueless moron now? It looks like it is me.

I’m Going Kindle Crazy

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51vjPQRqm5L._SS500_ I've just posted another old, out-of-print book of mine on the Amazon Kindle Store…my 1991 paperback Unsold TV Pilots: The Greatest Shows You Never Saw, which was the basis for the hour-long ABC special "The Best TV Shows That Never Were" and the hour-long CBS special "The Greatest Shows You Never Saw. It is now available in a special $2.49 Kindle edition. Here's the book jacket copy:

“The Best Bathroom Reading EVER," – San Francisco Chronicle

"A must-browse for media freaks.” —USA Today

“Irresistible and enthralling.” —Hartford Courant

“Full of fool’s gold and genuine TV treasures.” —The New York Post

This lively and entertaining book looks at the three hundred best and worst TV series ideas—known in the industry as "pilots"—that never made it to primetime. From the adventures of a Samurai D.A. to the antics of an invisible alien baby, Lee Goldberg details the greatest shows you never saw.

The paperback was originally published by Carol & Company and was an abridgment of my fat hardcover  "Unsold Television Pilots 1955-1989," which contained over 2000 pilots. Maybe some day I'll get around to making that big book into a Kindle edition, too.

The Show Must Go On

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51tnYP0UMrL._SS500_Don’t be fooled by the title of Douglas Snauffer’s new book, The Show Must Go On: How The Deaths of Lead Actors Have Affected Television Series…this is not a lurid or gossipy book but rather a serious, well-researched, detailed reference work about the business of television.

On the surface, the book is about what happens to a TV show when one of its stars dies, covering the impact of the calamity from every angle. But that death is just one part of the story. Douglas Snauffer, author of the exceptional Crime Television, gives us the full picture of the show, before and after the tragedy that may (or may not) have ultimately defined that series in TV history. Each chapter offers an in-depth look at the creation, development, production, and history of an individual series. It’s that detailed examination of each series — backed by interviews with all the key players in front of, and behind — the camera that gives this book it’s real value.

This book is a must-read for anyone who wants to know how TV series are created, written and produced…and why some succeed while others fail.

ROCKFORD Revived

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Variety reports that HOUSE creator/showrunner David Shore has been tapped by NBC/Universal and Steve Carrell's production company to revive Stephen J. Cannell's THE ROCKFORD FILES. It's no surprise that they approached Shore for the coveted gig…he's a TV A-lister who tried to spin-off a Rockf0rd-esque character from HOUSE last season.

"It's one of the shows that made me want to become a writer," Shore said. "I had no interest in adapting any old stuff, but this was the one exception."

Shore's just starting to think about an approach to bring "The Rockford Files" into the present day, but he intends to stick with the basic foundation of a private eye in L.A. just trying to make a living.

"What makes 'Rockford' timeless is that he's vulnerable, he's flawed. He's used to hustling and getting hustled," Shore said. "Sometimes he's a hero and sometimes he runs away."

The hard part won't be getting the script right…it will be finding this generation's equivalent of  James Garner to the play the part. (Is George Clooney still a movie star?) 

My REVIVALS Revived…And Revived Again

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My 1993 book TELEVISION SERIES REVIVALS is back… in trade paperback (as I mentioned last week) and now in a Kindle edition. I have no idea if Kindle users are interested in non-fiction, TV references books…but I figured I had nothing to lose by finding out. If it looks like they do, I may make my book UNSOLD TELEVISION PILOTS available for the Kindle, too, though that might actually take some time and effort on my part.

Why I Wrote BEYOND THE BEYOND

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BeyondblogThis article originally appeared in Mystery Scene Magazine back in 1997. I thought I'd repost it here to mark the publication of the Kindle edition. 

An awful lot of people in the television industry see shrinks. Those who don't, write novels.

Well, that's my theory, any way.

I figured it was either write a book, or go into psychoanalysis. Writing a book seemed like a better alternative, since you can actually make a few bucks while you sit and whine about how crazy the business is and what the craziness does to you.

I wrote my first novel, My Gun Has Bullets, while writing/producing a really terrible, syndicated action show. In that book, a good, decent cop named Charlie Willis is gunned down by a lunatic TV star on her way to a sale at Neiman-Marcus. To cover up the crime, the studio buys him off by making him the star of his own action series. But things go bad when someone loads his prop gun with real bullets and he kills his guest-star. I trashed everything and everyone that drove met nuts about the TV business…and there was a lot, having written and/or produced such series as Hunter, Baywatch, Spenser: For Hire, Cosby Mysteries and Diagnosis Murder, to name a few.

I felt a lot better after I wrote the book.

But I didn't get around to writing the sequel, Beyond the Beyond, until a couple years later, when I became a writer/producer on SeaQuest. Within weeks, I was getting email death threats from deranged fans, including one lady who was enraged weren't consulting her for advice or staying true to the "fanfic" (fan-written, self-published fiction). Another lady, calling herself an "Admiral in the United Earth Oceans," was convinced one of the characters in the show was in love with her.Beyondcover900

Of course, it reminded me of what the actors and writers on Star Trek must go through (which I knew well, since many of my friends have worked on the show). And that reminded me that a spin-off of Star Trek was the cornerstone of a new television network. And that made me think about the whole Star Trek phenomenon…and the emergence of new TV networks…and the consolidation of media empires.

Before I was a TV producer, I worked as a reporter covering the entertainment industry beat for Newsweek, Starlog, American Film, Electronic Media, and Los Angeles Times Syndicate, among many others. During that time, I wrote extensively about the birth of the Fox Network and was the first person to break the story that Paramount was reviving Star Trek as an all-new, syndicated series. So I already had a lot of background in both the business of TV and the business of Star Trek and had given this stuff some thought before.

Suddenly, I felt a book taking shape…

What if someone bought a studio decided to use it to launch a new network? And what if the cornerstone of that new network was a revival of cult, 60s science fiction series – with an all-new cast? How would the lunatic fans and original cast react?

There was a story there…and I also had a lot more personal demons to exorcise now, too. And I was fresh from my experience on SeaQuest.

In Beyond the Beyond , Charlie Willis is now a special security officer for Pinnacle Pictures. When the studio revives the cult series Beyond the Beyond as the launching pad for a new network, two forces fight for control of the show, a vicious talent agency that uses blackmail, torture and murder to keep its clients on the A-list, and a homicidal legion of rabid fans led by an insane actor who thinks he's in outer space.

The publisher calls it a dark/comic thriller about TV. But I'll tell you a little secret: most of it is true, drawn either from my own experience or those of my friends in the TV business.

And like the first book, I felt great after I finished it… though somewhere out there a shrink is going hungry because of it.

Beyond the Beyond is back

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Beyondcover900 BEYOND THE BEYOND, the sequel to MY GUN HAS BULLETS, is now available in a Kindle edition!

"The hilarious follow-up to Goldberg's witty debut, My Gun Has Bullets…Beyond the Beyond skewers the entertainment business, which Goldberg knows well," Oline Codgill, Knight-Ridder Newspapers.

"As in his riotous novel My Gun Has Bullets, TV writer/producer Goldberg once again bites the hand that feeds him, laughing all the while. Inspired silliness," Publishers Weekly

Ex-cop Charlie Willis handles "special security" at Pinnacle Pictures. His job: to protect the studio and its stars, to stop scandals before they explode, to keep the peace in the land of make-believe. When Pinnacle revives the cult, 1960s TV series "Beyond the Beyond" as the cornerstone of a fourth network, two powerful forces fight for control of the show-a talent agency that uses blackmail, torture, and murder to keep its clients on the A-list, and a homicidal legion of rabid fans led by an insane actor who thinks he's in outer space.

Editorial Reviews:

"Goldberg uses just about everything he can think of to send up the studio system, fandom, Star Trek, Trekkies, agents, actors… you name it, he'll make you laugh about it." Analog

"An outrageously entertaining take on the loathsome folkways of contemporary showbiz," Kirkus Reviews

"Mr. Goldberg has an observant eye and a wicked pen!" Washington Times

"Beyond the Beyond reads like a modern-day Alice in Wonderland set against the venal world of the TV industry. It's wonderfully revealing and uncannily accurate," Vancouver Sun (Canada)

"Some of the easily recognizable actors, agents and producers who are mercilessly ribbed may find it hard to crack a smile at the author's gag-strewn prose, likewise those seekers after politically correct entertainment. But the rest of us should have no trouble….the novel's satiric slant is strong enough to have an effigy of Goldberg beamed into outer space at the next Star Trek convention," Los Angeles Times

"Pinnacle Pictures has decided to revive a 25-year-old cult sci-fi TV show called Beyond the Beyond, but somebody keeps killing off the new cast. Is it the Hollywood agent who eats human flesh? The aging actor who still thinks he's a starship captain? The fans who live only to attend conventions? This sharp roman a clef goes where no Hollywood satire has gone before-altering just enough facts to avoid the libel courts but still smacking of a certain je ne sais Trek. It probably won't make Goldberg, a television writer and producer (Baywatch, Spenser: For Hire, seaQuest), the most popular boy on the Paramount lot, but it's a stingingly funny novel just the same. " 
-Entertainment Weekly 

"An outrageously entertaining take on the loathsome folkways of contemporary showbiz." 
-Kirkus Reviews

"For the most part, this is a pleasant fantasy and a harmless escape, but there could be a fringe group out there almost exactly as Goldberg describes them in outlandish detail. It all could be true. It works hilariously. Don't miss Lee Goldberg's Beyond the Beyond. It's one to beam up!" Mark Levine, Ventura Star-Telegram

Television Series Revivals…revived

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SKU-000127210_XLDid Gilligan and his fellow castaways ever get rescued? Is Dr. Marcus Welby still making house calls? Is Marcia Brady single? What kind of father did Beaver Cleaver grow up to be? Those burning questions and many, many more about your favorite TV characters are answered in my book Television Series Revivals:  Sequels and Remakes of Cancelled Series, which examines every TV series remake and sequel produced from 1955-1992.

The book, which was originally published in hardcover in 1993 by McFarland & Co., is now available in a $16.95 trade paperback edition from iUniverse through the Authors Guild's Back-in-Print program (and at no charge to me).

The sequels and remakes of nearly one hundred shows, from ADAM-12 to WKRP IN CINCINNATI, are examined in detail and include airdates,  cast lists and production credits. There's also a special section on animated revivals and sequels, like STAR TREK and GILLIGANS ISLAND. 

Here's what Booklist had to say about the book:

Have you ever wondered what happened to the castaways on "Gilligan's Island"? Many people have, and that is why producers, directors, and actors come together to revive canceled shows for reunion specials, feature films, or whole new series. Television Series Revivals is a compilation of information on the various mutations original series have undergone since cancellation. "Star Trek" is a good example of this phenomenon. It originally aired on network television in the late 1960s. Due to the immense popularity of the show in reruns and its cultlike fan clubs, the series was revived, first as a cartoon series, then as a series of motion pictures, and finally as a new series, "Star Trek: The Next Generation."

Entries are arranged alphabetically by original series title. Each entry follows the same format: the air dates and network of the original series; a plot synopsis for the revived series, film, or special; background information on the show; the title of the new show; its network and broadcast date. Information about each show came from a variety of sources: releases, reviews, and periodical articles. Plot synopses may be a bit confusing as the author combines the plots of all revivals, sequels, or remakes into one narrative. For a series such as "Eight Is Enough," which was followed by "Eight Is Enough: A Family Reunion" and "An Eight Is Enough Wedding," it is difficult to tell where one story line leaves off and another begins.

For a series to be included in this volume it must have featured continuing characters and have been in cancellation for at least one year, not simply on hiatus. Certain kinds of shows are not included: those based on literary characters (e.g., Sherlock Holmes); anthologies (with the exception of "Twilight Zone" and "Alfred Hitchcock Presents"), variety shows, and game shows.

An appendix listing "Animated Revivals" and a bibliography of related titles round out the work. The index includes show titles, actors, and producers and directors. Black-and-white photos of cast members are provided for some shows.

As long as television viewers express nostalgia for the shows they once watched, producers will continue to revive them. Public library customers and librarians will find Television Series Revivals a useful and entertaining volume.