Lee Goldberg is Out-and-About in New York, Tennessee and Kentucky

Lee on the set of his “fake office” in NYC

I’ve been out-and-about a lot the last few weeks and I’m just getting a chance now to catch you up on all the latest news.

Two weeks ago, I was traveling in Memphis to research a new book, and visited Owensboro Kentucky, for a TRUE FICTION booksigning and a screening of the two short films, BUMSICLE and REMAINDERED, that I shot there. At the same time, I delivered the script for a new Hallmark Mystery Movie that I co-wrote with the amazing Robin Bernheim, whose many credits include REMINGTON STEELE, QUANTUM LEAP, and WHEN CALLS THE HEART.  

Speaking of Hallmark Mysteries, my friend Phoef Sutton just scored raves, and big ratings, for his latest Hallmark movie, DARROW & DARROW: IN THE KEY OF MURDER. You can read an interview with him about it at Kings River Life magazines.

I was only hone for a few days before I had to jet off to New York, where I was shot some new TRUE FICTION promos for Amazon Publishing. While I was there, I got a chance to see Amazon Publishing honcho Jeff Belle (who has been a big supporter of me and my books for years), and Amazon-bestselling authors Robert Dugoni and Mark Sullivan, who has co-authored five books with James Patterson.

Speaking of Patterson, it’s great to see my friend, Edgar-winning author, and Appellate Court Judge David Ellis get a shout-out/acknowledgment as the ghostwriter channeling Bill Clinton &  Patterson in Janet Maslin’s review of THE PRESIDENT IS MISSING

The props dept create framed photos and other props for the fake office.

I learned this morning that Scott Brick, narrator of the five Fox & O’Hare books I co-wrote with Janet Evanovich, and HOUSE OF SECRETS (coauthored by my brother Tod Goldberg and Brad Meltzer), has been as the new voice of Lee Child‘s Jack Reacher! (The legendary Dick Hill is retiring). I’m very happy for Scott and hope he’ll still squeeze in time to narrate more of my books 🙂

And, in case you missed it last week, author/editor Steph Cha had the brilliant idea of assigning my brother Tod  to interview me for Los Angeles Review of Books (LARB)….the result is probably the most personal, and indepth interview I’ve ever done. I hope you like it. 

Mark Sullivan, Lee Goldberg and Jeff Belle

Goldberg vs Goldberg: The Interview

Author/editor Steph Cha​ had the brilliant idea of assigning my brother Tod Goldberg the task of interviewing me for Los Angeles Review of Books (LARB)​….the result is probably the most personal, and indepth interview I’ve ever done. I hope you like it. Here’s an excerpt:

Lee and his brother Tod express their delight at having books released simultaneously in June 2016

TOD: I often get asked what it’s like to have a family of writers and artists, and it’s hard to explain, exactly, because it’s the only way we’ve lived. Our sisters are both writers and artists, our mother, after her socialite period, became a newspaper columnist covering socialites, our father — not that I ever lived with him as a sentient human — as you noted, was a TV news journalist, and then there’re all the uncles and cousins and whatnot, too. But you were the first one, really, to make it on a national stage, which I know gave me the confidence to aim big, and which I suspect made it easier for our sisters, too. Did seeing mom’s and dad’s success and, in many ways, eventual failure — both of them had these sort of big-league dreams but ended up never quite getting there, which ended up driving them both a bit mad — provide some motivation for you?

LEE: There’s no question that dad being on television and mom being a writer shaped me in profound ways. There is a lot of both of them in me … though more of mom than dad. They were both comfortable in front of an audience, whether it was on camera or standing on front of people. Mom had a big, outgoing personality and great sense of humor. She was a deft schmoozer and a big ego. She was a profound exaggerator in her storytelling, for both comic and dramatic effect. She went after what she wanted, personally and professionally. She was a fighter. I have a lot of those same attributes, though I hope with less of the destructive flip side. For example, I know when I am exaggerating a story and, I like to believe, so does my audience. We’re in on the joke together. It’s like when an audience buys into the franchise of a TV series … no matter how ludicrous it might be (she’s a nun — and she can fly! A detective with OCD! A drug-addicted doctor who hates his patients!) … because they want to enjoy the ride. Unlike mom, I don’t believe my exaggerations are the truth and then exaggerate them the next time I tell the story, and then exaggerate that, until I am heading into something approaching clinical delusion. I know where the truth ends and the embellishment, for comedic or dramatic effect, begins. I’m deeply afraid the day will come, though, when I lose that self-awareness.

I haven’t talked much about dad because he wasn’t really in my life after I was 10 years old (though he was in my life more than you or our sisters). Dad grew up wanting to be a TV anchorman … despite coming from a small logging town and having zero contacts … and yet he achieved that dream. He eventually became an anchorman on KPIX, the CBS affiliate in San Francisco … a major station in a major market … and it should have been a stepping-stone to the national stage. Getting there had to take talent, drive, and confidence … but somewhere along the line he lost his mojo … or, more likely, his backbone. I was too young at the time to know why or how it happened, or if mom was somehow to blame. But he became a weak, wishy-washy, superficial man. He let people, he let life, walk all over him. He stood up for nothing and nobody and lost everything. He showed me it was possible to achieve your dream, but through his failure, he also showed me you had to be strong to keep it. That’s not all I learned from him. Seeing him on TV every night also made television — the industry and the medium — something approachable to me. He made the TV part of my family. He made it small and human. My father was a TV screen, and I knew that I was stronger than he was. So yeah, I could break into TV. No problem. And I did.

You can read the full  interview here. 

My Favorite One-Star Reviews of My Books

I like praise as much as anybody else, but I also get twisted enjoyment sometimes out of reading reviews that trash my books. Here are some of my favorite one-star reviews of my work:

Quite possibly the worst book I have ever read. Skimmed through it so to save my brain cells from the most tabloid trash movie script effort of writing. My desperate need for a book still does not justify me actually turning the pages. Read the comics, you will be much better off and not have my need to flay myself for reading such trash.

Anytime it takes me four days to read a book is a sign it’s not going good.

This is such juvenile junk! The author of this trash has a sick, degraded mind.

this book is not something you can read to your mom or grandmom. The sexual references, while not too graphic, are still too embarrassing to be read aloud.

The only book I have deleted from my Kindle. Only gave it one star because there was no lower rating

This could have been a pretty good book except the author had to ruin it with the “f” word dozens of times & even used God’s name in vein a few times. Shame on you!!!!

Depressing to know the author is so widely read.

He’s about as funny as an uninvited guest standing in a corner with a lampshade over his head.

Terrible read. Dialogue was among silliest ever possibly strung together in one book. Looking forward to read the sequel soon.

This could have been a pretty good story line but the writer needs more imagination and a whole lot more English lessons. If I could give it less than one star I would. If he cleans up his act and works a little harder he may get to be a good writer but for now it’s a “don’t bother”

Mind-numbingly bad. We read books to entertain and stimulate our brains. This written by the numbers drivel will put it to sleep, induce a coma and flush all rational thought from your mind forever. Read at your own risk. You’ve been warned.

While Lee Child, Micheal Connelly and Joseph Wambaugh will never win Nobel Prizes, trash like this shows what good and articulate craftsmen they are.

Shame on you Lee Goldberg. I am done with anything with your name on it .

I haven’t read it yet — hopefully it is good

Too Daisy Duke for me!

 

TRUE FICTION Videos Hit the Web

The first of many TRUE FICTION videos and trailers have hit the web (I shared some behind-the-scenes photos from the shoot a few weeks back). I really love this “movie style” trailer for the book:

And in this one, I personally invite you to read the book:

I can’t wait for the other videos to come out. They include short interviews and some embarrassing photos from my dark, mysterious past. They will be all over the web but I will be sure to share them here with you, too. I’ll also be sharing photos from my book tour, which begins April 14 at Mysterious Galaxy in San Diego.

I’m Not Jack Reacher

True Fiction by Lee Goldberg

True Fiction by Lee GoldbergThere’s a great interview with me today in Publishers Weekly about my new book True Fiction, which comes out in just a few weeks. I just wish I hadn’t suggested that I’m celibate! 🙂

Ian Ludlow is me. I wanted to create a character with zero superskills. He’s not Jack Reacher or James Bond. He’s not Navy SEALs, Special Forces, or even a superlover. He’s a writer. He makes stuff up. He has to become a hero. Ludlow is out of shape and doesn’t have sex. He’s anything but the stereotypical super character. He faces danger and runs like hell—until he’s forced not to. The only person in the novel who has special powers is utterly insane.

A Brash Birthday

Lee Goldberg & Joel Goldman making a brash fashion statement

Three years ago this week, Joel Goldman and I launched our publishing company Brash Books with thirty titles, all of them acclaimed, award-winning books that had fallen out of print…and that we brought back in new print and digital editions.

Our mission was cocky and ambitious: to publish the best crime novels in existence. We believe we’ve lived up to that brash goal. We now have just about 100 titles in print, more than a dozen of them brand new books, many by first-time authors who’ve never been published before. Our books have consistently scored rave reviews from the industry trades… including three STARRED reviews from Publishers Weekly. We’ve also sorted through nearly 900 manuscript submissions.
 
We want to give our heartfelt thanks to all of our readers and especially to these amazing authors for putting their faith in us:
 
Leo W. Banks, Robert E. Dunn, Patrick E. McLean, Bill Crider, Bob Forward, Phoef Sutton, Margaret Moseley Burris, Mark Rogers, Jane Waterhouse, Jim Sanderson, Philip Reed, Robin Burcell, Gar Anthony Haywood ,Warren Ripley, Andy Straka, Dick Lochte, Craig Faustus Buck, Noreen Ayres, Michael Genelin Gerald Duff, Max Allan Collins, Dallas Murphy, A.W. Mykel, Phillip Thompson Mark Smith, Barbara Neely, Maxine O’Callaghan, Geoffrey Miller, Tom Kakonis, Jack Bunker, Michael Stone, and the estates of Jimmy Sangster, Ted Thackrey Jr. , Jack Lynch, and Stan R. Lee.
 
This year we made a big push into audiobooks and we couldn’t have done it without our amazing, super-talented narrators. So we’d like to thank Travis Baldree, Harry Dyson, J Rodney Turner, Shawn Compton and John Burlinson for their stellar work.
 
And finally, none of this would have been possible without the hard work of our office manager Denise M. Fields and graphic artist Jacqui Hair, who created our Brash logo and does all of our advertising. We’d also like to thank the many freelance graphic artists who designed our covers.
 
We can’t wait to see what 2018 brings for Brash Books, our authors, and our readers.

Goldberg News: Two Thrillers Coming in 2018 & A Big Screen WALK

I’ve got lots of exciting news to share…so let’s get to it!

James Grady and Lee at the Edgars

TWO THRILLERS COMING IN 2018

The big news is that I’ve signed a two-book deal with Amazon Publishing/Thomas & Mercer that kicks off with the publication of my new thriller TRUE FICTION in April 2018, followed by the sequel in the fall.

I’ve described the book as a cross between SIX DAYS OF THE CONDOR and NORTH BY NORTHWEST. So it was a real thrill when I finally got to meet James Grady, author of CONDOR at the Edgars in April.

TRUE FICTION takes place in Hawaii, Seattle, Los Angeles, Nevada, and Washington D.C…. and I finished writing it in a cafe in Paris on a rainy day in January. It’s about a thriller author who discovers that one of his fictional tales is becoming horrifyingly real. To say more now would spoil the fun. I’ll give you more details about the book, and my research and travels for it, when we get closer to the pub date.


CHASING FOX & O’HARE

Many of you have asked when the next Fox & O’Hare book is coming…especially since THE PURSUIT, which I co-authored with my good friend Janet Evanovich, was such a big success, hitting #1 on the New York Times bestseller list back in June 2016. Unfortunately, we’re still trying to work out a satisfactory agreement with the publisher for future books. As soon as I have news, I’ll be sure to share it with you. I took an extensive research trip to Australia and New Zealand for that as-yet-unwritten sixth book in the series and I’m eager to take Nick & Kate there for their next adventure.


THE WALK … COMING TO A THEATER NEAR YOU?

A movie version of THE WALK is in pre-production based on my own script. A terrific director has been signed and offers will be going out to A-list actors soon. I wish I could say more than that, but I am bound to secrecy for the time being. There have been false starts in the past but I am cautiously optimistic that filming could start in early 2018.

BEING BRASH

Brash Books, the publishing company that I launched with Joel Goldman, is going strong as we approach our third year in business. We’ve published close 100 titles so far! Our latest title is Patrick McLean’s new novel THE SOAK, a terrific thriller that evokes the best of Donald Westlake’s Parker novels. I think you’ll love it. I also heartily recommend the new audiobook edition of Jack Bunker’s TRUE GRIFT. Harry Dyson does a fantastic job narrating it and I guarantee that you’ll laugh your way through your next traffic jam or gym work-out.

LOS ANGELES TIMES FESTIVAL OF BOOKS

I had a great time, as usual, moderating panels and hanging out at the Los Angeles Times Festival of Books. Here are a couple of photos from the event:


Lee with former Barnes & Noble events exec Lita Weissman and authors Gar Anthony Haywood, Laura Lippman and Megan Abbott


Lee with authors Eric Jerome Dickey, Chris Farnsworth, Gregg Hurwitz, and Daniel Suarez

That’s all the news for now…more soon!

More Gleason

Valerie, me and Michael on my wedding day ... 26 years ago.
Valerie, me and Michael on my wedding day … 26 years ago.

Last night I went to the memorial for my dear friend and mentor Michael Gleason, who passed away a few weeks ago. The stories his family and friends told were touching, funny and perfectly captured his personality. They sparked memories for me that I had forgotten about. The highlight (if you can say such a thing about a memorial) was a short film about his life, narrated by Michael himself from an interview conducted with him recently. It was like having him back in the room. I’ll miss that voice, that unique sense of humor, and that hearty laugh. There were a lot of famous people in the room…including TV writers like John Wilder, William Blinn, Jeff Melvoin, Brad Kern & John Wirth… and actors Pierce Brosnan, Stephanie Zimbalist, Kim Lankford, Susan Sullivan, and Jaclyn Smith. It’s remarkable how many lives he touched…and so profoundly. Here is a short essay I wrote for the memorial keepsake that was given out to family members.

I am the writer I am today largely because of Michael Gleason. And in some ways, I am the man I am today because of him, too.

He gave me, and my writer partner William Rabkin, our first TV staff jobs on Murphy’s Law. Michael was warm and encouraging and took an instant, fatherly interest in us. He taught us everything he knew. He brought us into casting, editing, music spotting and every other aspect of production and post-production…and gave us far more responsibility than we deserved. He became our professor of television. Our mentor. Our dear friend.

Michael took us with him to lunch every day at La Serre, where he had his own table marked with his name on a brass plaque and he could schmooze with Glen Larson and all of his other industry friends. We loved it but it was bankrupting us. After a week or two, we told him that we couldn’t afford to eat like that every day. He understood. We kept eating there…but he picked up our check.

Michael wasn’t a perfect person. He had his demons. He knew that and so did I. But he used his mistakes, both personal and professional, as life lessons for me. He gave me some advice on that show that I’ve lived by ever since and have passed on to others:

Don’t get divorced.

 You are a writer, first and foremost. Don’t fall in love with your producer credit, no matter how high you climb, or you’ll limit your opportunities. The goal is to get paid to write. The rest is gravy.  

 Don’t get divorced.

 Live below your means. Your show could be cancelled tomorrow… or maybe in five years…but after that you might not work for a long time, or not as often, or not get paid as well. So sock your money away. Don’t buy a Rolls Royce or build a tennis court on a cliff.

 Don’t get divorced.

Michael was full of love, creativity, and boundless energy. Nobody. NOBODY, could tell a story like he did. The stories and anecdotes were wonderful, but the real pleasure for me was the obvious joy he took in sharing them. In fact, he taught me how to pitch by insisting that I sell our episodes to the network myself. His notes on my performance would either be: “Less Gleason” or “More Gleason.” And I knew exactly what he meant.

Every time I tell a story, I hear Michael Gleason in my ear. I know that I always will.

 

 

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