My Blog

The Mail I Get

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This is my favorite fan letter of the week:

I read a book of Criminal Minds by another author and really enjoyed it. The story was true to the characters and I learned even more about them. Everything was written very true to the TV series. Mr. Monk is Miserable, however, is way off base from the TV series. One, pill or not, Monk hates to fly and I don’t believe he would agree to fly so often because of a little pill. Is it too hard to come up with stories in the country of America that can be driven to? […] couldn’t even finish the book because it was so devastatingly off course and I would never recommend the books to anybody else. I think you need to do better research to stay true to the TV series. Read Criminal Minds and you’ll get an idea of what YOU SHOULD BE DOING!

Changing the Act

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My friend author Gar Anthony Haywood has taken a long hiatus from attending conferences. But he's coming back for Left Coast Crime next month. But he's not going to be the same guy he was in the past.

I’ve revamped the act I used to do in public settings such as this and will be testing out the new and improved one at LCC. Gar Anthony Haywood, the conference panelist who never met a punch line he didn’t like, is no more.

It won’t be an easy transition for me. Going for the laugh has always been my M.O. when faced with panel audiences. One, because humor comes more naturally to me than eloquence and, two, because I used to regard writers who can’t bring themselves to crack a smile when answering a moderator’s question as stuffed shirts with an overinflated sense of their own importance. I thought it was better to be remembered as a joker than quickly forgotten as a smart and articulate egomaniac.

Now, I’m not so sure. At least, if being the most memorably hilarious writer at a conference has any long-term benefits, I would seem to have failed to reap them.

It isn’t just humor’s questionable value as a marketing strategy that’s driving my P.R. metamorphosis, however. I’m also looking to more accurately represent the literary heft I’d like to think my more recent writing carries.

I'm not sure he's right. I've seen way too many writers who think because they write dark, brooding, moody stuff that they have to be dark, brooding and moody themselves. I am a firm believer in just being yourself, and if you happen to be funny, that's fine. Nobody likes schtick, though, whether you are telling jokes or being the darkest guy in the room. My brother Tod writes dark stuff, and he's always funny on panels, and that didn't stop him from getting nominated for the LA Times Book Prize. Craig Johnson's stuff is procedural cop stuff that borders on the literary…and he's always hilarious on panels. Hasn't stopped Craig from being taken seriously, or for his books to win widespread acclaim. I guess what I'm saying Gar, if you're reading this, is just be Gar and stop over-thinking it.

I don’t have rhythm

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Since my surgery on Wednesday, I have been trying to write with my dictation software. It hasn't gone well. Not because of the software, which has been working fine (I am using it to write this post). The problem is me and it's mental. Or maybe tactile. Or both.For some reason, the act of typing is very much linked creatively to writing for me. The dictation software has been fine for things like this post, but for fiction, it has been problematic. My sentences are coming out stilted. The words just aren't flowing. Granted, I have other handicaps working against my creativity now…pain, discomfort, drugs. Even so, I feel like I need the tactile connection/sensation of fingers on the keys to really get into the groove, the rhythm of writing. That rhythm is missing for me without the act of typing. I guess it's like trying to dance while belted into a chair. On the plus side, I seem to be a better speller with the dictation software … at least when the software gets my words right, which surprisingly is most of the time.

Yesterday I wrote an essay for the Edgar Award program and what would have taken me maybe an hour took me a lot longer. It was easier than trying to dictate fiction, though. Maybe with practice I get better at it. I hope to be back typing with my right hand again very soon.

Mirror Mirror

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I hate it when authors use reflecti0ns as a way to describe how their characters look. It always feels lazy and flat. But, for some reason, the horror cliche of having an image suddenly appear in a mirror never seems to lose its shock value. Just take a look at this:

Thanks to Alex Epstein for the link.

I’m Going Under The Knife

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..and not for the long overdue nose job, pec implants and scrotum lift.

As I mentioned a few days ago, I’m having more surgery on my right arm again today so I may be absent here for a while…

Then again, I said that before my second surgery on my arm a few years back…and I blogged the next day using my dictation software. This blogging thing is an addiction, my friends…or a desperate cry for attention…or both.

UPDATE 2-10-10: thank you for all your kind comments and support.I wasn’t able to watch the surgery this time because my arm was taking too long to numb-up so he had to knock me out.  The surgery lasted a little over an hour and my modest doctor tells me he “performed another miracle” so all is well. My arm is still numb, so I am feeling no pain…yet. I am writing this using my dictation software and am stunned at how accurate it is. Okay, time to go eat some cookies and drink some gatorade.  

A Book Made For Me

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51lYvEwlv-L._SS500_ I'm a sucker for unusual reference works about the media, whether its books, movies or TV shows (and you gotta love McFarland for publishing so many of them). Bradley Mengel's "Serial Vigilantes of Paperback Fiction" was a must-have for me, even before I read the rave reviews on Bookgasm and Bill Crider's blog.

I've always loved pulp novels like "The Executioner," "The Penetrator," "The Death Merchant," and "The Destroyer." In fact, I did a scholarly, unpublished examination of the vigilante genre myself many years ago for a UCLA class…and as research for writing my first novel, .357 Vigilante, under the pseudonym "Ian Ludlow" (yes, it's covered in this book, and accurately, too. And notice how similar the cover of his book is to mine).

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For me, the best part of Mengel's book is discovering who actually wrote the novels written under "house" names…and learning the inside story on the development of so many obscure pulp series. This book is clearly a labor of love, but it leans more towards scholarly analysis than fannish drool. It's a great book for fans of pulps, rich with details and background information, and offers a historical overview of a genre, and a class of mass market paperbacks, that are all but dead today (except for Gold Eagle's "Executioner" books). Many of these books, and their authors, would have been forgotten if not for this one-of-a-kind reference work, which also offers a glimpse at the influence and workings of book packagers/"creators" in the 60s,70s & 80s.

The only drawback of this book is the steep $45 cover price. To save a few bucks, I bought the Kindle edition, which was also inexcusably pricey at $16, especially since the book doesn't really lend itself to easy reading on an e-reader. Even so, I'm glad I bought it.

Collaboration

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My buddy Max Allan Collins talks on his blog today about his collaborations with Mickey Spillane. Here's an excerpt: 

The truth is, these are genuine collaborations, all of them. I would put them at 50%/50%. I usually take Mickey’s work, expand upon it, and extend it so that it takes up at least half of the finished product. Probably about 60% of the wordsmithing in these novels is mine. But the plot idea, and various notes, and sometimes rough drafts of endings, plus the other 40% of the writing, are all Mickey’s. That’s how it’s done. I don’t believe anything like it has ever occurred in mystery fiction, a writer of Mickey’s magnitude leaving half a dozen substantial manuscripts behind, having designated a trusted collaborator (me) to complete them.

He also talks about his collaborations with his long-time researcher Matthew Clemens, who is uncredited on the covers of Max's C.S.I. tie-ins. Max is very candid about why his name is so much bigger than Clemens' on the cover of their new "standalone" thriller, even though they equally divided the work:N335740  

A good collaboration is synergistic – two plus two equals fourteen. While there are plenty of Matt’s sentences in YOU CAN’T STOP ME, it is about as fifty/fifty a project as you can imagine…and neither of us could have done it alone.

[Bill Crider's]comment that my bigger byline on THE BIG BANG may indicate a bigger contribution by me is at odds with the truth of publishing. Often times, the bigger name of a dual byline did the least amount of work. YOU CAN’T STOP ME is very much a fifty-fifty novel by Matt and me, but my name is much larger, because I am the bigger name (at the moment). But usually with such a situation, you could safely guess that the smaller name did most or even more of the writing.

The blog post is worth reading… it's a very interesting look into the work habits of a professional writer and, to some degree, the business of writing. 

You Go, Girl!

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Mom's Cover for Amazon  My Mom, Jan Curran, is thrilled about the tremendous reader response that her memoir Active Senior Living has been getting on Amazon, the Kindle Discussion forums, and on the Kindleboard. Here are just a few examples. G Murphy writes:

This is such a heartwarming story. It helps to take the scaryness out of an independant living home. So many seniors have false impressions of the senior homes and negative ideas of living in one. This just confirms to me that having social contacts and friends as you age is so important to a person's well being. The friendships shared in this home give each resident a purpose in life and make living fun. I am 67 and have visited a senior living home in our area as a volunteer. I can so relate to the story in this book as see these people living in the residence in my town. I have told my family for years that this is the kind of place I want to live when I can no longer live alone. Friends and a sense of being needed and loved are such an important part of ones wellbeing. Jan has made us feel like we know each and everyone of these people. I look forward to another book continuing the experiences she is having. I found this book on the Kindle forum page. Good luck to you Jan. I feel I know you.

Lesley Suddard wrote:

I found myself laughing and crying with Jan, reliving her experiences moving in and settling into life at an "Active Senior Living Community", her encounters with the other "inmates", and the sweetness of the interactions with the residents there as they developed bonding friendships. Not only is this an entertaining read, but it is also an enlightening one. With my parents approaching the age where either an independent senior living facility or an assisted one may soon be required, the insights into the advantages and the pitfalls of these facilities provide kind of a guidepost for what to look for when evaluating various alternatives.

Cathy B wrote:

I bought this book for my Kindle yesterday afternoon and stayed up reading until I'd finished it. By the time I was done I felt like I knew all the people Jan met during her stay in assisted living and was as attached to them as she obviously is (and they to her). I am hoping that one day soon she will write a follow-up book so I can find out how all of "my" new friends are doing. After reading this book, I realized that even at 80 or 90 life is what you make of it. Like any other time of life, there are joys and sorrows, smiles and tears. AND there are "kooks" in every age group, LOL. Please, Jan, don't make me wait too long for an update. And give "Ed" and the others a hug from me.

Molly Cook wrote:

You'll laugh! You'll cry! You'll recognize human nature no matter how old you are, but if you're over 65, you'll probably recognize yourself and one or more of your friends. Jan is a wonderful writer who can make you laugh and shed tears in the same paragraph. Her personal account of life at "the Inn" and her courage in the face of mounting challenges show us she is the Energizer Bunny of writers. You'll be glad you met Jan Curran!

Kari Johnson writes:

Rarely do I laugh out loud while reading a book. Maybe while at home, but certainly not while reading in public. Today, I'm sure the patrons at the restaurant I lunched at thought I was nuts. Maybe it was reading about Mr. Jones and Carol Channing. Maybe because I can remember so clearly when my grandparents lived in one of these places at all the women swarmed around my very married grandfather, begging him to play the piano and sing with them. It brought back many of my own memories of hanging out with them at their facility. I cannot wait to share this book with my parents. And siblings. And children someday.

Congratulations Mom on touching so many lives with your book!