Dishing on Disher

by

Disher and Lee2 I'm sure glad I recuperated in time to meet author Garry Disher today.  I arranged to pick him up at his hotel and take him on a quick visit to Santa Monica before his 6 p.m. signing at the Mystery Bookstore. 

When I met him at the hotel, he handed me a copy of his new book BLOOD MOON and said "I dedicated this to you." I smiled and opened the book, assuming that he meant that he'd signed it for me. And he had, right there on the title page:  

Lee,

This one is for you, with thanks and admiration. 

Garry Disher

I thought that was a very nice thing to say.  And then I turned the page and was stunned to see this:

For Lee Goldberg

Holy Crap! He actually did dedicate the book to me. I hadn't done anything to deserve such an honor. I honestly didn't know what to say, so I mumbled a thank you and then rambled on about something stupid for the next five minutes as we drove towards the beach. And then I thanked him again, properly this time, by letting him know how surprised and honored I was. 

I'm still not sure why he did such a wonderful thing for me, but I am very, very flattered.  It's the second time a book has been dedicated to me –Max Allan Collins floored me a couple of years ago by dedicating a CSI novel to me. That's two more dedications than I deserved.

We had a very nice conversation over the next two hours. I learned about his writing life and methods, his family, and some of his signing mis-adventures. I also learned something about the Australian book business  – did you know authors get additional payments from book sales to libraries to take into account the books that aren't sold as a result of loaning? And there's good news for Disher fans: there's finally a new "Wyatt" novel coming in 2010. I enjoy his Inspector Hal Challis books very much, but I love Wyatt, sort of the Aussie equivalent of Donald Westlake's Parker. There's even a western version of Wyatt in one of Disher's short story collections (which gave me the inspiration to do a western version of Monk, which you will see in December). 

His signing at the Mystery Bookstore went well. He was followed by Laura Lippman, who came along with her husband David Simon, creator of THE WIRE. So I finally got to meet David, who I've admired for years. It turns out that he's a fan of SUCCESSFUL TELEVISION WRITING, the screenwriting book that Bill Rabkin & I wrote. I told David how much I love the "f-word" scene from season one and use it often when I teach and he shared some anecdotes about how the scene came about.

Garry will be speaking & signing with Laura at M is For Mystery in San Mateo on May 16.  

If you're in the Bay Area, you should go see them. He's also speaking at the First Congregational Church in Berkeley that same day.

After his Westwood signing, I took him to dinner at Jerry's Deli next door and did the fanboy thing of having him sign all the books of his that I've collected over the years.  

It was a great day and I hope I can make it down to Australia some time to see Garry on his home turf.

By the way, Garry will also be speaking & signing at the Velma Teague Library in Glendale AZ on May 19, the Poisoned Pen in Scotsdale on May 20, at Murder By The Book on Houston on May 21, and at the B&N in Reston VA on May 22. He'll also be signing with Cara Black at Mystery Lovers Bookshop on May 23 and at the Scituate Massachusetts Town Library on Tuesday, May 26. Those are just a few of the events on his national book tour…I can't seem to find the rest in one spot on the web, so check out your local independent, mystery bookstore to see if he will be coming to your area this month.

This and That

by

Sorry I have been absent from here lately. I have been absent from everything for the last two days, felled by a nasty combination of a stomach bug (that first crept up on me last weekend) and a bad back (that has plagued me for two weeks) that combined to keep me in bed and miserable. The first day I felt so lousy all I did was nap, sweat and shiver. But on the second day I continued my UK video binge and watched a WALLANDER, a LEWIS, two episodes of  THE FIXER, the latest episode of series 2 of ASHES TO ASHES, three series 2 episodes  of MOVING WALLPAPER, and an episode of MISSING.

I'm out of bed today, temperature  normal, eating again, and walking more-or-less upright (thanks to me finally giving in and seeing a chiropractor)…just in time to meet Aussie author Garry Disher tonight before his signing at the Mystery Bookstore. I am a huge fan of his work, particularly his terrific Wyatt novels (inspired by Westlake's Parker  series), which need to be read in order to truly be appreciated. I will try to behave like a professional and not a drooling fanboy.

Tomorrow, I will spend the day packing and getting prepared for my Saturday flight to London, where I will be spend a week meeting with various UK studios and networks…so you can expect more sporadic, rather than regular, posting.  

Mr. Crider Isn’t Miserable

by

51nZwbjBNLL._SS500_ Bill Crider really enjoyed MR. MONK IS MISERABLE, which will be coming out in paperback in a couple of weeks. He writes, in part:

If Monk is miserable, you can be sure I'll be happy reading about it. […] there's plenty of Monk's quirkiness, which I continue to find amusing. This is where the title of the book is somewhat misleading because before it's over, Monk has found something approaching pure happiness driving a motocrotte. Again, you'll have to read it for yourself, which is something I recommend the next time you need a good laugh, an entertaining mystery, and a tour of the Paris underground all for the same price.

Thanks, Bill!

This is My Life

by

Getting fired, in the form of a series cancellation, is a fact of life for people working in the TV industry. As an example, The Los Angeles Times reported yesterday on what it's like for the crew of the CBS series THE UNIT to be waiting, and wondering, whether their show is coming back.

If drama is life heightened, then Hollywood's bubble shows mirror much of America right now, where the specter of pay reductions, freezes and immediate unemployment is writ large. In the television industry, the phenomenon is an annual rite as network executives decide which series will be ditched to make room for new projects.

"What the country in general is going through, if you choose to work in Hollywood, you've accepted a life that is constantly like that," said executive producerShawn Ryan, who runs "The Unit" and created the FX cable channel's cop drama "The Shield." 

[…]Executive producer Vahan Moosekian is as familiar with these employment ups and downs as anyone. His four years on "The Unit" is his longest stint on any show during his 33 years in the industry, stability he knows could easily be followed by years of unemployment. With the rise of reality TV and NBC's new 10 p.m. Jay Leno comedy show, there are fewer jobs in scripted television.

I know how Moosekian feels. For years, I used to dream about what it would be like to actually be on a show that came back for a second season. It seems like every show I was on would be canceled during it's first season, or if it came back, I would leave for one reason or another before it happened. It wasn't until DIAGNOSIS MURDER that I discovered what it felt like to be on a show for several years…though we were on the bubble for renewal, not just every season, but every mid-season as well.  

I have never seen things as tough for TV writers as they are now. There are fewer scripted dramas and fewer writer/producer slots on them. Even if you are lucky enough to be on a show that gets renewed, you might not come back with it — every show is trimming expenses and writers are the first to go when networks and studios look to cut costs. 

Then again, it's tough for everybody in every industry right now.

What I’ve Read This Week

by

51CAOQdjSLL._SS500_ I’m a big fan of Bear Manor Media, a small press that publishes great books about television, film, radio and the stage. I have raved about their books here in the past (like the Encyclopedia of TV Spies and the 12 O’Clock High Logbook), so it pains me to have to say that one of their latest,  Just When You Thought it Was Safe: A Jaws Companion is underwhelming.

It’s not that it’s a bad book, but it’s simply a serviceable rehash of material that has been told over and over and over again. If you’ve never seen a documentary about the making of JAWS, or read any of the other fine books about it, than I suppose that this one provides a nice, if superficial, over-view. For me, it felt like a recap of stuff I already knew and without the depth and detail of previous accounts. Far too much of the book relies on previously published interviews and is padded with unrevealing and uninteresting interviews with d-list actors, bit players (on screen and off), and background extras (the non-speaking roles) that only the most ardent JAWS officionado would care to hear from (for the most part, their perspective adds nothing new or even vaguely interesting).  A pointless chapter on the 2005 JawsFest personifies just about everything that’s wrong with this book.

What is supposed to set this book apart from all the JAWS books and documentaries that have come before is coverage of the sequels. But it’s just that, coverage. It doesn’t go much deeper. I never really felt like I was getting into the nuts-and-bolts of how the sequels were developed, shot, and distributed. The exception are fascinating and candid interviews with director John Hancock and his wife Dorothy Tristan, who talk about their vision of JAWS 2 and why they were fired three weeks into filming. If only the rest of the book was as fresh and intriguing.Hunt

The best Bear Manor books focus on TV shows, movies, etc. that have been largely overlooked and unexamined until now. The mistake with this book (unlike, say, the book on 12 O’CLOCK HIGH in all its incarnations) is that this is a subject that has already been extensively covered…to death. There simply wasn’t a need for yet another book…especially one that doesn’t break any significant new ground. 

# # # # #

I got a big kick out of James Reasoner’s widely, and justifiably, praised HUNT AT THE WELL OF ETERNITY. It’s a throw-back, in the best sense of the word, to the pulps of yesteryear. But you don’t have to be a fan of old movie serials and comic books to enjoy this Doc Savage/Indiana Jones-esque tale, a rollicking, fast-moving, and thrill-a-minute action adventure that aspires to be nothing more than it is: pure, escapist fun. James has set the bar mighty high for the next five authors in this “ghost-written” series.

When to Self-Publish

by

Karen Opas-Lanouette, a freelance editor and ghostwriter, believes it only makes sense to self-publish if you meet three criteria, which she's posted on LinkedIn. I think her list is great:

1) You have written a memoir or cookbook that you want to share with family and friends. Professional editing and cover design/interior layout are not an issue. A POD self-publisher like Lulu or iPublish is an inexpensive way to put a book into the hands of friends and family.

2) You have a successful business and a book will enhance your authority as an expert. You prefer the 50%+ of the cover price you will receive via this process than the 7-15% you will receive via traditional publishing. You can write the initial expenses off against marketing, and declare income as you hand sell books to clients and at lectures. In this case, it is worth the money to hire a professional editor, an experienced book designer, and create a combination of printed physical copies and a POD set-up with someone like Lightning Source.

3) The expenses involved in creating a professional quality self published book are worth it to you in the same way that going on a vacation is worth it–you are unlikely to make a profit, but the mental and emotional rewards of having your book out in the world, along with the statistically slender chance that your book will hit, make it worth the money.

That is one of the most-clearheaded, accurate, and helpful posts about self-publishing that I've read in some time. I agree with everything she's said. But I would add one more important criteria — self-publishing makes sense if you have written a non-fiction book and have a built-in sales and promotional platform. In other words, if you lead seminars, have a TV or radio show, teach a class, preach to a congregation, etc…a stage from which you can promote the book and a ready-made venue/audience for selling it yourself.

UPDATE: Jane Smith pointed me to this excellent post that makes some excellent points about self-publishing Here's a taste:

4) Nearly all self-published books sell in minuscule numbers. How many friends do you have? How many could you persuade to part with cash? Well, that's how many books you will probably sell. Unless you are a seriously brilliant and dedicated salesperson and are prepared not to write any more ever again because you will be selling, selling, selling. You will lose hair, weight (hmm, good idea), self-esteem and years off your life; you will gain wrinkles, bags, and new respect for book-led publishers. You will probably not make any money but if you do, you will be rightly proud of it. But too tired to do it again. 

5) Whenever someone tells you that publishing is "broken", ask yourself who is saying this and why. Is it a published author? Is it an author who has won awards, received good reviews, has a genuine fanbase? Or is it someone who has either failed to get published or who has decided to make money out of other people's failure to do so? 

6) When you hear about a self-published book becoming "successful", (and this does occasionally happen, but much less often than you are led to believe) realise that this success nearly always happens when a book-led publisher takes on the formerly self-published book. So, is that a self-publishing success or proof that publishing is neither dead nor the future?

Fascinating, Captain

by

Star_trek02 Not only is the new STAR TREK a brilliant and exhilirating re-boot of the franchise, it could serve as a text book for writers on how to update a beloved media property. JJ Abrams and his writers manage to pay affectionate and respectful homage to the original series and all of its spin-offs…while at the same time cleverly and elegantly freeing themselves from all that has come before. 

Like CASINO ROYALE — which successfully rebooted "James Bond," another beloved, enduring franchise — the film is both comfortingly familiar and delightfully surprising. And like in CASINO ROYALE, you won't hear the franchise's iconic theme until the end, when the movie and its characters have earned it.  The one miss-step in the movie is Karl Urban as Dr. McCoy. He is the only actor in the cast who seems to be attempting an impersonation of the original performer in his part…and he does it badly. But that's a minor quibble. This is a terrific movie. 

I am already looking forward to the sequel.