The Mail I Get

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I received this from an aspiring writer:

Sorry, but I just got taken at PublishAmerica because I was stupid and then I read your blog or whatever they call it. Would you please advise me how you got into publishing your books if not indie? Your publisher is Penguin and that's a high profile publisher but what about us little guys/girls who can't get their foot in the door. I wish you would mentor people because I have almost given up on being published, well I did have something in Playgirl about twelve years ago but that doesn't count because it was on a dare from a friend. My favorite Mr. Monk book is Mr. Monk in Outer Space if that helps grease the palm. Thank and have a great day. Carolyn

It's insanely easy now…so easy, that I have no sympathy for anyone who gets taken by obvious scams like PublishAmerica. 

You can get your book onto Amazon and the Kindle — worldwide! —and onto Barnes & Noble and the Nook for free. Yes, for free.  So besides your professionally copyedited manuscript, here is what you need:

1. A cover for your book. You can design one yourself, have a friend do it, or go to any number of talented cover designers out there.

2. Your book, in Word format, formatted into .prc and .epub formats (those are the files used by the Kindle and the Nook) and PDF (the file used for the trade paperbacks published for FREE by CreateSpace and Lulu). You should leave the formatting of your books to the experts or you'll regret it later.

3. Everything you need to know about uploading your books to Amazon you can find here. Everything you need to know about uploading your books to B&N you can find here 

4. Or you can skip steps 2&3 and go to www.Smashwords.com, which will do all of that for you in exchange for a percentage of your sales. I don't recommend that, however, since their automated formatting often makes your book look funky and ultimately that costs you sales. You will, however, need to use Smashwords to get onto the Kobo, Sony, and iPad ebook platforms…and for that, you will need a specially formatted Word file, from a professional formatter, that will cut down on the number of formatting errors Smashwords would otherwise create.

5. To create a trade paperback edition of your book, I would use CreateSpace,a print-on-demand service owned by Amazon. It will cost you nothing…CreateSpace takes their cut from each sale you make. If you let your cover artist and your formatter know that you also want to do a paperback edition, they can give you the special PDF files of the cover and the interior that you will need to upload to CreateSpace to do that.

My Book Reading Weekend

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Elmore-Leonard-RaylanI rewarded myself for finishing Mr. Monk Gets Even early by spending my holiday weekend doing nothing but reading. 

I read Elmore Leonard's Raylan in one sitting and it was a pure pleasure, his best book in years. The book is very episodic, basically a series of thinly connected vignettes that the writers of Justified, the kick-ass TV show based on an earlier Raylan Givens short story, have stripped for parts over the last two seasons, using just about every character, scene, action beat, and line of dialogue. Even so, that familiarity didn't detract from my enjoyment, certainly no more so than reading any novel after you've seen the movie version. The prose is lean and fast-moving, the plotting relaxed and loose, and the dialogue sharp and witty. All in all, the perfect way to spend a Saturday in the sun. I hope Leonard writes another Raylan Givens book real soon. 

Although I've spent a lot of years as TV writer/producer, I'm still a TV nut who buys just about any behind-the-scenes book written about an individual series or about a network or studio. So I was eager to read Top of The Rock: Inside the Rise and Fall of Must See TV, NBC entertainment president Warren Littlefield's memoir of his days building the network's iconic 1990s Thursday night schedule, which included  hits like Seinfeld, Frasier, and ER.  Unfortunately, the book was a disappointment.

The book isn't so much written as it is transcribed… a collection of raw excerpts, snippets really, from interviews conducted with the key actors, writers, producers, agents, schedulers, and lawyers behind NBC's 1990s hits… and, of course, quotes from Littlefield himself. He and co-author T.R. Pearson are going for the feel of an oral history, but it comes off as disjointed and scattershot.  TopOfTheRock_jpg_150x1000_upscale_q85

There are some interesting facts and anecdotes revealed along the way, but much of the book felt like an excuse for Littlefield to settle a couple of old scores. Way too much of the book involves Littlefield and his former subordinates trashing Kelsey Grammer (described as a difficult actor with bad judgment and a substance abuse problem) and NBC president Don Ohlmeyer (depicting him as a boorish drunk with no creative instincts who contributed nothing to the success of the network's schedule) and touting his creative brilliance. It may all be true, but it still felt like sour grapes and became very tiresome.  

All in all, it's worth reading if you're student of TV history, but it's not a very good book… not nearly as fascinating, revealing or well written as  Season Finale: The Unexpected Rise and Fall of the WB and UPN, Susanne Daniels' recent memoir of programming the WB, which later merged with its rival UPN to create the CW, a book I highly recommend.

Mandrill

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Mandrill5I loved this movie. In many ways, MANDRILL is as much a loving Bond spoof as the French OSS 117 films with Jean Dujardin…though not nearly as broadly comical. Everything about the film is brilliantly on-target, from the staging to the John Barry/David Arnold-esque music. The movie is structurally an homage to DIAMONDS ARE FOREVER (stealing the teaser almost beat-for-beat) and yet surprisingly original, too.  As a child, Mandrill sees his parents killed and grows up seeking revenge against their murderer. The clever twist here is that Mandrill intentionally models himself on "John Colt," a cheesy 70s Bond/Shaft/Flint character. So you get a spoof within an homage. Cheeky. If you are fan of Bond films, Blaxploitation, and Eurospy movies, this is a must-see. Now I have to find the soundtrack!

Mr. Monk and the Happy Ending

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Mr. Monk is a MessMy seven year, three episode, fifteen book relationship with Adrian Monk has ended. I've just finished writing my last book in the series, Mr. Monk Gets Even, and I will be sending it to my editor next week after taking one last pass through it (don't despair — the book series may continue with another writer). 

My relationship with Monk has been long and wonderful. It began when  “Monk” creator Andy Breckman hired me and William Rabkin to write an episode of the TV series entitled “Mr. Monk Goes to Mexico,” which would end up being the first of three episodes we wrote for the show.

At the time, Bill and I were about to begin writing & producing the Lifetime TV series Missing and I was deep into writing the Diagnosis Murder novels, which were based on the TV series of the same name that we’d also written & executive-produced.

When Andy was approached by NAL about writing Monk novels, he declined the opportunity and recommended that I write them instead.  I took the assignment, which was an insane thing to do, since it would mean writing a new book by night every ninety days, alternating between Monk and Diagnosis Murder, while also running a TV series during the day.

That’s how much I loved Adrian Monk.

I kept up that brutal pace for two years before finally ending the Diagnosis Murder book series after eight novels.

Andy liked my first Monk novel, Mr. Monk Goes to the Firehouse, so much that he hired Bill and I to adapt it into an episode of the TV show. The episode, entitled “Mr. Monk Can’t See A Thing,” may be the first time in American TV history that a tie-in novel of a TV show has been adapted into an episode of the series….and by the author of the book, no less (if it’s ever been done before, we haven’t found it. And if it has been done, it’s obviously a rare occurrence!)

If it wasn’t for Andy’s enthusiasm and support, I doubt I would have written so many “Monk” novels or had so much fun doing them. He gave me his trust and the creative freedom to make the book series entirely my own, and for that I will always be grateful.

Mr. Monk Gets Even comes out in January…but Mr. Monk is a Mess, the second to last of my Monk novels, comes out in two weeks.

(Below is a trailer I did for a Monk book excerpt that appeared in Ellery Queen Mystery Magazine)

Giddy Up to Amazon

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The Amazon Daily Post published my essay today on how westerns influenced the writing of KING CITY, my new novel. Here's an excerpt:

A western puts a man in a lawless, unforgiving, brutal frontier, where he must somehow survive by living off the land, his wits, and his own rigid code. It’s that last bit, I think, that is the core of it all: a personal code of conduct that’s constantly, relentlessly, put to the test.

A true western character ultimately prevails against adversity because of a stubborn, unwavering faith in his own convictions and the righteousness of his cause, a determination to see the world shaped the way he wants it to be, rather than let himself be shaped by it. He doesn’t try to explain or justify himself because it’s pointless. His actions speak for him.

And as iconic and old-fashioned as that all may be, it’s so refreshing in a world where everyone, particularly heroes in crime fiction, are so self-aware and self-obsessed, so eager to accept the moral, ethical, professional, legal ambiguities in a situation rather than take a principled stand on something, regardless of whether it’s right or wrong to everyone else.

2012 Scribe Nominees Announced

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SCRIBE NOMINEEThe International Association of Media Tie-In Writers co-founders Lee Goldberg & Max Allan Collins are pleased to announce the 2012 nominees for the Scribe Award, honoring excellence in media tie-in writing, and the naming of author Kevin J. Anderson as this year's Grandmaster for his lifetime achievement in the field.

Anderson is the author of more than one hundred novels, adding up to over 20 million books in print in thirty languages. His work includes the STAR WARS "Jedi Academy" books, three internationally bestselling X-FILES hardcovers, the Superman novels THE LAST DAYS OF KRYPTON and ENEMIES & ALLIES, many novelizations (SKY CAPTAIN & THE WORLD OF TOMORROW, LEAGUE OF EXTRAORDINARY GENTLEMEN, etc.) and, of course, the ten globally bestselling DUNE novels he has co-authored with Brian Herbert. 


He has won or been nominated for numerous prestigious honors, including the Nebula Award, the Bram Stoker Award, and a New York Times Notable Book prize…and now he can add IAMTW Grandmaster to the list of his extraordinary achievements

The awards will be given at a ceremony in July at this year's Comic-Con convention in San Diego.

GRANDMASTER: KEVIN J. ANDERSON

GENERAL FICTION / BEST ORIGINAL NOVEL:

ROYAL PAINS: FIRST DO NO HARM by D.P. Lyle

MIKE HAMMER: KISS HER GOODBYE by Max Allan Collins & Mickey Spillane

BURN NOTICE: THE BAD BEAT by Tod Goldberg

SPECULATIVE FICTION/BEST ORIGINAL NOVEL

STAR WARS: KNIGHT ERRANT by John Jackson Miller

DUNGEONS & DRAGONS – FORGOTTEN REALMS: BRIMSTONE ANGELS by Erin M. Evans 

SUPERNATURAL: COYOTE’S KISS by Christa Faust

DUNGEONS AND DRAGONS: THE SHARD AXE by Marshiela Rockwell

PIRATES OF THE CARIBBEAN: THE PRICE OF FREEDOM by A.C. Crispin  KevinJAnderson-profpic


BEST ADAPTATION GENERAL OR SPECULATIVE

CONAN THE BARBARIAN by Michael Stackpole

CRYSIS LEGION by Peter Watts

TRANSFORMERS: DARK SIDE OF THE MOON by Peter David

COWBOYS & ALIENS by Joan D. Vinge 

BEST YOUNG ADULT

ME & MY MONSTERS: MONSTER MANNERS by Rory Growler (Ian Pike)

THE SMURFS movie tie-in by Stacia Deutsch and Rhody Cohon

THUNDERBIRDS: EXTREME HAZARD by Joan Marie Verba


BEST AUDIO

MIKE HAMMER: ENCORE FOR MURDER by Max Allan Collins & Mickey Spillane

DARK SHADOWS: THE LOST GIRL by D. Lynn

HIGHLANDER: ALL THE KINGS HORSES by Scott Andrews

DOCTOR WHO: THE MANY DEATHS OF JO GRANT by Cavan Scott & Mark Wright

(pictured, Kevin. J. Anderson)

Robert B. Parker is Alive and Well

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144758592Ace Atkin has pulled off a miracle. With LULLABY, he has managed not only to pitch-perfectly capture Robert B. Parker's voice and narrative pace, but also his story-telling structure, without once slipping into pastiche or parody. LULLABY rings absolutely true to Parker, and you only have to look at the first few pages of Michael Brandman's excreble Jesse Stone novel to see just how hard that is to pull off.

Moreover, LULLABY is even better than the last few of Parker's own Spenser novels. While LULLABY isn't as good as the early Spensers, it certainly fits right in with the mid-stream stuff, the period roughly between STARDUST and POTSHOT, which still makes it a wonderfully entertaining and satisfying read. It's as if Parker, not far from the top of his game, is still with us. It makes me wish Atkins would take on Jesse Stone, too.