Self-published author CJ West hosts an interesting webradio discussion with authors Joe Konrath, Boyd Morrison and Jason Pinter about whether authors should skip the NY Publishing establishment altogether and take their work directly to the Kindle and other e-book suppliers. David Wisehart's Kindle Authors blog interview with me also gets mentioned (it was funny hearing CJ seethe as he paraphrased my words and when he talked about the MWA not acknowledging self-published writers as published authors). The show is informative, lively and definitely worth a listen.
Lee Goldberg
Tied In Ties Up Another Rave
Novelist James Reasoner has given TIED IN a rave. He says, in part:
For someone like me, who’s very interested in the history of popular fiction, the highlight of TIED IN is David Spencer’s “American TV Tie-ins from the 50s Through the Early 70s”, which is almost a book in itself. It’s a fascinating historical discussion of how the TV tie-in novel originated and evolved over the years and touches on many of the books I was buying and reading when they were new. This article really brought back a lot of good memories for me. Along similar lines, also of great interest to me were fine articles by Paul Kupperberg about comic book and comic strip tie-in novels (I read a bunch of those, too) and Robert Greenberger about the connection between pulp magazines and tie-ins.
TIED IN is available as an e-book right now, with a print edition coming out soon. Either way, I don’t think you can go wrong. It’s informative, entertaining, and a must-have if you have any interest in tie-in fiction. Highly recommended.
Thanks, Jim!
Remaindered Cast
We've cast my short film REMAINDERED, which I wrote and will be directing in Owensboro, Kentucky in early September, thanks to Zev Buffman, Roxi Witt and all the other terrific folks at the RiverPark Performing Arts Center.
Eric Altheide is Kevin Dangler, a once-bestselling author trying to get back to the top…
Sebrina Siegel is Megan, his adoring fan (perhaps too adoring)
And Todd Reynolds is Detective Bud Flanek, Owensboro's answer to Columbo (as he also was in my buddy David Breckman's film MURDER IN KENTUCKY). Robert Denton and Lisa Baldwin play supporting roles. I can't wait to start working with these terrific actors, who were found thanks to the tireless efforts of our casting director Lori Rosas and our producer Rodney Newton.
I'll be keeping you updated on the production of the movie here and on the Remaindered Production Blog...and the Remaindered Facebook group.
Mr. Monk and the Meme
The Random Ramblings blog takes part in a Friday meme that quotes the first sentence of book and the fifth sentence of the 56th page. He chose my book MR. MONK IS CLEANED OUT.
The first line is:
Some guys showed up the other day at the house next door, mowed the dead lawn, and spray-painted it green.
And now, for the Friday 56, I present the 5th sentence on page 56.
I also know that anyone who has evidence that could help solve a murder has an obligation to share it with the police, regardless of whether the police have just fired you and your comely assistant.
To be honest, I like both of the sentences. They aren’t exactly moving the story forward, but I find them amusing and give a great feel for the tone of the book.
Sounds like a fun meme. Speaking of MONK, Ed Gorman gives CLEANED OUT a rave. He says, in part:
One of the things that makes this series so distinctive is the full and realistic portraits we get of Natalie and her daughter Julie. The writing here is especially strong. Lee Goldberg is good at describing the way we live now.
The old wrestling come on “This time it’s personal” applies here because Monk plans to trap, humiliate, debase and defoliate the “dude” (who said Monk is out touch?) who took his money.
A truly artful comedy that has a lot to say about the people who robbed us blind over the past three decades.
Thanks, Ed. Here’s the first line of his book DARK TRAIL.
The cigarette had two or three good drags left and Leo Guild was happy to take them.
And here’s the fifth line of page 56.
“He said that he didn’t know you were a man of honor.”
Those two lines actually do a pretty good job of conveying the feel of his terrific western.
The Same Old, Same New
It's hard enough for a book cover to stand out from the pack these days….but it's even harder when the same cover art is being used by another book at the same time. The Euro Crime blog illustrates quite a few examples, including this one, a Declan Hughes book from 2009 and a Malcolm Noble book coming out in November:
The Prone Gunman
Over the weekend, I read a slim, 1981 French thriller, published in the U.S. in 2002 by City Lights, and that I've had on my shelf for years. It's called The Prone Gunman (aka La Position du Tireur Couche ) by Jean-Patrick Manchette and it is a frustrating book. It starts off great, with some of the leanest, meanest prose you'll ever find in a noir… taking the familiar "hitman on his last job" scenario and making it seem fresh. I fell in love with the prose and the world-view. The hitman, Martin Terrier, is an odd, interesting character…hardly the smooth, self-assured, perfect killer. He's quite possibly nuts. And all of that is wonderful, especially when he returns to his hometown to reclaim his old love. But then, after a short time, the story shifts into a break-neck, almost ridiculous action-adventure, and even that is a lot of fun, before ultimately devolving, inexplicably and disappointingly, into outright farce. It's a shame, because so much of the book works so well. It's as if Manchette lost faith his story, or got tired of what he was doing, and decided that his efforts were worthy only of ridicule, but finished it anyway, using his last few pages to insult himself. The book reminded me of The Four-Chambered Villain, an obscure novel and also uneven novel about hitman that's played perfectly straight, and also of The Eiger Sanction by Trevanian, which was *meant* to be farce but, to the author's dismay, was taken seriously as thriller (as I wrote in my chapter of 100 Must Read Thrillers). At least EIGER was consistent in its tone, PRONE GUNMAN is not. But it was intriguing enough for me to buy Manchette's other book, THREE TO KILL. If I judged the book purely on the first 2/3rds, it would have earned four stars.
I also recently read Angela S. Choi's delightfully subversive Hello Kitty Must Die, sort of a chick-lit DEXTER. It was a nice diversion…and offers a fresh perspective on the sociopathic killer-as-hero sub-genre.
Wheeler On The Kindle
Legendary western author Richard Wheeler is bringing his classic, out-of-print books to the Kindle…with his acclaimed, Spur Award winning novel MASTERSON leading the charge.
Here's what Publisher's Weekly had to say about the book, which is available on the Kindle now and earned the Western Writers Of America's highest honor:
Again depicting characters with frailties as well as heroic qualities, the prolific Wheeler's 25th novel (after Aftershocks) is a sprightly romp of revisionist western history. In 1919, legendary gunfighter Bat Masterson is a 64-year-old New York City sportswriter who suddenly becomes worried about the inglorious and mostly false reputation he has endured for decades… The journey is a hoot when the old lawman finds that the public wants the legend, not the truth… This is classic Wheeler, a solid story about real people told with wit, compassion and a bit of whimsy.
The return of MASTERSON on the Kindle is good news, not only for western lovers, but anybody who enjoys great story-telling.
Scribe Award Winners Announced
The International Association of Media-Tie-in Writers presented the fourth annual "Scribe" awards, honoring such notable franchises as CSI, Criminal Minds, The X-Files, Star Trek, Stargate, Star Wars, and Dr. Who. Nominees on hand include Alina Adams (As the World Turns), Max Allan Collins (G.I. Joe), Keith R. A. DeCandido (Star Trek), William Rabkin (Psych) Stacia Deutsch (Cloudy with a Chance of Meatballs), Jeff Mariotte (CSI), Nathan Long (Warhammer), and Dayton Ward (Star Trek). The event was hosted by moderator Collins and aw
ards presenter Lee Goldberg (Monk).
Following are the nominated works. Winners are highlighted in bold.
BEST NOVEL (GENERAL FICTION)
As The World Turns: The Man From Oakdale by "Henry Coleman" & Alina Adams
CSI: Brass In Pocket by Jeff Mariotte
Psych: A Mind Is A Terrible Thing To Read by William Rabkin
BEST ORIGINAL NOVEL (SPECULATIVE FICTION)
Star Trek Vanguard: Open Secrets by Dayton Ward
Star Trek: A Singular Destiny by Keith R.A. Decandido
Warhammer: Shamanslayer—A Gotrek and Felix Novel by Nathan Long
Terminator Salvation: Cold War by Greg Cox (Tie)
Enemies & Allies by Kevin J. Anderson (Tie)
BEST ADAPTATION (GENERAL & SPECULATIVE)
Countdown by Greg Cox
GI Joe: Rise Of The Cobra by Max Allan Collins
The Tudors: Thy Will Be Done by Elizabeth Massie
BEST YOUNG ADULT (ORIGINAL & ADAPTED)
Cloudy With A Chance Of Meatballs by Stacia Deutsch And Rhody Cohon
Bandslam: The Novel by Aaron Rosenberg
Thunderbirds: Deadly Danger by Joan Marie Verba
GRANDMASTER: WILLIAM JOHNSTON
(pictured: William Rabkin & Max Allan Collins)
The First Review
Our first review for TIED IN has already come in… from the Television Obscurities blog(one of my favorites, btw)… and it's a rave. They said, in part:
TIED IN doesn’t focus solely on television tie-ins. It also covers movie novelizations, comic book tie-ins and computer game tie ins. But that actually makes it even more valuable and more interesting.
[…]my favorite essays were those that did focus on television tie-ins, especially David Spencer’s wonderful “American TV Tie-Ins from the 50s through the early 70s,” which delves into the history of television tie-in novels and examines several of the writers from those decades, including William Johnston, Keith Laumer and Michael Avallone.TIED IN is a fascinating exploration of the media tie-in business.
Sledgehammer & Whore
Screenwriter Josh Friedman has written the best blog post I have read all year…maybe in the last two years… maybe ever. I loved it. What's it about? The intersection of life, writing, and TV procedurals. Kind of. I'm not doing it justice at all, so what are you waiting for? Just read it. Here's a peek:
So I'm at a meeting with a producer the other day and he's pitching me a tv idea. As way of emphasizing why I need him and his idea, he brings forth a piece of paper. On it, my credits. He doesn't actually hand it over to me but he says this:
PRODUCER: I've been looking over your credits, pretty impressive.
ME: Thanks, we try.
PRODUCER: Seems to me you're just missing one thing from these credits. And I'm gonna tell you what it is.
ME: Please do.
At which point he turns the piece of paper towards me and I see he's written in bold black marker near the top, pointing to the list: BIG FUCKING HIT TV SHOW.
ME: Well, yes, I am missing that. Very true. I think about that a lot.
PRODUCER: That's all right. Because I'm here to change all that.
At which point he launches into his pitch for what may or not be "my big fucking hit tv show."
Now, I leave it to you to debate whether pointing out my shortcomings is a good or bad sales strategy (it rarely works for my dad but often for my wife), and I'll leave it to me to decide whether or not the idea he pitched me was the answer to my problems…
And that does not even hint at the strangeness that happens after he gets a late-night call from a hooker…