Current Affairs

A Bourne Again Holmes

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Somebody is going to write a book on how the Bourne movies have reshaped action heroes. First James Bond got Bourne Again (in CASINO ROYALE), now it's Sherlock Holmes' turn. The new Holmes, portrayed by Robert Downey Jr., is going to be as brawny as he is brainy. The New York Times reports:

Sure, he will still be smarter than everyone within a three-planet radius, and he will retain his uncanny ability to intuit whole life stories from the tiniest speck of dust on a shoe. But he will do those things while being a man of action, a chaser, shooter and pummeler of criminals — “like James Bond in 1891,” Joel Silver, one of the film’s producers, said last fall.
[…]The new Holmes is rougher, more emotionally multilayered, more inclined to run with his clothing askew, covered in bruises and smudges of dirt and blood. […]But when he applies himself, Holmes is as fast with his body — he is a bare-knuckle boxer, a crack shot and an expert swordsman — as he is with his mind.

Can a Bourne Again Robin Hood, Tarzan, and Popeye The Sailor be far behind?

Is Free, “Ravenously Referential” Fiction the Future of Publishing?

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A lot of folks have sent me a link to Lev Grossman's essay in Time Magazine that proclaims that:

Saying you were a self-published author used to be like saying you were a self-taught brain surgeon. But over the past couple of years, vanity publishing has becoming practically respectable.

He's the only person, besides a vanity press huckster, I have ever heard voice that opinion. He tries to back it up by citing a couple of the extraordinarily rare examples of self-publishing success. He neglects to mention, just like the vanity-press hucksters do, that these are extremely rare cases that represent a miniscule percentage of the self-published books printed every year.

But I'm not surprised he neglects that fact…and so many others in his essay. He's the same guy who thought Lori Jareo, the dimwit who self-published her STARS WARS fanfic and sold it as a novel on Amazon, was some kind of "unsung hero." He's also notorious for trying to jack up the rankings of his novel on Amazon by posting scores of fake, five-star reviews.

He believes that publishing books on paper, paying authors advances and giving booksellers the opportunity to return unsold books are old-fashioned practices that are so "20th century" and will soon become extinct in favor of  – drumroll please — fanfic.

Put these pieces together, and the picture begins to resolve itself: more books, written and read by more people, often for little or no money, circulating in a wild diversity of forms, both physical and electronic, far outside the charmed circle of New York City's entrenched publishing culture.

[…]Not that Old Publishing will disappear–for now, at least, it's certainly the best way for authors to get the money and status they need to survive–but it will live on in a radically altered, symbiotic form as the small, pointy peak of a mighty pyramid.
[…]The wide bottom of the pyramid will consist of a vast loamy layer of free, unedited, Web-only fiction, rated and ranked YouTube-style by the anonymous reading masses.

And what will that fiction look like? Like fan fiction, it will be ravenously referential and intertextual in ways that will strain copyright law to the breaking point.

Only someone who thinks Lori Jareo is a pioneer, and who wrote a novel about a "Boston slacker who has trouble distinquishing between reality and Star Trek," could make that prediction with a straight face. 

He's looking at publishing from within the insular world of science fiction and fantasy fandom, which bears little resemblance to reality. I don't think the majority of book-readers today– the millions who can't speak Klingon and never heard of Joss Whedon — would embrace the "ravenously referential" and poorly-written world of free literature that he desperately hopes the future of publishing will become.   

I agree with him that publishing is changing, and I suspect that ebooks and print-on-demand will be a big part of the future of the industry, but I doubt that wide popular and critical acceptance of self-publishing and fanfiction will be the ultimate result. To put it in terms Grossman would understand, I think commercial publishing, brick-and-mortar bookstores, and authors being paid for their work are practices that will "live long and prosper" in the face of new technology and new means of communication.

The Return of Character?

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The New York Times has an interesting take on the departure of  Gil Grissom (William Petersen) from CSI tonight…and what it says about the current state of TV mysteries.

Grissom has found a successor,Dr. Raymond Langston (Laurence Fishburne), a pathologist and college professor who seems to share Grissom’s slavish work ethic and kindly reticence. But Langston is not his only successor. Simon Baker, who plays Patrick Jane on “The Mentalist,” the new CBS hit, is a greater threat to the Grissom legacy. More than any other show, “The Mentalist” signals that intuition is the big new thing, while forensic science and nerdy, obsessive lab workersGrissom, the lead investigator on the show, makes a forlorn plea for his life’s work in his last episode. “People lie,” Grissom tells Langston. “The only thing we can count on is the evidence.”
Nowadays it’s the evidence that fibs.

Perhaps we are finally seeing the end of cold, forensics-driven procedural, where a team of science-spouting professionals in designer clothes track one serial killer after another.  But I would argue that it's not the success of "The Mentalist" that is driving the change…rather the continued popularity and durability of cable shows like "The Closer," "Saving Grace," "Monk," "Psych," and "Burn Notice" (not to mention that they are also less costly to produce than a glitzy procedural).

The new formula, which seems to take a nod from "Monk,"  is the eccentric detective and his no-nonsense female partner…as seen today in "The Mentalist," "Life,"  "Fringe," and "The 11th Hour."  And there's more to come. ABC's upcoming "Castle" teams up an eccentric mystery novelist with a no-nonsense female cop. I don't know yet if  the eccentric detective who can spot lies in Fox's "Life to Me" is also teamed up with a no-nonsense lady cop…but I would be surprised if he isn't.

Even with the over-reliance on that formula, I'm glad to see character making a comeback and forensics fading a bit in importance.  Character is a lot more fun to watch..and to write.

Mr. Monk and the Great Review

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Author Bill Crider reviews MR. MONK AND THE TWO ASSISTANTS on his blog today. He says, in part:

As I’ve said before (here and here), I’ve never seen an episode of Monk. Yet I have a great time reading Lee Goldberg’s novels based on the series (and I’m not even reading them in the order of their publication).
I don’t think a book in this series will ever get an Edgar nomination. Why? Maybe it’s greatest drawback is that it’s a tie-in. Tie-ins don’t get a lot of respect. Too bad, because people who don’t read them often miss a real treat. Also, there’s not a lot of heavy-duty angst.

The lack of recognition for tie-in books is why Max Allan Collins and I established the International Association of Media Tie-in Writers (aka IAMTW or I Am a Tie-in Writer) to raise awareness of tie-in books and their writers. The organization is now three years old and boasts over 100 members. We also established the Scribe Awards, honoring excellence in tie-in writing.

One of the beefs with the Edgars is that the judges seem partial to angst-ridden, hardboiled novels and neglect thrillers and light-hearted fare. I don’t know if that’s true or not, but I can understand why that perception persists — I don’t think that a “comedy” has ever won the Best Novel Edgar. That said, Gregory MacDonald won for “Best First Novel” for FLETCH in 1975 and Sharyn McCrumb won “Best Paperback Original” for BIMBOS OF THE DEATH SUN in 1988.  

The Monk books may never merit an Edgar nomination, but TWO ASSISTANTS did win the Scribe Award last year from the IAMTW for “Best Original Novel” in the General Fiction category and I am very proud of that.

Don’t Ask Me How I Found This…

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I'm a sucker for unsold pilots (I wrote the book on'em, after all), and here's a doozy: the never-aired, 2004 UPN pilot NIKKI & NORA, a proposed series about a pair of lesbian cops in New Orleans played by Liz Vassey and Christina Cox. The busted pilot was written by Nancylee Myatt, who was interviewed at AfterEllen about the experience: 

"Christina Cox and Liz Vassey were amazing as lovers and cops, and the city of New Orleans was a fabulous location to shoot: production-friendly and gay-friendly. The network has been very supportive of the show. There were very few things that they asked us to tame down, and most of those discussions happened during the script development process and long before we ever went on location. In fact, most everything we ended up putting in the final shooting draft got shot and ended up in the pilot. So the rumors about a tamer version of the show are really not true.
We did some testing during our post process and ultimately decided not to include one kiss we shot for the opening of the show, but only because it was not appropriate for the scene, not because it was too racy. I am very happy with this intimate look at a lesbian couple — after all, it is a prime-time network show, and this is ground-breaking on all fronts. Gotta start somewhere."

Vanity Consolidation

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First the vanity press Authorhouse bought iUniverse, which was one of the few "reputable" players in the largely disreputable print-on-demand, self-publishing industry. Now Authorhouse has gobbled up xlibris, too. Can Lulu be far behind?

Other rivals in the print-on-demand space include closely held Lulu Enterprises Inc.'s Lulu.com, based in Raleigh, N.C. Last October, Lulu laid off 24 employees, including its president, or nearly 25% of its work force.
"It was less about the state of Lulu and more about the economy," said Gail Jordan, a company spokeswoman. "We pared back to ride out the storm. Our company is actually doing well."

Yeah, right.  But in her comment lies the good news: the consolidation of the vanity press business means that the sleazy little fly-by-night vanity presses (like Jones Harvest)  are probably doomed. If the big-boys of sham publishing can't make it on their own, it's unlikely these tiny, far less capitalized vanity presses will be able to stay alive for long. I say good riddance.

On the other hand, Victoria Strauss fears the lack of competition among vanity presses will lead to more, and costlier, abuse of the aspiring authors who use those services.

Porn Needs Economic Viagra

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The economic crisis is touching everyone, some below-the-belt. The Atlantic reports:

Relatively small, fragmented, and unaccustomed to outside investment, the U.S. porn industry (which generated roughly $12 billion in 2007) is some what buffered from today's credit crunch, but it has its own problems. Video sales have been falling by 15 percent a year since 2005, and online content doesn't deliver the returns it used to, now that Web sites such as RedTube and PornHub basically give it away. Struggling companies need investors to help right their operations, and those that are thriving in a brutal market need funding for growth.

Light Goes out at Light Sword

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73537Victoria Strauss at Writers Beware is reporting the long-expected news that sham publisher Light Sword, which defrauded authors and was run by the talentless Linda Daly (pictured on the left) and the convicted felon Bonny Kirby, has filed for bankruptcy. Daly has also filed for bankruptcy, but it may be a lame move to keep her sham publishing operation going:

Daly's personal bankruptcy petition, which Writer Beware has seen, makes no mention of her interest in LSP Digital, or of the contracts in her/the company's possession. Also, while the bankruptcy petition for Light Sword Publishing (which Writer Beware has also seen) claims that Light Sword has had no income for the previous 12 months, LSP Digital was only incorporated last June. So what happened between December 2007 and June 2008, when Light Sword was still Light Sword, and was still publishing and selling the books that are now with LSP Digital?

Is Daly hoping that she can solve her personal and corporate credit problems by declaring one publisher bankrupt while continuing to operate the other? I can't help but be reminded of literary scammer Martha Ivery, who declared bankruptcy for her vanity press Press-Tige Publishing, but attempted to shield Press-Tige's assets by transferring them to a "new" publishing company called New Millennium. The bankruptcy trustee in her case wasn't fooled.

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Let's hope the same is true with the trustee in the Light Sword case. But it won't be too hard for him to see the truth. Daly is so inept that the web address for LSP Digital is Lightswordpublishing.com.

Bonny Kirby, Daly's publishing partner, is also the advertising director at Affaire De Coeur Magazine, which heaped glowing praise and cover stories on Light Sword …without any reference to her personal and financial connection to the sham publisher. These ethical lapses are exactly what you'd expect from a woman who is currently on probation for writing bad checks and third-degree felony theft.

I hope the fall of yet another POD scam will teach aspiring authors to be more careful about who they get into business with.