Beached

I am on my way to Myrtle Beach, SC to speak & teach at the South Carolina Writer's Conference. Other speakers/teachers include authors Michael Connelly and James O. Born and editors from St. Martins, HarperCollins, Little Brown, Random House and Thomas Dunne as well as a slew of agents. There's also going to be a rep there from Book Surge, and I've already warned the conference that I will be strongly advising aspiring writers to avoid vanity presses.

I've got to get up at 3:30 in the morning to make my flight…and since I usually go to bed around 1 or 2, I might just forgo sleep altogether and try to nap on the plane.

I've never been to Myrtle Beach and I'm really looking forward to it. I have a pretty busy schedule over the next four days, so I don't know if I will have a chance to post while I am there.

Taking Your Own Advice

I've taught writing a lot in the last few years — UCLA Extension courses, Writers University online courses, week-long seminars abroad,  conference workshops, speaking engagements, etc.  One of the many reasons I enjoy doing it is that talking about craft invigorates my own writing and helps me take a fresh look at what I am doing. That point was underscored for me this week.

I have been reading & critiquing manuscripts and screenplays for the South Carolina Writers Conference, which I am attending this weekend.  Many of the manuscripts have serious structural problems, point-of-view issues, and are bogged down in insanely dull (and unnecessary) exposition & backstory. The stories never actually get started.

At the same time, I have been wrestling with the first 40 or so pages of a "standalone" crime novel that I'm writing. I am working with a much sketchier outline than I usually do…I thought it might be exciting for me since this isn't a "whodunit" and I pretty much know where I'm going. Maybe that's a mistake, because the writing hasn't been going well. I find myself continually rewriting my work and not getting anywhere.

I was in the midst critiquing one of the student manuscripts, and writing down my advice, when it hit me — I was making the same mistakes in my work that he was in his.  I was smothering the drama and conflict in exposition, I wasn't giving the reader a chance to get invested in the characters or the story. I wasn't following that old screenwriting adage — show, don't tell. I needed to get the story started, then carefully dole out the necessary exposition in bits and pieces in ways that reveal character and generate some conflict.

Yesterday I went back and rewrote my first 40 pages yet again…dramatizing key moments that I'd buried in exposition…and suddenly it all began to work. I felt a rhythm to the writing that was missing before. The story had a pulse, a forward momentum now…and it has carried me through my writing today.

That's not to say I won't have trouble again. I'm sure I will. I have been in this situation before on other books and scripts. But what can be great about teaching, at least for me, is that it can give you the distance and perspective you need on your own work.

Selling My Signature

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 I was on ebay tonight, listing some old textbooks for my daughter. Since I can't pass a search box without typing my own name into it,  I discovered  that there's someone selling cards with my signature on them at five bucks a pop. I can' t imagine who'd want it…especially since it's not my signature. It's not even close, as you can see from the signed copy of MR. MONK IN OUTER SPACE that somebody else is selling.Monkouterspace
Which makes me wonder…why would anyone waste their time faking my autograph? There can't possibly be any money in that.

UPDATE: The guy has corrected his auction. It turns out the signature is my brother Tod's and that's worth at least five bucks. Maybe as much as  $5.25.

My Dark Past, the Sequel

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Not so long ago, I was surprised when a blogger reviewed my second book .357  VIGILANTE #2: MAKE THEM PAY. Now another blogger has reviewed it, too:

…if you're
familiar with Goldberg's TV work as a writer of middle-of-the-road
crime dramas like SPENSER: FOR HIRE, HUNTER and DIAGNOSIS: MURDER, you
may notice that the .357 Vigilante books are written in the same
glossy, straight-ahead style, albeit with slightly ramped-up sex and
violence that would probably not be too outrageous for today's
prime-time audience. I don't use "middle-of-the-road" in a disparaging
way above; matter of fact, I think television could use more shows like
HUNTER in a time when solving mysteries has become a grim pursuit,
rather than something fun (yes, I realize the concept that chasing
murderers should be "fun" sounds kinda weird, but that's what murder
mysteries are all about).

Me on Me

Writer/producer/screenwriter David Simkins (DRESDEN FILES, BRISCO COUNTY, ADVENTURES IN BABYSITTING, etc.) and writer/producer/author Marc Scott Zicree (TWILIGHT ZONE COMPANION, MAGIC TIME, SLIDERS etc.) came over to my house and interviewed me for their on-going podcast conversation about tv, movies, and sci-fi.

Lee Goldberg's resumé reads like a TV what’s-what for the last twenty years. He’s
staffed shows, ran shows, written, directed and produced them in the
U.S. and Europe. And if that’s not enough, he’s also a published
novelist. Next up: splitting the atom. Listen in.

Under their intense interrogation ("Hello, Lee, how are you?"), I don't shut up for an hour-and-a-half.

Lee & Tod at Barnes & Noble

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My brother Tod and I signed our new books (MR. MONK GOES TO GERMANY and BURN NOTICE: THE FIX) at Barnes & Noble in Calabasas today. It will be our last event together until Men of Mystery in November. I'll let Tod tell you about the Really Stupid Conversation he had with an aspiring author…I have no doubt at all that he will be blogging about it in excruciating, and hilarious, detail. I practically bit through my tongue so I wouldn't laugh.

The store is a block from my house, so a lot of my neighbors showed up, which was nice, and so did actor Matt Kaminsky (who I have killed once on DIAGNOSIS MURDER and once on MARTIAL LAW), TV writer and blogger Lisa Klink, B&N's  West Coast Regional Community Relations Director Jan Lindstrom (who treated me to a lovely lunch), KTLA's Stephanie Edwards, and my sister Linda, who took this picture (I don't know what looks worse, letting my bad arm hang at my side or hiding it behind my back, where it looks like I am scratching my ass. If I was smart, I would have just put my hand in my pocket).

We sold a bunch of books but there are still plenty of signed copies on hand if your travels take you to Calabasas, or if you are one of the TMZ or tabloid photographers who hang out in the parking lot 24/7 waiting for Jessica Simpson, Pamela Anderson, Jennifer Aniston, Adam Sandler, Angelina Jolie, or any of the other stars who shop at The Commons.

The Wild Wild Ross Martin

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Writer/producers David Simkins and Marc Scott Zicree have teamed up for a  series of podcast interviews with writers, producers and actors. They came over to my house and taped one with me the other day. But I'm sure my interview isn't going to be nearly as unique and interesting as this one:  a recording of a 1978 interview Marc did with actor Ross Martin, who played Artemus Gordon on WILD WILD WEST (and, strangely, had a recurring role as a Hawaiian mobster on HAWAII FIVE-O).  Martin was also the star voice of the cartoon SEALAB 2020…you can hear his opening narration here.

I’m Fraking Quoted

Chris Talbott of the Associated Press picked up on my blog post a while back about the subversive power of "Frak"..and quoted me in an article on the topic that is showing up today all over the fraking place.

Lee Goldberg thinks Glen A. Larson is a genius, and not because the prolific
television writer and producer gave us "Knight Rider" and "B.J. and the Bear."

It was Larson who first used the faux curse word "frak" in
the original "Battlestar Galactica." The word was mostly overlooked back in the
'70s series but is working its way into popular vocabulary as SciFi's modern
update winds down production.

"All joking aside, say what you will about what you might
call the lowbrow nature of many of his shows, he did something truly amazing and
subversive, up there with what Steven Bochco gets credit for, with 'frak,' "
Goldberg said.

There's no question what the word stands for and it's used
gleefully, as many as 20 times in some episodes.

[…]Goldberg believes Larson should get more
credit for "frak" and has posted an appreciation on his Web site. He even sought
out Larson to let him know how he feels: "I told him, 'Frak is fraking
brilliant, Glen.' "

The reporter also talked to BATTLESTAR GALACTICA cast members, novelist Robert Crais, and he even  managed (with my help) to track down Glen for a quote or two.

"Our point was to whenever possible make it a departure like
you're visiting somewhere else," Larson said. "And we did coin certain phrases
for use in expletive situations, but we tried to carry that over into a lot of
other stuff, even push brooms and the coin of the realm."

The producers of the new BATTLESTAR GALACTICA fraking love to use the word, of course.

Co-executive producer and writer Michael Angeli, an Emmy
nominee for the episode "Six of One," said using the word in scripts is
satisfying for anyone who's been censored over the years.

"It's a great way to do something naughty and get away with
it," Angeli said.

That talented motherfraker is frakin' right.

Absent

Sorry I haven' t been around here much. We have family staying with us from France and I had a book signing down in San Diego this week (on the way there, I stopped at eight Barnes & Noble stores and signed stock). I also have been preparing for some network pitch meetings and working hard on the next MONK book, which is due in a few short weeks. So, blogging has taken a back seat, though I've set aside a few things that showed up in my email this week to blog about later…

Leaving Kentucky

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This was the final day of the International Mystery Writer's Festival. CSI Creator Anthony Zuiker and I did a panel together that became a wide-ranging discussion about TV, the state of the industry, and the balance between story & high concept in a series (that's Bob Levinson, striking his usual pose, with Zuiker and me). It was a lot of fun and I think I found it as informative as the enthusiastic audience did. I caught the last stage performance of MAPES FOR HIRE (which the local newspaper reported today may be heading to Monterey as early as August) and was a presenter at the Second Annual Angie Awards, where special honors/statuettes were given to Zuiker and Mary Higgins Clark for their contributions to the mystery genre. At the riverfront "after party," I chatted for quite Watson
some time with Owensboro Mayor Tom Watson who, in addition to being extremely affable and engaging, is the widest man I've ever met. Not fat, W I D E. I mean he's just huge…and strong. He casually slapped me on the back with a hearty laugh, dislocating my shoulder and paralyzing me from the neck down for ten minutes. You don't want to arm-wrestle with this man.
All in all, I had a fantastic time…as both a participant and a play-goer, and look forward to attending the Festival again some day. A woman who came to one of my booksigning even invited me and my family to stay at her home, that's how friendly and hospitable people in Kentucky are. I lost count of how many women, young and old, called me "honey," "sweetie," "sugar," and  "sweetheart" this week. I'm afraid if my wife comes with me next time, she's going to think I slept with every woman in town.