My First Time

You can watch the SPENSER: FOR HIRE episode "If You Knew Sammy," the first produced teleplay by me & William Rabkin, here. It's absolutely free and features future movie star William H. Macy in a supporting role, which he would reprise in our sequel episode, "Play it Again, Sammy" (which was a back-door pilot).

Memory Lane

Tonight I went to a cocktail party and screening at the Academy of Television Arts & Sciences to celebrate the Archive of American Television's DVD release of the classic series STUDIO ONE. The boxed set contains 17 episodes, including the original, TV production of "Twelve Angry Men," which was long thought to be lost until a rare kinescope turned up recently in the estate of a deceased trial lawyer who collected books, movies and ephemera about the law. So much our priceless TV history has been lost through carelessness and stupidity, but that's another story…

You never know who you are going to bump into at these events and, for me, this one became an unexpected opportunity to revisit the start of my career in television. I ran into Bruce Bilson, who directed the first script Bill Rabkin & I ever had produced, an episode of SPENSER FOR HIRE. We chatted for a bit, and then I spotted Leonard Stern walking across the room. He was one of the executive producers of MURPHY'S LAW, a short-lived series starring George Segal that was our first staff job. I was pleased and flattered that Stern not only remembered me and Bill, but also my book "Unsold Television Pilots" (Stern, in addition to being a legendary writer/producer, is also a publisher, one of the partners behind Price Stern Sloan and now Tallfellow Press).

Jack Klugman, a veteran of many live TV productions, was also at the cocktail party (he was there to speak on a panel after the screening). I said hello, reminded him who I was, and thanked him again for guest-starring in one of our best DIAGNOSIS MURDER episodes, "Voices Carry." I liked the episode and his performance in it so much, that I ended up writing a prequel — the novel "Diagnosis Murder: The Past Tense," which became the most widely acclaimed of the eight novels in the series.  I told him that, too.  He seemed flattered, or maybe he was just being polite.

For a TV nut like me, being able to go to events like this is one of the great things about living in Los Angeles.

Do I Have A Sign Around My Neck that Reads “Ask Me an Incredibly Stupid Question?”

Five hundred people, mostly women, showed up to see fifty male mystery authors at the 9th annual Men of Mystery luncheon and booksigning in Irvine today. During the autograph session, I was sitting at a table signing books with Thomas Greanias and my brother Tod when a guy came up to me to ask a question…

"My wife read a Monk book you wrote, I don't know which one, but he was wearing a raincoat."

"Okay,"  I said.

"She thought it was terrible.  Have you written a Monk book that's good?"

"And she thinks your brother is fat and that you're stupid," Tod said to me.

I laughed. The guy looked at Tod. "I don't understand."

"You just came over here and told Lee that your wife hated his book."

The guy looked at Tod with a bewildered expression on his face. "That's why I want to know which one is good." He looked at me. "Can you recommend one?"

"What didn't she like about the book?" I asked.

"She said it was very, very dark."

"My Monk book," I said.

"Yes," he said. "The one with the raincoat."

"Oh, that must be the Monk book I wrote about pedophilia," I said.

To be honest, I forgot what was said after that though I remember that my brother was busy typing on his Blackberry, giggling to himself as he updated his Facebook page with the conversation.

Later, at the end-of-the-day signing, a woman came up to me and asked:

"Did Dick Van Dyke have any medical training?"

"No," I said.

"Then how was he able to play a doctor on TV?"

"He was acting," I said.

"You can do that?"

"Tobey Maguire wasn't bitten by a spider and imbued with super powers and he was able to play Spiderman."

She shook her head in astonishment. ""Weren't you worried about getting sued by people? What if they followed his advice and got killed?"

"Then they were too dumb to live," I said. "Natural selection."

She walked away. I think she was insulted.

Finally, at the cocktail reception for the authors, a woman standing beside me said hello.

"I'm Carole," she tugged at the name tag on her chest. "Want an excuse to stare at my boobs?"

"Do I need one?" I asked.

"It helps," she said.

"I'm a happily married man," I said. "The only boobs I'm allowed to stare at are my wife's."

I walked away and immediately told the story to Col. Bob Levinson and Alan Jacobson and pointed the woman out to them. I'm not sure, but I think Bob rushed over there for a look.

Beached 4

PA230004 (2)The sun was out today in Myrtle Beach, where  I am speaking at the South Carolina Writer's Conference. I had some interesting encounters today…in the elevator, a woman said  to me:

"How much of your books does Tony Shalhoub write?"

"He doesn't write any of part of them," I replied.

"Then why is his face on the cover?"

"Because  he plays Adrian Monk on the TV show."

She narrowed her eyes at me. "Don't you think that's deceiving readers?"

Another woman came up to me later in the day and said "Your books are very funny. Why aren't you as funny in person?"

Before my screenwriting seminar, a woman approached me and said "I'd like to attend your class but there's a more interesting one  at the same time."

Other than those comments, it has been a great day…a long one, and tiring, but a lot of fun anyway. And I had the pleasure of signing with my friend Michael Connelly and introducing him as our keynote speaker. He was an engaging, self-effacing, and inspirational speaker, as always.

Tomorrow I have  two more classes/seminars and then I take a late flight back to Los Angeles. 

Beached 3

This was the first day of the South Carolina Writer's Conference and I was kept pretty busy. I managed to sneak in a long walk on the beach before the rains came (which have lasted all day and into the night) and my three-hour  "Breaking Into TV Writing" seminar.   I had a great class of aspiring writers and don't have a single stupid question to share with you — though one guy did walk out when I told him I wasn't interested in reading his scripts or his novel-in-progress. I am constantly surprised by how many people read this blog — three people came up and chatted with me about posts they enjoyed or things that they've learned. One woman thanked me for steering her away from making a very expensive mistake with a vanity press. She was so anxious to get her novel published and the vanity press seemed like an attractive short cut to her — but then she realized it was her desperation talking and not her good sense. It made me feel really good to know I saved at least one person from those scammers.

Beached

I am on my way to Myrtle Beach, SC to speak & teach at the South Carolina Writer's Conference. Other speakers/teachers include authors Michael Connelly and James O. Born and editors from St. Martins, HarperCollins, Little Brown, Random House and Thomas Dunne as well as a slew of agents. There's also going to be a rep there from Book Surge, and I've already warned the conference that I will be strongly advising aspiring writers to avoid vanity presses.

I've got to get up at 3:30 in the morning to make my flight…and since I usually go to bed around 1 or 2, I might just forgo sleep altogether and try to nap on the plane.

I've never been to Myrtle Beach and I'm really looking forward to it. I have a pretty busy schedule over the next four days, so I don't know if I will have a chance to post while I am there.

Taking Your Own Advice

I've taught writing a lot in the last few years — UCLA Extension courses, Writers University online courses, week-long seminars abroad,  conference workshops, speaking engagements, etc.  One of the many reasons I enjoy doing it is that talking about craft invigorates my own writing and helps me take a fresh look at what I am doing. That point was underscored for me this week.

I have been reading & critiquing manuscripts and screenplays for the South Carolina Writers Conference, which I am attending this weekend.  Many of the manuscripts have serious structural problems, point-of-view issues, and are bogged down in insanely dull (and unnecessary) exposition & backstory. The stories never actually get started.

At the same time, I have been wrestling with the first 40 or so pages of a "standalone" crime novel that I'm writing. I am working with a much sketchier outline than I usually do…I thought it might be exciting for me since this isn't a "whodunit" and I pretty much know where I'm going. Maybe that's a mistake, because the writing hasn't been going well. I find myself continually rewriting my work and not getting anywhere.

I was in the midst critiquing one of the student manuscripts, and writing down my advice, when it hit me — I was making the same mistakes in my work that he was in his.  I was smothering the drama and conflict in exposition, I wasn't giving the reader a chance to get invested in the characters or the story. I wasn't following that old screenwriting adage — show, don't tell. I needed to get the story started, then carefully dole out the necessary exposition in bits and pieces in ways that reveal character and generate some conflict.

Yesterday I went back and rewrote my first 40 pages yet again…dramatizing key moments that I'd buried in exposition…and suddenly it all began to work. I felt a rhythm to the writing that was missing before. The story had a pulse, a forward momentum now…and it has carried me through my writing today.

That's not to say I won't have trouble again. I'm sure I will. I have been in this situation before on other books and scripts. But what can be great about teaching, at least for me, is that it can give you the distance and perspective you need on your own work.

Selling My Signature

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 I was on ebay tonight, listing some old textbooks for my daughter. Since I can't pass a search box without typing my own name into it,  I discovered  that there's someone selling cards with my signature on them at five bucks a pop. I can' t imagine who'd want it…especially since it's not my signature. It's not even close, as you can see from the signed copy of MR. MONK IN OUTER SPACE that somebody else is selling.Monkouterspace
Which makes me wonder…why would anyone waste their time faking my autograph? There can't possibly be any money in that.

UPDATE: The guy has corrected his auction. It turns out the signature is my brother Tod's and that's worth at least five bucks. Maybe as much as  $5.25.

My Dark Past, the Sequel

357 Vigilante 2
Not so long ago, I was surprised when a blogger reviewed my second book .357  VIGILANTE #2: MAKE THEM PAY. Now another blogger has reviewed it, too:

…if you're
familiar with Goldberg's TV work as a writer of middle-of-the-road
crime dramas like SPENSER: FOR HIRE, HUNTER and DIAGNOSIS: MURDER, you
may notice that the .357 Vigilante books are written in the same
glossy, straight-ahead style, albeit with slightly ramped-up sex and
violence that would probably not be too outrageous for today's
prime-time audience. I don't use "middle-of-the-road" in a disparaging
way above; matter of fact, I think television could use more shows like
HUNTER in a time when solving mysteries has become a grim pursuit,
rather than something fun (yes, I realize the concept that chasing
murderers should be "fun" sounds kinda weird, but that's what murder
mysteries are all about).

Me on Me

Writer/producer/screenwriter David Simkins (DRESDEN FILES, BRISCO COUNTY, ADVENTURES IN BABYSITTING, etc.) and writer/producer/author Marc Scott Zicree (TWILIGHT ZONE COMPANION, MAGIC TIME, SLIDERS etc.) came over to my house and interviewed me for their on-going podcast conversation about tv, movies, and sci-fi.

Lee Goldberg's resumé reads like a TV what’s-what for the last twenty years. He’s
staffed shows, ran shows, written, directed and produced them in the
U.S. and Europe. And if that’s not enough, he’s also a published
novelist. Next up: splitting the atom. Listen in.

Under their intense interrogation ("Hello, Lee, how are you?"), I don't shut up for an hour-and-a-half.