Brash Buzz

B-aloneBrash Books is launching tomorrow with thirty books by twelve amazing authors…and I am SO excited. I’m pleased to say that the buzz has already been very positive. For example, last week Kirkus Reviews did a great interview with me and my Brash cofounder  Joel Goldman . Here’s an excerpt:

The Brash editions I’ve seen so far are handsome, trade-size paperbacks, with bold cover imagery and elegant interior design. “Joel and I decided right off that we were either going to do this ‘first-class’ or not at all,” says Goldberg, “with high-quality covers that vividly and definitively establish a franchise for each author or series that we are publishing. We also decided that our covers would be contemporary, regardless of when the stories take place, and that they would pop in thumbnail but be rich in details and textures when seen full-size. We believed that strategy, that look, would instantly set us apart from our competitors, many of whom are either marketing their books with ‘vintage paperback’ or ‘pulpy’ covers that immediately date the product, or are churning out hundreds of generic covers based on a few rigid templates to control their costs. It was a pricey decision for us to make, but we believe it’s the right one.”

Will the gumption and gusto shown by Brash Books help it triumph in an increasingly decentralized publishing environment, one that’s already spawned other paperback reprint houses (such as Hard Case Crime and Stark House Press)? It’s hard to tell. The two partners behind it, though, are certainly optimistic. “We wouldn’t be investing this much of our money into Brash if we didn’t love each and every book we are publishing,” Goldberg states. “We are also having a lot of fun together doing this. Yes, it’s a business. But it’s also been really exciting and fulfilling…especially when an author, or an heir, tells us how much they love the books and how much it means to them, emotionally, to see them brought back in such beautiful new editions. You can’t beat that feeling.”

We had so much to say that J. Kingston Pierce, the writer of the interview, took the quotes that he couldn’t fit into his Kirkus piece and ran it as a long, detailed post on his excellent blog The Rap Sheet. Here’s an excerpt:

Treasure Coast 3D copyJKP: Do you worry that with such a huge single-month rollout, some of the individual works you’re publishing might get lost?

JG: We’d be crazy if we didn’t worry about that, because we don’t want to publish more books than we can support.

LG: But we also wanted to make a big splash, to launch with a list of books that truly announces who we are, that represents the range of work that we’re publishing, and that demonstrates the high quality that sets us apart from our competitors.

JG: Our marketing plan is a solid mix of old-school and new-school promotion, including magazine and convention ads, online ads, social media, and our killer Web site. We’ve hired an ad agency and a PR firm to help us, and we’re going to as many conventions as we can to get the word out.

LG: The best advertisements we have are our books and our authors. People are blown away by how gorgeous our books are and are very enthusiastic about the authors we’re publishing. Those readers are spreading the word for us better than any tweet or Google ad can.

And if that wasn’t enough, Publishers Weekly gave our premiere novel, Tom Kakonis’ Treasure Coast, a great review:

After more than a decade’s absence, Kakonis (Michigan Roll) returns with a darkly humorous caper novel that throws together an odd mix of characters whose conflicting aims and shifting alliances result in mayhem on Florida’s Treasure Coast. Failed gambler Jim Merriman makes an ill-considered promise to his dying sister to “watch out” for her hapless 21-year-old son, Leon. Con man B. Noble Bott and his assistant, Waneta Pease, are concocting a new scheme with Waneta serving as a medium to put the living in contact with the departed. Mismatched debt collectors, racist thug Morris Biggs and Latino Hector Pasadena, are about their nasty business, which includes Leon. Billie Swett, naïve trophy wife of Big Lonnie Swett, is the piece that will inadvertently connect them all. A hastily concocted kidnapping scheme, an ape-like PI named Don McReedy, and an incipient hurricane stir the plot. Kakonis overwrites at times, but he still offers strong entertainment.

We’re expecting more articles and reviews about Brash in the coming days. But what I really can’t wait to hear is what you think of our books… and whether you believe that we are living up to our motto: we publish the best crime novels in existence.

Talking About Me

As if you don’t get enough of me right here, there are two Q&A interviews with me on other blogs today.

My good friend, the Emmy-winning TV writer Phoef Sutton, grills me on his blog. You may not have heard about this, but like me, he’s writing a series of books with Janet Evanovich.

I also reveal deep, dark, horrible secrets about myself to the interrogators at Writer At Play. The interview is in two parts and features a naked pictorial of me.

Naked-Burt-766000

 

 

 

A Birthday Surprise

Got a great birthday present today… my first copy of THE CHASE arrived in the mail.

Wow -- Look What I Got today!
Wow — Look What I Got today!

But the big birthday surprise was the fine print on the cover.

New York Times Bestselling Author? Really? Holy Crap.
New York Times Bestselling Author? Really? Holy Crap.

I crapped myself when I saw that. I’ve dreamed my whole life of seeing that fine print by my name on the cover of a book. The timing couldn’t have been better. Thank you, Janet, for making it possible!

Janet Evanovich and THE HEIST on CBS THIS MORNING

Janet Evanovich was a guest on CBS THIS MORNING on June 17th to talk about THE HEIST and how we wrote the book together. Although I wasn’t interviewed, I was there in spirit and in the flesh…I was in the green room and was on camera in candid shots several times during the show (I didn’t realize they had a camera in the green room! They caught me chatting with Sen. Dick Durbin at one point and later with Janet before she went on the air). I thought Janet did a fantastic job!

How We Wrote THE HEIST

Janet and leeI was going to write a blog post about how Janet Evanovich and I came up with THE HEIST…and how we write together…but reporter Rich Heldenfels at the Akron Beacon Journal did such a great job doing it for me in a great interview with us, I may not bother. Here’s an excerpt:

“But with two halves miles apart. Evanovich lives and works in Florida, while Goldberg is based in Los Angeles. So there were phone calls, and some visits to Florida by Goldberg, and help from Evanovich’s daughter Alex and son Peter, both of whom work for her company Evanovich Inc.

“We spent a lot of time talking at first, and coming up with the characters, and making sure they were the characters we had been dreaming about, and who they were, what were their aspirations. We made long lists of character analysis,” Evanovich said.

But — surprising in a crime-novel writer — Evanovich said, “I suck at plotting out a book. It’s just not my thing. And Lee is brilliant at it. So, after we set up our characters and our mission statement, Lee went off and set up the plot.” A world traveler, he also knew most of the locations firsthand. (“The only place in this book I haven’t been, and Janet hasn’t been, is Indonesia,” Goldberg said. “So I called people I know who have been there, and did a lot of research.”) But there’s an Evanovich touch in the romantic-sexual tension between Fox and O’Hare.

Since Evanovich was busy with a new Plum novel, Goldberg wrote the first draft of The Heist. Along the way, he sent pages to Evanovich, who made comments before Goldberg continued.

When the first draft was done, “by that time I was done with my Plum, and I took it over,” Evanovich said. “I did a very extensive editing of it  because we wanted a product that would satisfy my readers as well as his audience. My job was to take all of the good stuff he did and put it into my voice” — while retaining a sense of Goldberg’s style.

“I learned so much from her about writing, and about telling stories, and about humor,” Goldberg said of their work together. “She has raised my game enormously. I’m learning all sorts of new things.  There’s a humor that only Janet does. She can take something that I’ve written, for instance, and just by deleting a line or two, or twisting the phrasing, suddenly raises it 1,000 percent. Or she will put in a female point of view that I never would have thought of in a million years.”

To find out more, check out the article.