My Blog

No More Life on Mars

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ABC has cancelled the US version of LIFE ON MARS. But in an unusual move sure to please fans, they are going to let the producers shoot a final episode that wraps things up. The series only lasted a few episodes longer than the UK original which was, in just about every way, better than the U.S. version, despite the likes of Michael Imperioli and Harvey Keitel in the cast. The question now is…will they use the same ending as the British original or come up with a new fate for time-traveling cop Sam Tyler?

Trust Me, It Gets Better

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TERMINATOR: THE SARAH CONNOR CHRONICLES showrunner Josh Friedman and DOLLHOUSE showrunner Joss Whedon are well aware that viewers haven't been happy with the last three episodes of their respective shows. DOLLHOUSE star Eliza Dushku is urging viewers to stick around until episode six, when the show really gets good:

"[…] Joss is best off left alone to do his thing. That happens around episode six—six through 13 are just extraordinary. I love one, two, three, four, and five, but Joss’ first script that he did after the pilot is number six, which is called “Man On The Street,” and it is just unbelievable. From that point on, the world unfolds in Joss’ way, with Joss’ speed, and it’s really remarkable. "

Only it happens five episodes too late for all but the most rabid Whedon fans. Meanwhile, Friedman acknowledges on his blog that his show, now in the final legs of it's creatively wobbly and ratings-challenged second season, may have gotten bogged down the last few weeks in Sarah Connor navel-gazing, but it's going to rebound:

[…]some months ago I determined to steer the show towards its title, towards Sarah Connor. I wanted to explore not simply the idea of chasing Skynet and all that that entails, but also the psychological effects of doing so. It wasn’t enough to just hunt/fight/protect; I wanted to see what was going on inside her head, especially when those around her doubted her. Now some of you find that interesting, some of you don’t, some of you probably would but don’t think I’ve done a good job depicting it. And most of you are just pissed there’s not enough Cameron.
Is it difficult starting up with dark, psychological episodes after being gone for two months? Seems that’s the case. People are worked up about the Friday night thing and the ratings and I probably underestimated that microscope in my desire to explore Sarah and her demons. To be completely honest, the network warned me not to do it but I felt (and still feel) these stories […]were/are vital parts of the show.

He was even more candid about the short-comings of the last string of episodes in an interview with I09.

He wanted to show the aftermath of terrible things happening, and he was in love with the idea of a whole town that's struck by tragedy. Unfortunately, the execution wasn't as great as it could have been.

"Don't feel bad about not liking 'The Desert Cantos,'" Friedman told me.

Friedman said the writers wrote down all 22 of the season's episodes on a white board, and then went through and erased the weakest episode, and then the next weakest, until they were left with the best, by common consent. "The Desert Cantos" was the first episode to get erased, said Friedman.

The good news is, the remaining six episodes are among the best, according to all the writers. And the last three episodes of the season are all in the top four episodes of the season according to the writers' room consensus, said Friedman.

I admire both of these guys very much as writers and as showrunners, but c'mon, what were they thinking? In this highly competitive primetime environment, no series can afford to have three episodes in a row that suck…especially the first episodes that are intended to be sampled by new viewers. 

It's a lot ask viewers today, especially those sampling a show for the first time, to stick around if the first episode or two that they see doesn't wow them. Or, as New Jersey Star Ledger critic Alan Sepinwall put it:

But this whole "things get better X number of episodes" routine from skiffy showrunners is starting to get annoying. And even if Friedman's right, good lord were these episodes a slog. […]Some combination of actress, writing and network notes have made Sarah Connor — a character so iconic she got her name in the title over future messiah John — into this opaque nothing. […] Either Friedman's telling the truth and the show is about to take an abrupt turn for the better, or he's not and it'll be canceled soon (and I'll be gone before that happens). This was a bad, bad stretch for the show. End of story.

I've been a TERMINATOR fan since the pilot, so I will probably stick with it until the bitter end, even though it has been very uneven this season…and downright boring for the last three weeks. But DOLLHOUSE lost me after episode two and I can't think of any reason to come back for episode six.

The Mail I Get

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Barbara Early sent me this amusing email

I thought you'd like to know what Amazon is recommending to readers of your books. I'm not sure what make of it. 

Dear Amazon.com Customer,

We've noticed that customers who have purchased or rated Mr. Monk Goes to the Firehouse by Lee Goldberg have also purchased Inside Animal Hoarding: The Case of Barbara Erickson and her 552 Dogs by Arnold Arluke. For this reason, you might like to know that Inside Animal Hoarding: The Case of Barbara Erickson and her 552 Dogs will be released on March 15, 2009. 

The book is described as an indepth look at "one of the largest and most intriguing cases of animal hoarding in recent history." Why that story would be of interest to Monk readers is beyond me. But it does give me an interesting idea for a character that Monk can encounter in the next book…

Your Mouth Drives Me Crazy

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That’s the title of my friend HelenKay Dimon‘s widely-acclaimed romance novel, now out in a mass-market edition. If the title alone doesn’t make you pick up the book, the punchy back-cover copy will:

Annie Parks came to Hawaii to gather information and settle a score, not spend time handcuffed to a sexy stranger’s bed. Okay, so this particular stranger saved her from drowning after she was pitched overboard by some goons. And he’s about six feet of hard, Hawaiian muscle and gorgeous cool that’s making forgotten parts of her say, “A-lo-ha!” She needs to stay focused, but a side dish of Kane Travers is awfully tempting.
Kauai Police Chief Kane Travers is not a vacation kind of guy. So it figures that when Internal Affairs suspended him, he’d end up rescuing a sarcastic, dishonest, extremely hot redhead who is clearly hiding something. Amnesia? Yeah, right. Kane’s got half a mind to give Miss Whoever She Is something she’ll never forget. His cop senses tell him that the lady’s in deep and needs his protection. But how can he get her to tell him anything when his mouth won’t stop covering hers?

If YOUR MOUTH DRIVES ME CRAZY is half as much fun as the jacket copy, you’re in for a treat. You can win a free copy at Alison Kent’s blog just by telling her something about your mouth…but you’d better hurry, the drawing ends on Monday, March 2 at 8 p.m. CST.

Mr. Monk Gets Another Nice Review

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Gary Mugford at Mugshots gives MR. MONK IN OUTER SPACE a thumbs-up. He says, in part:

Goldberg has lots of fun at the expense of the typical SF convention-goer, but there seems be a respect deep down. […]But it’s really almost an Ambrose book. It’s Ambrose who provides the needed insight into the TV series, since he’s an expert on the show. It’s little insights into Ambrose that makes this something different rather than the same old, same old. That’s why this book gets a thumbs up. Goldberg continues to expand the tight little world that is Adrian Monk. As we head to the eighth and final TV season, it’s going to get harder and harder to find new sides to the mystery that is Monk. But for the time being, Goldberg continues to deliver solid entertainment in new and surprising ways.

Thanks, Gary!