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Unsold Television Pilots: Everything You Never Saw on TV

July 17, 2015 by Lee Goldberg

My book UNSOLD TELEVISION PILOTS 1955-1989 is back for the first time ever as an ebook (for Kindle, Apple, and Nook) and as a single volume trade paperback. I began writing it when I was nine years old. By the time I finished it, I was in my early twenties and was far enough along in my TV career that one of my filmed, unsold pilots actually became an entry in this book (If You Knew Sammy, a potential spin-off from Spenser: For Hire). I appreciated the irony. It somehow seemed fitting.

The book was written in those dark ages when information couldn’t be Googled….when research meant spending thousands of hours in libraries, going through books, magazines, newspapers, and microfiches (remember those?) and digging through dusty file cabinets.

At the time, unsold pilots were a mystery, and there was no single resource for finding out information about them. This book became that resource. It was the first compendium of its kind. And to my shock, and delight, the book became a sensation when it was published, leading to scores of articles, national TV interviews, a paperback abridgement (since republished as The Best TV Shows That Never Were), and over the years not one, but two network TV specials, The Greatest Shows You Never Saw (which I produced) on CBS in 1996 and The Best TV Shows That Never Were (which I wrote and produced) on ABC in 2004. The biggest thrill for me, though, was sitting in the audience of The Tonight Show with my wife Valerie while Johnny Carson, a certified TV legend, held the book in his hand, talked about how much he liked it, and then did a comedy bit based on it.

Over the years, readers have alerted me to mistakes in the book… the most embarrassing of which were the inadvertent inclusion of a few pilots that actually did sell and became series. Cringe. I’ve deleted those entries from this edition but made note of them to preserve the integrity of the original index (the pilots are listed by entry numbers, not page numbers).

I’ve also received hundreds of letters and emails from many attentive readers, who corrected errors, gave me additional details on dozens of pilots and alerted me to some unsold pilots that I’d missed. I’d like to single out Barry I. Grauman and Bill Warren for their eagle eyes and keen knowledge of television.

I’ve corrected most of the errors in the book (I say most, because I did my best to get’em all but I’m sure I missed some) and added some of the new details. However, I haven’t added any substantive new material. The few unsold pilots that I missed in the book have since been noted in the other reference works on the topic that followed mine over the last twenty-five years.

Oh, who am I kidding? The truth is, I didn’t add any new stuff because that would be the path to madness for me. I wouldn’t be able to stop until I brought the book entirely up-to-date, adding all of the unsold pilots produced since 1989.

I’ll share with you my dark secret. Since the day I finished this book, I’ve continued to compile information for a follow-up edition and possible new TV specials. I’ve transferred all my old VHS tapes of unsold pilots to DVD…and I grab any new unsold pilots I can get my hands on or that I can record off-the-air. I still clip, literally and virtually, every article that I see about pilots-in-development. But in this age when it’s so easy to find information on the web, when everything is databased (including, probably, every word of this book), it becomes increasingly unlikely that I’ll ever write a sequel to this book covering 1989-to-present.

And yet… I keep gathering the information. So why do I do it?

It could be because I’m mentally ill. Or maybe because it’s a habit that I started when I was seven years old and I’ve never entirely grown up. I’m still that kid inexplicably fascinated by all those lost pilots, those would-be TV series that never were…

The Best of the Worst is Back

June 27, 2015 by Lee Goldberg

The Best TV Shows That Never Were by Lee Goldberg

I’m delighted that my book The Best TV Shows That Never Were was published this week in slick ebook and trade paperback editions. But it’s not a new book. It was originally published back in 1991, following the enormous success of my big, fat hardcover Unsold Television Pilots 1955-1989 (which is coming out very soon as an ebook, for the first time ever, and for the first time in a new, single volume trade paperback edition). The original plan by Citadel Press back in ’91 was simply to release that book as a paperback. But when that proved too costly, the publisher decided they wanted a slim “Best Of” edition instead. I thought it was a mistake, but reluctantly went along with the idea, figuring it might be the first in a series of books. A pilot of its own, so-to-speak…

They gave the book the unwieldy and misleading title Unsold TV Pilots: The Almost Complete Guide to Everything You Never Saw on TV, 1955-1990. Even so, the book was a big success and established the format for the two, hour-long network TV specials that would follow: The Greatest Shows You Never Saw on CBS and The Best TV Shows That Never Were on ABC. I figured TV specials made much more sense than book sequels, and were also a lot more lucrative financially, so that was where I focused my energy (that said, the section in this book on TV series revivals did inspire me to write a spin-off book on the subject, which was published in 1993, and that I’ll soon be re-releasing, updated and revised, as Television Fast Forward).

There have been hundreds of great … and truly terrible… unsold pilots in the years since this book was first published, but I haven’t added any of them to this edition, though I’ve added some new information here and there. Perhaps I’ll do a new, sequel volume some day…or, more likely, another TV special. Until then, I hope you enjoy the 300 pilots in this book!

The Mail I Get – Follow Up Edition

June 7, 2015June 7, 2015 by Lee Goldberg

I heard back from that 12-year-old girl who wrote me the other day, asking if she was too young to write & produce her own TV series. I basically told her there was no hurry, and to use the years to come to learn about the business and hone her craft. She replied:

Thank you for all of the advice! I know for right now I my work won’t amount to do squat but when I’m older hopefully it will. My only fear is that between, competitive swimming, Improv, School, making music, trying to become a better artist, Church, mission trips, wanting to spend time with my family, traveling, writing, wanting to be social, and at least relaxing a little I’ll lose the will to do what I want.

Relax, you’re 12. You have plenty of time! And this is the age when you are supposed to be exploring all of those other things. Who knows, you may discover a passion that means more to you than writing for TV, and that’s fine. Your interests and priorities are bound to change as you get older, learn more about the world, and grow as a person. It’s not something to be anxious about but to embrace.

The Mail I Get – Advice Edition, the Sequel

June 6, 2015June 5, 2015 by Lee Goldberg

For some reason, people come to me for advice. As if I know anything, which I don’t. But occasionally, I’ll fake it.

I’ve been an avid reader all my life, and have recently been looking at changing my passion into a living by hoping to go into publishing/editing. Unfortunately, I have no idea where to start. College is an obvious beginning, but could you possibly point me in the direction of which majors would be the most useful in this journey? I’d appreciate any and all insight and advice you could provide. Thank you for your time in reading this.

Most editors I know have degrees in literature or communications. An MFA in Creative Writing would be helpful…and would also give you the credentials to teach as well. The bottom line is that you need to have a thorough understanding of fiction… of the craft of writing and the structure of novels…so that you can work with authors. Alternatively, a business degree and/or an MBA would be helpful, too, so you can navigate the corporate/political/business world of a publishing company.

Here’s a request for advice that I got from a 12-year-old girl…

I know that this is totally ridiculous but I want to write a show, and I am twelve years old. I know it’s impossible. It’s just I have had the idea for a show for years now and I tried writing it as a book but I would love to see it on TV instead. I would also like to write my show if anyone ever even thought about even making it a reality because I don’t want people to twist my years of work into something that’s…not mine. However, like I said I’m twelve years old and this is probably a waste of time but, how would I know, I’m twelve. There are some people out there who have done great things at a younger age. So please just tell me if you think that this dream is complete crap or if I might have a chance.

You are clearly very articulate and sharp for a 12 year-old. But I’ve got to be honest with you, there is virtually no chance of writing a TV series at your age. First off, networks don’t buy ideas. They buy the execution of ideas. There’s nothing revolutionary about, say, BLUE BLOODS. It’s a show about cops in NYC. What CBS bought was the proven talent of the writer/producers involved in BLUE BLOODS, and their ability to deliver a show, on time and on budget and at a certain creative level, every week. Keep in mind, television is a business, like making cars or building houses, and just one season of a TV series is a nearly $100 million enterprise that employs hundreds of people. It’s a major investment, and one unlikely to be entrusted to a child…or dependent upon a child’s creative output (I mean no offense when I call you a child…it’s just a fact of life). Writing a series isn’t just telling stories…it’s writing stories that can be told within a certain shooting schedule, budget, etc. There’s much more to it than may be apparent to you. Also, writing a TV series is a full-time job…one you are in no position to take on at your age. My advice would be to stick your idea in your pocket…to keep writing…and keep an eye on how the busines is run. Because by the time you are an adult, the business will have radically changed…I’m certain of that. And if you’ve sharpened your skills, and kept up on how the business has evolved, you’ll be poised to take advantage of it when you become an adult.

I know that isn’t what you want to hear. But I also I know that advice can work because it worked for me. I know exactly how you feel. I felt I was ready to run a show when I was nine years old. But I also knew it couldn’t happen for me yet. So instead, I started educating myself. I read everything on the business I could get my hands on. I interviewed the top TV producers by phone for articles in my local newspaper (because I did the interviews by phone, and could imitate my father’s deep, TV anchorman voice, they didn’t know I was a teenager). I also started writing a book on unsold TV pilots — every idea rejected by the networks since the dawn of TV. And I never stopped writing fiction. I must have written a dozen unpublished novels.

That work paid off. I put myself through college writing about TV as a freelance writer for major magazines…and, in the process, I learned more about the business than I could ever have picked up in a classroom. My first novel was published when I was still a UCLA student and sold to the movies before I graduated (the movie never got made). And that book on unsold TV pilots that I started writing when I was nine years old was published a few years after I graduated…and was a big bestseller. There is no doubt in my mind that all that work I did as a teenager made me a sucess as an adult.

So what I am telling you is not to give up on your dream…but to recognize you aren’t ready to achieve it yet. Instead, start building towards it.

The Mail I Get – Lame Solicitations Edition

June 2, 2015June 2, 2015 by Lee Goldberg

I get swamped with email solicitations asking me to buy services or review products. Some of the solicitations are so awful, it’s amazing to me that they do any business at all. Here’s one I got today from a book-binding company:

Dear Manager, Sorry to bother you. Located in Hanghzhou,China ,Rootis printing is a printing hoouse who specilalized in different kinds of books such as catalog,hardcase,spiral binding,pop-up,board books and packaing products We always keep strict principle of high quanlity,upon the basis of quanlity,we provide the best price for the clients. May I get the chance to introduce our pricing and our products? It will be great hornor to hear from your suggests about our company and our printed products I am sure we can become valuable partners and bring good work to each other. Please let me know your any comments on this matter. Best regards, Frank

Well, it’s clear from your email, Frank, that you “keep strict principle of high quanlity.” Your email, and your obvious pride in attention to detail, says it all. The same goes for this other company that reached out to me today for a review:

Hello, Dear Amazon product reviewer

We are the seller selling on Amazon.com

Would you mind to have a test with our product ASIN :B00LL462CE

Our selling link on Amazon is : http://www.amazon.com/dp/B00LL462CE

We would be great appreciated if you can write a fair product review
for us after you got and using the product.

Kindly please contact me at this email with your shipping address(except PO BOX address) if you are interested in our product.

We will send the product for you as soon as get your confirmation.

Thank you very much for your interesting

So glad you contacted to me with your compelling sales pitch. I can always use a new “Outop Women Harness Body Chain Bikini Chain Crossover Belly Waist Chain.” But I have a question: Is it a chain?

If you missed our first review round for the cat tunnels, here is your chance!
Our company has cat tunnels and designed for cats. Your opinion matters to us and the other customers, so we would appreciate if you can take a few moments to review our product. Please reply with your address, we will send the product over to you via mail.

I did miss your first round. I think it’s great that you’re designing cat tunnels for cats instead of cat tunnels for squirrels or other animals that are not cats. I also think its great that you want to mail me a cat tunnel via mail rather than donkey, or bicycle messenger, since I think that might be difficult. I don’t have a cat, but I think everyone should have a cat tunnel in case a cat shows up.

Working up a Storme: WL Ripley on Creating Series Characters

April 10, 2015 by Lee Goldberg

My friend W.L. Ripley is the author of two critically-acclaimed series of crime novels — four books featuring ex-professional football player Wyatt Storme and four books about ex-Secret Service agent Cole Springer. His latest novel is Storme Warning, a stunning new mystery/thriller that’s earned him well-deserved comparisons to Robert B. Parker…and from the likes of Ace Atkins, who is now writing Spenser. Here Rip talks about creating Storme…and series characters in general.

Wyatt Storme evolved from a love of mystery characters like Travis McGee, Spenser, and the protagonists of Elmore Leonard’s many novels. But in shaping Storme as a series lead, I wanted a neo-classic mystery/thriller hero who would seem familiar and yet would be uniquely his own person and uniquely my own creation.

Storme is neither a detective nor a police officer, which places him in Travis McGee territory, but he will use deduction and reasoning to isolate and learn about the villain. This is a nod to the deductive powers of Sherlock Holmes, without whom the modern mystery would not be what it has become.

Storme & Chick vs Spenser & Hawk

Wyatt Storme and his friend Chick Easton, a deadly and deeply troubled ex-CIA agent, are often compared to the Robert B. Parker’s team of Spenser and Hawk. But I believe Storme is more closely related to John D. McDonald’s Travis McGee because he is a man apart; a man taking his retirement in pieces. Yet unlike McGee, Storme is often reluctant to insinuate himself into other people’s troubles and does not seek a financial reward. The character of Chick Easton is closer Nero Wolfe’s Archie Goodwin, only more deadly. Easton’s character often prods Storme into action and, like Goodwin, he keeps the dialogue lively and caustic. The Wyatt Storme novels blend three sub-categories of the mystery/thriller genre: tough-guy, western, and reluctant detective.

If you look at Robert B. Parker’s Spenser (brilliantly continued by author, Ace Atkins), the most recognized tough guy in the modern literary world, you’ll find that he possesses some traits associated with Sam Spade and Phillip Marlowe but is distinctively his own man. Spenser quotes poetry and literature like a University professor yet he is as comfortable throwing a left hook to dispatch anyone foolish enough to bull up on him. He still carries the classic .38 police special but is at ease handling the modern semi-automatic weapons. Spenser is the first Renaissance man in the tough-guy mystery genre and has opened up possibilities for all of us who write.

Elmore Leonard’s Raylan Givens Reflects his Pantheon of Characters

Elmore Leonard never saddled himself with just one hero yet many of his protagonists shared attributes that were singular to his pantheon of characters. They usually were unflappable regardless of the situation. They rarely spoke excitedly or in anger. The best example of this, and Leonard’s most memorable and likewise most singular character, is Raylan Givens.

Givens was the son of Kentucky coal-miners and a U.S. Marshal who was an expert with a hand gun. He taught marksmanship to other U.S. Marshal’s and was deadly cool when dispatching a bad guy quite often giving the outlaw a chance to re-consider. “I’m a dead shot. I hit exactly what I aim at. If I pull I shoot to kill.”

Note the nod to the old Western heroes of cinema and the western genre. Givens is a Marshal like Matt Dillon or Wyatt Earp. Givens participates in shoot-outs like many Clint Eastwood characters (There are marked similarities between Givens and Clint Eastwood in the novels. Height, body-build, cold statement that his enemy is about to die). At once, we are familiar with Raylan Givens and at the same time he is a unique character in his own right.

Storme is, like the above, a neo-classic hero. Both of my main series characters, Wyatt Storme and Cole Springer, are denizens of the new American West. They are throwbacks, as comfortable in the great outdoors as they are with their backs against the wall, guns blazing. Like old Western Cowboys, they ride into town and save the day. Storme is Wyatt Earp to Easton’s Doc Holliday, Butch Cassidy to Easton’s Sundance Kid.

Dave Robicheaux and Stephanie Plum Are Among The Best

One of the best contemporary series characters is James Lee Burke’s, Dave Robicheaux, a disgraced N’Awlin’s cop whose desperate struggles with alcoholism and personal tragedy place Dave (now a Sheriff’s deputy in New Iberia Parish) in his own niche. Burke is unsurpassed at making the setting a part of his stories and the tortured soul of Dave Robicheaux is on display at all times. Robicheaux, like Spenser, is an intelligent man. Yet, unlike Spenser, Robicheaux is often confused and even lacks confidence in his assessment of his moral stance. Still, when his blood is up, Robicheaux is among the most violent of mystery heroes.

Janet Evanovich’s Stephanie Plum is smart, tough, and given to romantic adventurism that heretofore was a part of the male hero make-up. Evanovich plows new literary ground by making Plum a bond enforcement agent (Chick Easton performs this duty at times in the Storme lexicon). Plum is of Italian/Hungarian descent and vacillates between the romantic overtures of two different men. She is honest about her foibles, which create problems in her job, but it is this very self-deprecation that endears her to her readers and makes Stephanie Plum one of the most successful characters in the mystery genre.

There are many, many more examples. Sue Grafton’s Kinsey Millhone (a classic detective in the Phillip Marlowe/Jim Rockford tradition), James Patterson’s Alex Cross (criminal profiler), Ace Atkins other best-selling character, Quinn Colson (Ex-special forces Ranger), and Patricia Cornwell’s Kay Scarpetta (Medical Examiner) are among the best.

All of these authors write sharply drawn, well-researched characters that give us a peek behind the curtains of very unique aspects of these justice-dealing heroes and their occupations. They have also been successful mining the classic nature of the mystery/thriller genre and giving their character remarkable traits, not quirks. Too often beginning writers think they need to make their characters quirky. Quirky characters are the province of situation comedies, not mystery/thrillers.

Characters We Love, Books We Want to Read

One of the hardest aspects of a series character is keeping them fresh through many books. All of the writers that I’ve talked about do so brilliantly and aspiring writers should study their work to learn how they pull it off.

Developing a lasting series character is the hardest thing you’ll ever love doing. I enjoy looking into Wyatt Storme’s past, how he evolved into the person he has become and witnessing the sights, sounds, and his interaction with the universe he inhabits.

I write novels that I would like to read. My hope is that they are also novels that you will want to read, too. I want the reader to keep turning pages and be continually entertained with laughter, hope, suspense, sudden danger and the consequences of life….and that you will find all of that in Storme Warning.

The Mail I Get – I Don’t Remember Edition

April 8, 2015April 8, 2015 by Lee Goldberg

Some recent mail I received asking me questions I can’t answer because I don’t remember:

I’ve long admired your work on Diagnosis Murder, especially the fifth season. I emailed you about ten years ago asking if you had a floor plan of the beach house from Diagnosis Murder. You said you had one but misplaced it. I’ve taken it upon myself to draw a floor plan myself using footage from the show as well as from satellite images and the movies Lovelines and Malibu Bikini shop to help with the lower level. I’ve also found many photos at three different websites trying to rent or sell the house, but most of those are photos from a significantly renovated version of the house. I’ve tried to keep my floor plan of the house as close to the way it was on the show as possible, though I’ve filled in missing parts with photos of the current version of the house where I could. For the parts left completely unseen, like a few of the bathrooms, I’ve tried to come up with how they might be laid out. If I send you the floor plan I created would you be able to give me feedback?

It’s been over a decade since I shot Diagnosis Murder. I don’t remember anymore exactly how the house was laid out. Sorry!

Hello Lee , I just finished reading Mr. Monk goes to the firehouse. I wonder, where’s the ax (?) that being used to kill Sparky? Seems nobody search for the bloody ax to get finger prints or something.
Hope to hear from you bcause I couldn’t sleep thinking about this.

Sorry, but it has been so many years since I wrote the book, I don’t remember what, if anything, came of the ax or if it even mattered. It’s certainly not worth losing sleep over!

I have not yet read all the Monk books nor seen all the episodes, so I apologize if my question has already been addressed, but I wondered what you thought of something that occurred to me recently, and that is concerning Adrian Monk and the Wedding Ring.Reading how he reacted to Julie’s cast, and his insistence that she have two to be balanced, I suddenly wondered how he coped with wearing a ring on the third finger left hand, and not a matching one the right. I assume that Adrian takes the ring off when he’s completing his obsessive bathroom cleaning routines etc. but I’m sure he still wears it at other times – his love for Trudy is too strong for him to abandon it. He is wearing one on the cover of Mr Monk is Miserable.
So – how does he cope? Does he, in fact, wear an identical ring on the right hand? I’ve not noticed one. Knowing the character as you do, what do you think? If you have an answer I’d love to hear it. If you find it fascinating as I do and decide to write it into your next Monk book, please credit me in the acknowledgements for giving you the idea!

I dealt with the ring issue in one of the books… MR. MONK IS A MESS or MR. MONK GETS EVEN, I believe. But I may be mistaken about which one. The 15 tend to blur together for me.

The Mail I Get – Monk Edition

April 7, 2015April 7, 2015 by Lee Goldberg

I still get lots of questions and comments each day about my Monk books… here’s a sampling:

Dear Lee, It was with mixed feelings that I read Mr. Monk’s last adventure. Happiness at reading more enjoyable Monk escapades, and sadness that there will be no more of them. I did appreciate that one of the lipo-suction patients was Frank Cannon. ha ha What a ride. Barb

Thank you, Barb. The other lipo patient was McCabe, the character William Conrad played on JAKE AND THE FATMAN…but so far, nobody has caught that reference.

It’s a rare to find an author who understands that a unique quirky character is really one of the most important parts of a good book. Love your character and I think the books are really wonderful. So often they are just plot oriented by vanilla unmemorable characters. So congratulations of writing truly fantastic books. Allan

Thank you, Allan. But I can’t take credit for creating that brilliant character. The credit belongs to Andy Breckman. He just let me borrow Monk for the books.

Hello Lee, You end your chapters in a manner that makes it difficult to not keep reading. Please stop doing that. You will thank me later. It might tempt some people into stopping in the middle of a chapter, and that violates the natural order of the universe.

Now that the above is out of the way, let me pass along my delight for both the Monk series and the Fox and O’Hare series – mysteries and absolutely hilarious! After thirteen years of retirement at age 70 it is getting harder to head for the treadmill daily, books the only way to get through it. My wife and I had read all the Janet Evanovich books (also all the Agatha Christie’s and a whole lot in between), so glad to have found The Heist, The Chase, and will read The Job (a Christmas book to each other) after Mr. Monk and the Two Assistants. We have also seen all of the Monk TV episodes, and reading the books and remembering the appearance of the characters is extra fun. Thanks for these two series, and will explore your other books! Leonard

Thank you for your very kind words about my MONK and FOX & O’HARE books… though they are meant to be serious drama. It troubles me that you find them funny.

I just want to let you know that I really enjoy the books you contributed to the Monk series. As someone who has been diagnosed with OCD (whether rightly or wrongly), I have to say that you seem to have done a good job portraying what really goes on in the brain of an OC person (here I should add the caveat that I haven’t actually gotten far in any of your books – they’re too thought provoking to finish in a timely fashion). If in the past I would firmly deny that I had OCD (“My unusual behavior is not symptomatic of any illogical thought processes, thank you very much. It is a combination of *ultra*-logical thinking, and natural responses to my excess anxiety”), now I am not so sure. I find it very easy to identify with your version of Mr. Monk. [..]Without changing the way I view myself and my rationality, I now find it easier to accept the label of OCD.[..]In the future, I intend to use your books as “textbooks” to help other people better understand the true nature of OCD. Sammy

Now that is frightening. You do know I make it all up, right? I have no special understanding of OCD… I just have a rich fantasy life.

The Recipe Behind Gerald Duff’s MEMPHIS RIBS

April 6, 2015 by Lee Goldberg

My friend author Gerald Duff shares the story behind the writing of his tasty new novel Memphis Ribs, which Entertainment Weekly calls ‘A tangy tale of murder, gang warfare, crack cocaine, and barbecue.’ I’m sucker for a great thriller and for barbecue, so this was a home run for me!

When I wrote my novel Memphis Ribs, I did it for the same reason that all writers take up a task that lasts so long and uses up so much electricity. I was mesmerized by the topic, in this case my trying to understand the essence of the Bluff City where I had come to live for a spell. And it was a spell, because that’s what Memphis casts upon those who come to live with her.

Memphis is an embodiment of the central paradox of the South. It is both tight and loose, and so are Southerners. Memphis has more churches of every denomination, conducting more worship services, attended by more of the faithful, than any comparably sized city in the nation.

Memphis also has more low dives and honky tonks, more high and low bars, more prostitutes and drug houses, more robberies and gang shootings, more muggings and murders, just generally more of the fast life, than any other metropolitan area in the country. If Nashville, Tennessee’s richest city, is about the greed for money and the drive to make it, Memphis is about giving in, abandoning all hope, and having a good time.

Memphis has suffered from calamities over time, including a yellow fever contagion which decimated the city in the nineteenth century and the assassination of Dr.King in the twentieth century which dealt the finishing blow to Memphis’s status as a contender in the big world of growth and commerce. For the commercial hopers and city planners, these disasters were apocalyptic, but for the writer they created a climate and culture conducive to dream, disillusionment, regret, and loss.

The advantages for a novelist are clear and compelling. All is vanity, endeavor is doomed, and success is fleeting, evanescent, and gone. That’s the country where a novelist feels most at home.

How all this influenced me as a chronicler of a fictional pair of police detectives – one black, one white – trying to solve some crimes in the Bluff City is clear enough. Memphis and its contradictions and energies and despair and humor emboldened me to try to capture in fiction some of its toughness, violence, obsession with barbecue and beautiful women, its racism and restiveness, and its hard-edged hilarity. I tried to do so by casting as a Memphis homicide cop a man in North Mississippi I had come to know. He was an independent cotton farmer, a Vietnam veteran who wasn’t outwardly bothered by his year in that war as a combat infantryman, and a man completely at ease with himself. He drank copious amounts of bourbon without seeming to become drunk, he loved his wife, and he had many friends, black and white, who admired and gave him great room and latitude. His fictional partner in the novel knows him to the core.

All I’m trying to do in Memphis Ribs is to show how Danny M. would act if called upon to sort out some crimes in the Bluff City. In my attempt, I hope I’ve captured some of the gut and soul of that city on the big river that flows through the heart of America.

A Brash Idea Becomes a Publishing Company

April 4, 2015 by Lee Goldberg

All mystery writers have them—the cherished, often underappreciated, out-of-print books that we loved and that shaped us as writers. They are the books that made an impression on me in my teenage and college years and still feel new and vital to me today. They are the books that I talk about to friends, thrust into the hands of aspiring writers, and that I wish I’d written. They are the yellowed, forgotten paperbacks I keep buying out of pure devotion whenever I see them in used bookstores . . . even though I have more copies than I’ll ever need.

I’ve been at this long enough that many of my own books have fallen out of print, too. But I brought them back in new, self-published Kindle and paperback editions and, to my surprise and delight, they sold extremely well. It occurred to me that if I could do it for my books, why couldn’t I do the same thing for all those forgotten books that I love?

So, a little over a year ago, I started negotiating with the estate of an obscure author whose books I greatly admire but that never achieved the wide readership and acclaim that they deserved. I was in the midst of those talks when, at a Bouchercon in Albany, I told Joel Goldman, a good friend, mystery writer, lawyer, and a successful self-publisher of his own backlist, what I had in mind.

Joel got this funny look on his face and said, “That’s a business model. I really think we’re on to something.”

We?

It turned out that, like me, he’d been getting hit up constantly at the conference by author-friends who were desperate for his advice on how they could replicate his self-publishing success with their own out-of-print books . . . many of which had won wide acclaim and even the biggest awards in our genre. He’d been trying to think of a way he could help them out.

Now he thought he had the solution. What if we combined the two ideas? What if we republished the books that we’d loved for years as well as truly exceptional books that only recently fell out of print?

It sounded great to me. And at that moment, without any prior intent, we became publishers of what we considered to be the best crime novels in existence. It was a brash act . . . and that’s how, as naturally as we became publishers, we found our company name.

Brash Books.

One of the first calls I made was to Tom Kakonis, whose books were a big influence on me, to ask if we could republish his out-of-print titles. His thrillers, including Michigan Roll and Criss Cross, achieved that perfect, delicate balance between drama and dark, almost outrageous humor, without going too far in either direction. It’s a skill that Elmore Leonard and Tom mastered, and that I’d hoped to some day be able to pull off myself. (I’m still trying.) I read Tom’s books the first time for pure pleasure but then again . . . and again . . . to see if I could discover how the magic was done.

In the mid 90s, I sold my first hardcover novel under my own name, My Gun Has Bullets, to St. Martin’s Press and went to a Bouchercon with a bunch of bound galleys in my bag. I spotted Tom there and nervously approached him for a blurb . . . and to my astonishment, he not only agreed to read my galley, but a few weeks later, he gave me a great review. Getting that blurb was almost as exciting for me as being published in the first place.

I’d never forgotten that experience. Or him. So naturally he was at the top of my call-list when we started this venture. And this time, he thrilled me again by saying yes to letting us republish his books. He also mentioned that he had a novel that he wrote some years ago, but had stuck in a drawer because he’d been so badly burned by the publishing business. I asked if I could read it . . . and he sent it to me. I was blown away by it and so was Joel. We couldn’t believe that a book this good, that was every bit as great as his most acclaimed work, had gone unpublished. It was a gift for us to be able to publish it. And that’s how, unintentionally, we decided to publish brand new books, too.

Tom’s unpublished novel, Treasure Coast, became our lead title when we launched in September 2014 with thirty books . . . from authors as diverse as Barbara Neely, Dick Lochte, Gar Anthony Haywood, Dallas Murphy, Maxine O’Callaghan, Bill Crider, and Jack Lynch, to name just a few. Now we’re on track to publish eight to ten novels each quarter, one or two of which will be brand new, never-before-published books.

It’s a business that’s very much a labor of love for us both. We get a bigger thrill now out of seeing new copies of our authors’ books than we do our own. The widow of one of our authors got teary-eyed over Brash’s editions of his out-of-print books because we were treating them the way he’d always wanted. We got tears in our eyes, too. We started Brash Books for moments like that and for Tom’s dedication in Treasure Coast:

“For Lee Goldberg, who may have rescued me.”

For me, that was coming full circle. I may have rescued him, but the example he set with his books helped launch my career . . . and now a publishing company, too.

Our goal with Brash Books is to introduce readers, and perhaps future writers, to great books that shouldn’t be forgotten and to incredible new crime novels that we hope will be cherished in the future.

And yet, to our frustration, our list still doesn’t include any books by that obscure, deceased author who brought Joel and I together in this brash publishing adventure. We’re still negotiating with that author’s estate. But we’re not giving up. I love those books too much to let go. I just bought two more of them at a flea market today. . . .