I’m a Moron

I must be slipping into early senility…earlier today I posted an old anecdote that I’d posted on this blog only two days ago. Just goes to show you how clearly I’m thinking lately. My apologies. Next time I lazily post stale content, I’ll try to reach a little further back in the archive.

Monk vs. Monk

A reader of my book MR. MONK GOES TO THE FIREHOUSE posted a comment on a discussion board that the Monk in the book differs to some degree from the Monk on television. She’s right.


I don’t think there is any way the "book" MONK and the "TV" MONK can
ever be exactly the same. We are seeing them through two very different
mediums (TV vs books) and points-of-view (the camera’s vs Natalie’s).

A
typical MONK episode doesn’t have enough story to fill book…so I have
to come up with much, much more for Monk to think, say and do for a
novel. And, of course, in the books we don’t have Tony Shalhoub’s
magnificent performance to convey the humor, the vulnerability,
sadness, etc. So much of MONK’s humor, drama and character is expressed
visually and I have to make up for that narratively in other ways.

The
differences between the "book" MONK and the "TV" MONK became very clear
to me recently, when I was writing the third book and my third MONK
episode at the same time. They are both MONK…but different. And
that’s okay. By the way, MONK creator/exec producer Andy Breckman is
fine with that, too. He’s been incredibly supportive and has encouraged
me to create my own version of Monk for the books. After I wrotethe first book, he paid me a wonderful compliment. He said  that he felt like a songwriter and that someone else had covered his song. It was still his song, but at the same time it was different, and he enjoyed the differences.

I also got a complaint from a reader who was upset that there are continuity gaffs between the recent episodes of the show and my first book. That’s inevitable, given the long lead time of the books vs. the speed of TV series production. So, the books and
the TV show don’t exist in the exact same universe…more like parallel
universes.

For
example, someone sent me a nasty email because I didn’t acknowledge
Stottlemeyer’s marital problems in the first book. Well, when I wrote
both MR. MONK GOES TO THE FIREHOUSE and MR. MONK GOES TO HAWAII,
Stottlemeyer’s wife hadn’t left him yet. I managed to mention it in the
third book, but I am sure things will come up in Season Five that will
clash with stuff in the third Monk book, which I am turning in next
month for publication in January 2007.

Speaking of which, I better get back to writing!

The Thrilling Thrillers

Itwlink
The International Thriller Writers  Association
has announced the first nominees for their annual Thriller Award… and they are:


BEST NOVEL

PANIC by Jeff Abbott (Dutton)
CONSENT TO KILL by Vince Flynn (Atria)
VELOCITY by Dean Koontz (Bantam)
THE PATRIOTS CLUB by Christopher Reich (Delacorte Press)
CITIZEN VINCE by Jess Walter (Regan Books)

BEST FIRST NOVEL
IMPROBABLE by Adam Fawer (William Morrow)
THE COLOR OF LAW by Mark Gimenez (Doubleday)
COLD GRANITE by Stuart MacBride (St. Martin’s Minotaur)
PAIN KILLER by Will Staeger (William Morrow)
BENEATH A PANAMANIAN MOON by David Terrenoire (Thomas Dunne
Books)

BEST PAPERBACK ORIGINAL
SLEEPER CELL by Jeffrey Anderson (Berkley)
PRIDE RUNS DEEP by R. Cameron Cooke (Jove)
UPSIDE DOWN by John Ramsay Miller (Dell)
THE DYING HOUR by Rick Mofina (Pinnacle Books)
EXIT STRATEGY by Michael Wiecek (Jove)

BEST SCREENPLAY
MATCH POINT, screenplay by Woody Allen
SYRIANA, based on the book by Robert Baer, written by Stephen
Gaghan
CACHE screenplay by Michael Haneke
OLDBOY screenplay by Jo-yun Hwang, Chun-hyeong Lim, Joon-hyung Lim, and
Chan-wook Park; story by Garon Tsuchiya
MUNICH,screenplay by Tony Kushner and Eric Roth; based on the book by
George Jonas

The awards will be given at Thrillfest in Phoenix in June.

Drive to the Big Screen

Variety reports that Universal Studios has bought the James Sallis novel DRIVE as a feature film vehicle for Hugh Jackman. This is a coup not only for Sallis, but for Poisoned Pen, the small Phoenix-based press which published the widely-acclaimed novella. Sallis is also the author of the Lew Griffin PI tales set in New Orleans.

In other mystery/thriller book news in the trades today, Paramount Pictures has hired X-MEN scribe David Hayter  to adapt Bob Reiss’ soon-to-be-published novel BLACK MONDAY for the screen.

The Double Life

Dm7
Just in time for St. Patrick’s Day…here’s an early peek at the cover of DIAGNOSIS MURDER #7: THE DOUBLE LIFE, which comes out in November (Click on the photo for a larger image).

The Price of Amazon Connect

Authors who’ve taken advantage of Amazon’s Blog service need to be careful what they post — because they’re forfeiting any rights to their work. I’ve just been alerted to a troubling clause in the Amazon Connect Terms of Service:

"For all Author Materials that you post or submit in connection with the
Program (including any trademark or similar rights in them), you hereby grant
Amazon a non-exclusive, royalty-free, perpetual and irrevocable right and
license throughout the world in any media to: (1) use, reproduce, publish,
translate, create derivative works from, distribute, and display all of your
Works."

I think the Amazon Blogs have helped publicize me and my books (I’ve seen an uptick in my Amazon sales rankings and in traffic to my website since launching the blog). I’ve been mostly "repurposing" material from this blog over there.  But now I will seriously curtail the kinds of things I’m posting, holding back anything that might have value if compiled into another literary work  (like anecdotes about the TV biz, screenwriting advice, essays on the mystery field, etc.). I don’t want to grant Amazon free rights to my writing. It’s a shame, because the Amazon blog will suffer because of their ridiculous copyright grab.

Another Great Way to Procrastinate

Spenser_credit
AOL is offering a bunch of old TV shows from the Warner Brothers vault for free download…among the offerings is the SPENSER FOR HIRE episode "If You Knew Sammy," guest-starring William H. Macy. This is the episode that launched my TV career. It’s the first  script Bill Rabkin and I ever sold… we wrote it on spec and the folks at SPENSER actually bought it and shot it without changing a word (our first TV experience was blessed in a lot of ways). Among the other offerings on AOL Television are episodes of MAVERICK, BABYLON 5, KUNG FU, THE FBI, and THE FUGITIVE, to name a few.