Mystery Gumbo

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Last night, my local chapter of the Mystery Writers of America had a summer party at author Bill Fitzhugh’s house in the valley. We all sat outdoors in the warm night air under big, shady trees and strings of Christmas lights. Bill made three different kinds of gumbo and an array of tasty shrimp and crab appetizers, proving that if things ever cool down for him in publishing and radio, he can always open a restaurant.

I caught up with lots of folks, including authors Denise Hamilton, James Lincoln Warren, Diane Pugh, Gary Phillips, Theresa Schwegel, and Christa Faust, who told me all about her novelization of SNAKES ON A PLANE.149435218_665888794f
Christa once wrote a 95,000 word FRIDAY THE 13th original tie-in novel in six weeks, and without ending up in the I.C.U., which I find pretty darn amazing. She has a tattoo of a vintage typewriter on her belly. I didn’t see it there, but she told us about it, and I found a picture of it later on her website.  Christa told me some horror stories about  the brutal deadlines and low pay in the tie-in biz…then again, she loves telling horror stories of all kinds. She wore a dress covered with skulls that fascinated the kids at the party.

Denise Hamilton and I talked a lot about conventions — she’s already looking forward to Bouchercon 2007 in Anchorage.  We also talked a lot about dogs. We mystery writers are an exciting bunch. Denise and I are getting together in September "in conversation" for a Sisters-in-Crime event. I promise that that conversation will be more thrilling, suspenseful and erotic. She’s hard at work on a new stand-alone novel that’s due soon.

The lovely and charming Theresa Schwegel insists that winning the Edgar hasn’t changed her, but I don’t recall her insisting that people kiss her hand and refer to her as "your highness" before the award. I didn’t mind. I don’t think she has a typewriter on her belly.

As the night went on, I told the story about my broken arms once and the story about the Naked Bookseller twice. If I am going to keep going to these author gatherings, I am going to need some fresh material. We left around 9 pm when my daughter started to nod off…she had a full day of swimming, swimming, tae kwon do testing, swimming and swimming.

Bill gave everyone generous "To Go" bags full of gumbo and rice on the way out, so my lunch today isn’t going to include another trip to The Habit where, oddly enough, I bump into Bill every so often.

It was  a great party. I hope Bill does it again next year.

UPDATE 7-11-06: Christa blogs about the party.

Shamus Award Nominees

The Private Eye Writers of America have announced the nominees for the 2006 Shamus Awards (for works published in
2005). Needless to say, I was thrilled by their choices…though I fear I don’t stand a chance against Crais, Connelly, and Mosley. But wow, it sure is nice to be included in their company. The awards will be
presented on Sept. 29, 2006, at the PWA’s 25 Anniversary Banquet in
Madison, WI, which will be held during the Bouchercon World Mystery
Convention.

Best Hardcover

Oblivion by Peter Abrahams  (Wm. Morrow), featuring Nick Petrov.

The Lincoln Lawyer by Michael Connelly (Little, Brown), featuring Mickey Haller.

The Forgotten Man by Robert Crais (Doubleday), featuring Elvis Cole.

In A Teapot by Terence Faherty (Crum Creek Press), featuring Scott Elliot.

The Man with the Iron-On Badge by Lee Goldberg (Five Star), featuring Harvey Mapes.

Cinnamon Kiss by Walter Mosley (Little, Brown), featuring Easy Rawlins.

Best Paperback Original

Falling Down by David Cole (Avon), featuring Laura Winslow.

The James Deans by Reed Farrell Coleman (Plume), featuring Moe Prager.

Deadlocked by Joel Goldman (Pinnacle), featuring Lou Mason.

Cordite Wine by Richard Helms (Back Alley Books), featuring Eamon Gold.

A Killing Rain by PJ Parrish (Pinnacle), featuring Louis Kincaid.

Best First Novel

Blood Ties by Lori G. Armstrong (Medallion), featuring Julie Collins.

Still River by Harry Hunsicker (Thomas Dunne Books/St. Martin’s Minotaur), featuring Lee Henry
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The Devil’s Right Hand by J. D. Rhoades (St. Martin  Minotaur), featuring Jack Keller.

Forcing Amaryllis by Louise Ure (Mysterious Press – Warner), featuring Calla Gentry.

Best Short Story

“Oh, What a Tangled Lanyard We Weave” by Parnell Hall. Murder Most Crafty (Berkley),
featuring Stanley Hastings.

“Two Birds with One Stone” by Jeremiah Healy.  Alfred Hitchcock Mystery Magazine, Jan/Feb 2005, featuring John Francis Cuddy.

“The Big Road” by Steve Hockensmith. Alfred Hitchcock Mystery Magazine, May 2005, featuring Larry Erie.

“A Death in Ueno” by Michael Wiecek. Alfred Hitchcock Mystery Magazine,  March 2005 featuring Masakazu Sakonju.

“The Breaks” by Timothy Williams. Ellery Queen Mystery Magazine, September/October 2005 featuring Charlie Raines.

Daniel Woodrell

The Ones You Do. Under the Bright Lights. Give Us A Kiss. Woe to Live On. These are just a few of Daniel Woodrell’s wonderful books. This man should be a bestselling author, held in the same high regard as Michael Connelly, T. Jefferson Parker, George Pelecanos, and Dennis Lehane. But while he’s well-reviewed, he’s not well-read (the same fate befell Ang Lee’s excellent RIDE WITH THE DEVIL, the movie version of Woe to Live On… it went unnoticed by audiences and tanked at the boxoffice). Hardly anybody is aware of him despite the fact he’s one of the best crime writers today…hell, he’s one of the best writers out there in any genre.  My brother Tod pointed me to an interview with Woodrell in The Independent. Among his quotes:

"I just really like the verve and muscle of good crime fiction,
the narrative punch of it. The underlying principle of good crime
fiction is an insistence on a kind of root democracy. I’ve always
responded to that notion."

The Thrill of Sexism?

The International Thriller Writers has enjoyed nothing but success, praise and enthusiasm since it was co-founded by Gayle Lynds & David Morrell two years ago…until now. On the eve of ITW’s first convention in Phoenix, Author Elaine Viets has criticized the organization’s inaugural list of Thriller Award nominess:

It’s tough to define an award-winning thriller, but the new International Thriller Writers has succeeded:

It’s anything written by a man.

That’s not what it says on the ITW Website. That tells us,
"Thrillers provide a rich literary feast – the legal thriller, the spy
thriller, the action-adventure thriller, the medical thriller, the
police thriller, the romantic thriller, the historical thriller, the
political thriller, the religious thriller, the high-tech thriller, the
supernatural thriller. The list goes on and on, with new variations
being invented constantly. This openness to creation and expansion is
one of the field’s characteristics."

Unfortunately, the plums at this literary feast are served to men
only. For the first ITW Thriller Awards, every single novel nominee is
a man.

Best Novel – five men.

Best First Novel – five men.

Best Paperback Original – five men.

And the winners of these Thriller Awards?

No surprise there: They’re all going to be men.

So is the recipient of the first ITW Life-Time Achievement Award.

The judges were men and women. So was it sexism…or did men simply write the best work this year? You tell me. I didn’t check, but how many Jews were nominated? Jews write lots of crackling thrillers. Hmm.

UPDATE 6-23-06: Novelist Joe Konrath calls Elaine Viets "a troll" and ITW co-founder Gayle Lynds reponds to her charges. Gayle wrote, in part:

As an author (not as a woman who has spent her life battling sexism), I
could complain that no women were nominated. At the same time, I could
also complain that no people of color were. I’m not sure whether any
Muslims or religions other than Christian or Jewish were nominated, but
I think they weren’t either. There also might be a preponderance of
nominees from one section of the United States, which could be taken as
a prejudice favoring that area.

As long as awards are given in
whatever field, there are always going to be those who say, "I wish it
were otherwise. And because it isn’t, it’s prejudice."

The only
time there’s really an institutional problem, at least in my mind, is
when there is a history of one group of people being disenfranchised.

Since this is ITW’s first year, the organization can have no track record of institutional prejudice.

The Perils of Signing

Author Barry Eisler signed THE LAST ASSASSIN at a small, independent bookstore in the mid-west and then left and signed stock at two nearby big chain stores in the same town.  Barry reports that this did not sit well with the independent bookseller, who wrote:

Signing
stock at chain stores signals to the people who did take the time to
come to your [our independent bookstore] event and support you that
their effort was not necessary. More importantly, calling attention to
that fact that you need to leave to do such a thing is insulting to
your hosts. If that was something you felt compelled to do, you
probably should have done so without drawing attention to yourself. I
chalk it up to you not understanding the dynamics of the situation.
Other booksellers may not be very forgiving. Some in particular that we
know would simply stop carrying your books without comment.

[…] Like many of the key independents, we’re in the business of selling
books and we also produce author events. In order to drive the
publicity for an event, particularly for genre fiction, there has to be
a unique quality to the experience we’re offering. Part of that
uniqueness is the opportunity to meet the author and purchase a signed
book. If someone can go anywhere in town and purchase a signed book,
then that unique aspect of the event marketing is lost.

Is the independent bookseller over-reacting or did Barry make a  mistake? Barry doesn’t think he did:

I can’t apologize for signing stock at chains, my friend. They’re
important distributors in my business, and I can’t make a living
selling through independents alone (nor would I have been able to build
my business as I have without the backing of independents). If I
insulted you by doing I see as best for my business, I regret it, and
am somewhat surprised, as it’s not a reaction I’ve run into before.

If you’d like to have me back for another event, I would be delighted,
as you, along with other key independents, have done a tremendous
amount to get me where I am, and where I hope to go. You also run a
first rate signing and seem like good people. But whether I do a
signing with you or not, you should know that I’ll also sign stock at
as many chains in town as I can. This is a business decision for me,
not at all personal, and you shouldn’t feel insulted by it.

What do you think? Was Barry right or was he wrong? I’m not in my friend Barry’s league, but I can see both sides of the argument.

I know one independent bookseller who was very upset to find out that a week before they were hosting a signing for A Big Bestselling Author, signed copies of his book were being sold at the Costco two miles up the street (he’d signed thousands of copies at their distribution center) and he’d signed stock at the Barnes & Noble  less than a mile away a day earlier.

After the signing at the independeant bookstore, the Big Bestselling Author made sure he stopped by the nearby Borders, too. The independent booksellers were pissed…but there wasn’t much they could do about it. They still sold a lot of his books, just not as many as they could have sold if they weren’t undercut by the much cheaper signed books at Costco and B&N.

On the other hand, people who came to the independent bookseller’s event got to meet the author…something they couldn’t do at Costco, B&N or Borders. And they presumably were willing to pay a little extra for that priveledge.  I do believe the indie offered something unique that the other stores couldn’t, and that the people who’d buy the signed book at Costco aren’t necessarily the same customers who’d attend an author signing.  One doesn’t necessarily cancel out the other.

Like I said, I can see both sides.

I wonder how the independent feels about authors who do signings at another indies in the same city? I know it happens all the time in L.A. area and authors are very upfront about it.  Mystery/thriller  authors frequently sign at Mysteries to Die For the same day as Mystery Bookstore and Book’em… and even ask for directions (as Barry did, asking the indie how to get to B&N). If the indies here mind, they haven’t said anything about it that I know of…

Like a Needle in a Haystack

Author Jerry B. Jenkins has some very good advice about removing cliches from your writing over at Writer’s Digest. Yep, Writer’s Digest. Hard to believe.

Clichés come in all shapes and sizes. There are just as many clichéd
scenes as phrases and words. For instance, how may times have you seen
a book begin with a main character being "rudely awakened" from a
"sound sleep" by a "clanging" alarm clock? Have you written an opening
like this yourself? Wondering where to start, you opt for first thing
in the morning. Speaking of clichés, been there, done that. We all
have. Don’t ever do it again.

Compounding that cliché is having
the "bleary-eyed" character drag himself from his bed, squinting
against the intruding sunlight. And compounding that is telling
the reader everything the character sees in the room. What comes next?
He’ll pass by or stand before a full-length mirror, and we’ll get the
full rundown of what the poor guy looks like.

Are you cringing?

LOST Novel Author Outed

Variety has revealed that "Gary Troup," the fictional author of the LOST tie-in novel BAD TWIN, is actually acclaimed novelist Laurence Shames.

Insiders say writers on "Lost" were asked to provide a list of elements that Shames could incorporate into the novel. But the author had his own vision and wound up including only a few of the elements.

[…]Show staffers also were frustrated that the book referenced copyrighted elements for which the publisher had not sought clearances, saying it would make it difficult to use those elements on-air.

But Hyperion told ABC that, like all publishers, it doesn’t normally seek clearances on copyrighted items in its novels. The house also said the book’s production schedule could have been held up if such clearances were sought.

Remaindered

My short story REMAINDERED is now available on Amazon for a mere 49 cents.

Whether you are a bestselling author or a writer toiling in mid-list obscurity, your books will eventually end up remaindered to the bargain bin at Barnes & Noble. The fear, of course, is that your career will eventually end up remaindered, too. I got the idea for this dark-comic mystery while actually living the humiliating booksigning experience that opens the story….

Hollywood & Crime

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Here’s  sneak peek at the rough cover for HOLLYWOOD AND CRIME, the new anthology edited by the prolific Robert Randisi (author of over 400 novels!). My contribution to this anthology, which comes out in February,  is a short story entitled "Jack Webb’s Star." My friends Max Allan Collins, Stuart Kaminsky, Michael Connolly, Paul Guyot, Dick Lochte, Gary Phillips and Gar Haywood are just a few of the other authors who have contributed stories, all of which feature at least one scene at the corner of Hollywood & Vine (Les Roberts, whose name is featured on the rough cover, unfortunately has had to bow out).