What is it… Really?

TV writer & blogger Will Dixon has taken some points I raised on how mysteries are constructedand expanded on them as they apply to sf, horror and fantasy shows . He wrote, in part:

when it comes to constructing the plot for good genre mysteries (like X Files; Buffy; Angel; Firefly…and today you've got Supernatural; Smallville; Warehouse 13; Sanctuary; even Chuck, etc.), there is one question always be asked: 

What is it…what is it really. 

 (In the case of procedurals and investigative mystery programs like 'Veronica Mars' or 'Castle' or 'Bones', the mantra becomes: Who is it...who is it really.)

[…]Of course, this is just one aspect to telling a good mystery story. To take it to the next level, you also need to pick an overall theme to flesh out the episode.

Dixon offers some examples from Buffy The Vampire Slayer to back up his points. His observations are well worth reading.

The Lee Goldberg Show

If you missed my live, interactive webcast last week, now you can catch the archive version. I've posted the first half of the show, where I talked about MONK with my special guest David Breckman (writer-producer-director of MONK), in three parts on YouTube or you can download it here. Unfortunately, there were technical problems at the studio and the second half of the live show, where I talked about my movie FAST TRACK, wasn't recorded.

Stuart Kaminsky Has Passed Away

6a00d8341c669c53ef00e5537a6b858834-800wi  My friend Stuart Kaminsky died today. I really don't know what to say, so please forgive me if I ramble a bit. Stuart was not only a wonderful writer, he was a wonderful human being. He was unfailingly kind and supportive to his fans and his fellow writers. I was both. 

I first met him decades ago when I was a kid and a fan of his Toby Peters books, which I saved up to buy through the Mystery Guild (and wrote in each one "This book belongs to Lee Goldberg and Not You). I wrote him a fan letter and he wrote me back, and that started a correspondence that lasted off-and-on as I went from being an aspiring writer to a professional one. LeeJanStuart2a  

We became friends. He was one of the first writers to blurb me and gave me a lot of great advice over the years (and I was ridiculously honored, and thrilled, the first time he called me for advice on something. Actually, that never wore off). We've been produced together (NERO WOLFE) and published together (HOLLYWOOD AND CRIME) and worked together on various MWA committees over the years. The last time I saw him was a year ago in Kentucky, where he was staging an original Sherlock Holmes play at the International Mystery Writers Festival. We spent a week together and his boundless enthusiasm energized the whole event. That was the thing about Stuart, he never lost his love and his passion for writing…and it was contagious. I will miss him very, very much.

(The photo on the upper left is Bob Levinson, Stuart and me at the International Mystery Writers Festival last year. The picture in the lower right is me, Jan Burke and Stuart at the 2002 Edgar Awards. You can click on the images for a large view)

Murderous Musings

Author Jean Henry Mead interviewed me for the Murderous Musings blog and got me to blather on and on about myself and my books, something I hardly ever get a chance to do with my blog, my twitter page, my Facebook page, my… well, you get the idea. Here’s an excerpt:

Lee, when did you realize you were a writer?

I’ve always known. When I was ten or eleven, I was already pecking novels out on my Mom’s old typewriters. The first one was a futuristic tale about a cop born in an underwater sperm bank. I don’t know why the bank was underwater, or how deposits were made, but I thought it was very cool. I followed that up with a series of books about gentleman thief Brian Lockwood, aka “The Perfect Sinner,” a thinly disguised rip-off of Simon Templar, aka “The Saint.” I sold these stories for a dime to my friends and even managed to make a dollar or two. In fact, I think my royalties per book were better then than they are now.

Tom Selleck is Happily Stoned

I'm a big fan of Tom Selleck's JESSE STONE movies. I like them even more than the Robert B. Parker books that they are based on. The movies do very, very well for CBS, but that doesn't stop the network from inexplicably sitting on them for as long as a year before airing them. The sixth movie NO REMORSE, has been on the shelf since January, the seventh is currently shooting in Halifax, and Selleck tells Variety that he'd like to do an eighth…and see CBS broadcast two a year to add some regularity to what amounts to network television's last successful, TV movie franchise.

"We don't do cliffhangers. The movies stand on their own. But with regular viewing the audience gets the bonus of a continuing backstory," Selleck said. "People want to know what's going to happen with this guy. He's basically a decent guy with a lot of flaws. He's his own worst enemy…but he's a guy you want to root for.

He's got other TV and film prospects, but there's something special about Jesse Stone for Selleck — perhaps because he feels like complicated cop is carrying the flag for the longform biz on network TV.

"There's a market for us," Selleck said. "We're proving that the network TV audience does want to see movies — they just want to see good movies."

Mr. Monk and the Piss Poor Review

Steven Torres, who reviews short stories at the Nasty, Brutish and Short blog, has given my story "The Case of the Piss Poor Gold" a rave. He says, in part:

This story, however, is not about ADRIAN Monk. It's about a distant relative, Artemis Monk who solves crimes (in his spare time) in a California gold rush town that's still in its unclean infancy.[…] this story is more than just a good puzzle (or two, Monk also quickly wraps up a murder – his powers are prodigous). It is also a good portrait of a mining town and its inhabitants, paying particular attention to the dirt. More importantly for me, the story had me laugh out loud a couple of times, and that is a terribly difficult thing to do on paper. Most funny lines die once written down, but not in Goldberg's hands. That's magic. Well worth the price of the latest Ellery Queen.

Thanks, Steve! 

Grimhaven

I finally read Charles Willeford's unpublished novel GRIMHAVEN…and its fascinating. It bears a lot of similarity to some of his earlier books and is every bit as compelling, disturbing, and darkly funny. In some ways, its among his best books. But what is most striking about it is what it represents.

The book centers around Hoke Moseley, the unforgettable detective in Willeford's classic, break-through novel MIAMI BLUES. But that novel, and success, came late in Willeford's life. When he was asked to write a sequel to capitalize on his newfound fame, he did the unexpected. 

He wrote a book in which Hoke leaves the force, moves into a drab apartment, and works in his father's hardware store. Hoke attempts to live a life of extreme austerity, cutting his wardrobe down to just two jumpsuits (and no underwear) and eating a hard-boiled egg each day for lunch, among other things. Into this carefully constructed, cold life, come his two teenage daughters, abandoned by his ex-wife, who has run off to L.A. to live with a baseball player. They complicate his life and stretch his thin budget. So Hoke solves this problem by strangling his daughters and leaving their bodies on ice in his shower (which he continues to use to wash up each day). He eventually dumps the bodies in his father's empty home and drives to Los Angeles to murder his ex-wife. The only reason he wants to kill her is so he can be imprisoned in California, where he'd face death in the gas chamber for her murder as opposed to the electric chair in Florida for killing his daughters. Either way, Hoke figures he can enjoy ten good, solitary years in prison, enjoying the austere "simple life" he'd wanted,  before his inevitable execution.  

I enjoyed the book immensely on several levels. But its real literary value is what it tells us about Willeford the writer. It's like a 2oo page statement on Willeford's fear of success…and his resentment at the demands and challenges writing commercial fiction would place on him. Or so I assume, I didn't know the man and I'm not a shrink. But what other way is there to read it? 

Taken on its own, GRIMHAVEN is a masterful piece of work and pure, unadulterated Willeford. As a MIAMI BLUES sequel, it's a calculated fuck you to the character, the publisher,  the readers and his career. It would be like following up the pilot of MONK by having Adrian rape and murder Sharona, then dispose of her body with acid in his bathtub.

Naturally, Willeford's agent took one look at the GRIMHAVEN manuscript and said there was no way in hell he could send it to the publisher…it would be career suicide and would squander a once-in-a-lifetime opportunity. Willeford wisely took his agent's advice and shelved the book…but not entirely. He ended up cannibalizing its best parts, and making them even better, in the three fantastic Hoke Moseley books that followed. 

GRIMHAVEN is only legally available to be read at the Willeford Archive at the Broward County Library. I was fortunate to be sent the manuscript a few years ago from Willeford's widow (as a result of refusing to read a bootleg copy that was offered to me). I don't know why I waited so long to finally read it…but it was worth the wait. It's a fascinating piece of work…and a revealing glimpse into Charles Willeford creative life.