Trouble on the Harlequin Horizon

Author Jackie Kessler has done an excellent analysis of Harlequin's self-publishing venture…and all the reasons it's deceptive and bad for writers. It's a must-read. She quotes extensively from the Harlequin Horizon's FAQ. This particular excerpt infuriated me:

"1. What is Harlequin Horizons? 

Self-publishing is one of a suite of publishing options an aspiring author can choose from these days; with the launch of Carina Press we can provide the flexibility of a digital-only press, and Horizons offers a self-publishing option.
It is a partnership with Author Solutions – they provide the self-publishing services, we provide our brand name and we make authors we have rejected aware of this service."

[…]
8. What’s going to happen with the slush Harlequin currently receives?

We will continue to welcome unsolicited manuscripts from aspiring authors.
All standard/form/template rejection letters will include a short note about Harlequin Horizons as a self-publishing option for the aspiring author.

So their editors are referring aspiring authors to their own self-publishing house. This is reprehensible and unethical conduct …exactly the kind of predatory publishing practice that the MWA's rules are designed to discourage.
It doesn't matter what Harlequin ultimately ends up calling their self-publishing program…what matters is how they conduct business. There needs to be a total separation in every way between the editorial side of Harlequin and their for-pay ventures.
They are mistaken if Harlequin thinks that simply changing the name of their self-publishing venture solves the problem.

MWA Takes Stand Against Harlequin

Today, the Mystery Writers of America notified their members of the actions they are taking in response to Harlequin's manuscript critique business and their self-publishing venture:

Recently, Harlequin Enterprises launched two new business ventures aimed at aspiring writers, the Harlequin Horizons self-publishing program and the eHarlequin Manuscript Critique service (aka "Learn to Write"), both of which are widely promoted on its website and embedded in the manuscript submission guidelines for all of its imprints.

Mystery Writers of America (MWA) is deeply concerned about the troubling conflict-of-interest issues created by these ventures, particularly the potentially misleading way they are marketed to aspiring writers on the Harlequin website.

It is common for disreputable publishers to try to profit from aspiring writers by steering them to their own for-pay editorial, marketing, and publishing services. The implication is that by paying for those services, the writer is more likely to sell his manuscript to the publisher. Harlequin recommends the "eHarlequin Manuscript Critique Service" in the text of its manuscript submission guidelines for all of its imprints and include a link to "Harlequin Horizons," its new self-publishing arm, without any indication that these are advertisements.

That, coupled with the fact that these businesses share the Harlequin name, may mislead writers into believing they can enhance their chances of being published by Harlequin by paying for these services. Offering these services violates long-standing MWA rules for inclusion on our Approved Publishers List.

On November 9, Mystery Writers of America sent a letter to Harlequin about the "eHarlequin Manuscript Critique Service," notifying Harlequin that it is in violation of our rules and suggesting steps that Harlequin could take to remain on our Approved Publishers list. The steps outlined at that time included removing mention of this for-pay service entirely from its manuscript submission guidelines, clearly identifying any mention of this program as paid advertisement, and, adding prominent disclaimers that this venture was totally unaffiliated with the editorial side of Harlequin, and that paying for this service is not a factor in the consideration of manuscripts. Since that letter went out, Harlequin has launched "Harlequin Horizons," a self-publishing program.

MWA's November 9 letter asks that Harlequin respond to our concerns and recommendations by December 15. We look forward to receiving their response and working with them to protect the interests of aspiring writers. If MWA and Harlequin are unable to reach an agreement, MWA will take appropriate action which may include removing Harlequin from the list of MWA approved publishers, declining future membership applications from authors published by Harlequin and declaring that books published by Harlequin will not be eligible for the Edgar Awards.

We are taking this action because we believe it is vitally important to alert our members of unethical and predatory publishing practices that take advantage of their desire to be published. We respect Harlequin and its authors and hope the company will take the appropriate corrective measures.

The problem is not that Harlequin owns, or is affiliated with, a manuscript critique service or a self-publishing operation. The problem is how those services are integrated and promoted within their "legitimate" publishing operation…and how that integration potentially misleads, and takes advantage of, aspiring and established authors. The problem is further exacerbated by Harlequin allowing the manuscript critique service and the self-publishing operation to use the Harlequin name.

By integrating the pitch for the critique service into the actual text of their manuscript submission guidelines for all of their imprints — without indicating in any way that it's an advertisement and not a requirement or recommendation — and by giving the service the Harlequin name, they could mislead authors into thinking that:

a) paying for their critique service is a requirement for submitting manuscripts to Harlequin

b) that the editors you hire at eHarlequin Manuscript Critique Service are the same "romance professionals" who will be working with you on your manuscript at Harlequin.

c) paying for their critique service will give you an inside track at having your manuscript being accepted by Harlequin

With the Harlequin self-publishing service, Harlequin Horizons, they could mislead aspiring writers into believing that they are:

a) being published by Harlequin, only paying for it.

b) that they will be working with Harlequin editors

c) that they are actually being published by Harlequin when, in fact, it's an iUniverse book.

And by mentioning the Harlequin self-publishing service on the manuscript submission page for their "real" Harlequin, they are creating the potentially mis-leading impression that paying to have your book published by Harlequin is a pre-requisite or a short-cut to being published by the "real" Harlequin.

In my view, these actions go against all the professional and ethical standards that the MWA stands for.

The Romance Writers of America, in an act of real courage on behalf of their members, has also spoken out strongly this week against these practices, taking on the largest publisher in their genre. It will be interesting to see what Harlequin does next.

UPDATE (11/19/2009) : Harlequin has just announced that they are changing the name of their vanity press. That does not allay all of the MWA's grave concerns about this venture, but it is one step in the right direction.

UPDATE (11/19/2009): The Science Fiction Writers of America have just removed Harlequin from their Approved Publishers list and have released a statement expressing their outrage.

UPDATE (11/22/2009) Novelists Inc. put out with a statement today warning writers to avoid vanity presses and calling on "legitimate" publishers not to engage in predatory publishing practices.

UPDATE (11/23/2009) The Horror Writers Association has also issued a statement condemning Harlequin's vanity press. You can find the complete text in the comments below.

UPDATE: Sisters-in-Crime released a statement, acknowledging that Harlequin Horizons (now DellArte) is a vanity press and may not present the best option for those interested in self-publishing. The complete text of the statement is in the comments below. The International Thriller Writers have declined to issue any sort of statement regarding the Harlequin matter.

What is it… Really?

TV writer & blogger Will Dixon has taken some points I raised on how mysteries are constructedand expanded on them as they apply to sf, horror and fantasy shows . He wrote, in part:

when it comes to constructing the plot for good genre mysteries (like X Files; Buffy; Angel; Firefly…and today you've got Supernatural; Smallville; Warehouse 13; Sanctuary; even Chuck, etc.), there is one question always be asked: 

What is it…what is it really. 

 (In the case of procedurals and investigative mystery programs like 'Veronica Mars' or 'Castle' or 'Bones', the mantra becomes: Who is it...who is it really.)

[…]Of course, this is just one aspect to telling a good mystery story. To take it to the next level, you also need to pick an overall theme to flesh out the episode.

Dixon offers some examples from Buffy The Vampire Slayer to back up his points. His observations are well worth reading.

The Lee Goldberg Show

If you missed my live, interactive webcast last week, now you can catch the archive version. I've posted the first half of the show, where I talked about MONK with my special guest David Breckman (writer-producer-director of MONK), in three parts on YouTube or you can download it here. Unfortunately, there were technical problems at the studio and the second half of the live show, where I talked about my movie FAST TRACK, wasn't recorded.

Stuart Kaminsky Has Passed Away

6a00d8341c669c53ef00e5537a6b858834-800wi  My friend Stuart Kaminsky died today. I really don't know what to say, so please forgive me if I ramble a bit. Stuart was not only a wonderful writer, he was a wonderful human being. He was unfailingly kind and supportive to his fans and his fellow writers. I was both. 

I first met him decades ago when I was a kid and a fan of his Toby Peters books, which I saved up to buy through the Mystery Guild (and wrote in each one "This book belongs to Lee Goldberg and Not You). I wrote him a fan letter and he wrote me back, and that started a correspondence that lasted off-and-on as I went from being an aspiring writer to a professional one. LeeJanStuart2a  

We became friends. He was one of the first writers to blurb me and gave me a lot of great advice over the years (and I was ridiculously honored, and thrilled, the first time he called me for advice on something. Actually, that never wore off). We've been produced together (NERO WOLFE) and published together (HOLLYWOOD AND CRIME) and worked together on various MWA committees over the years. The last time I saw him was a year ago in Kentucky, where he was staging an original Sherlock Holmes play at the International Mystery Writers Festival. We spent a week together and his boundless enthusiasm energized the whole event. That was the thing about Stuart, he never lost his love and his passion for writing…and it was contagious. I will miss him very, very much.

(The photo on the upper left is Bob Levinson, Stuart and me at the International Mystery Writers Festival last year. The picture in the lower right is me, Jan Burke and Stuart at the 2002 Edgar Awards. You can click on the images for a large view)

Murderous Musings

Author Jean Henry Mead interviewed me for the Murderous Musings blog and got me to blather on and on about myself and my books, something I hardly ever get a chance to do with my blog, my twitter page, my Facebook page, my… well, you get the idea. Here’s an excerpt:

Lee, when did you realize you were a writer?

I’ve always known. When I was ten or eleven, I was already pecking novels out on my Mom’s old typewriters. The first one was a futuristic tale about a cop born in an underwater sperm bank. I don’t know why the bank was underwater, or how deposits were made, but I thought it was very cool. I followed that up with a series of books about gentleman thief Brian Lockwood, aka “The Perfect Sinner,” a thinly disguised rip-off of Simon Templar, aka “The Saint.” I sold these stories for a dime to my friends and even managed to make a dollar or two. In fact, I think my royalties per book were better then than they are now.

Tom Selleck is Happily Stoned

I'm a big fan of Tom Selleck's JESSE STONE movies. I like them even more than the Robert B. Parker books that they are based on. The movies do very, very well for CBS, but that doesn't stop the network from inexplicably sitting on them for as long as a year before airing them. The sixth movie NO REMORSE, has been on the shelf since January, the seventh is currently shooting in Halifax, and Selleck tells Variety that he'd like to do an eighth…and see CBS broadcast two a year to add some regularity to what amounts to network television's last successful, TV movie franchise.

"We don't do cliffhangers. The movies stand on their own. But with regular viewing the audience gets the bonus of a continuing backstory," Selleck said. "People want to know what's going to happen with this guy. He's basically a decent guy with a lot of flaws. He's his own worst enemy…but he's a guy you want to root for.

He's got other TV and film prospects, but there's something special about Jesse Stone for Selleck — perhaps because he feels like complicated cop is carrying the flag for the longform biz on network TV.

"There's a market for us," Selleck said. "We're proving that the network TV audience does want to see movies — they just want to see good movies."