Book Review: 52 WEEKS & 52 WESTERN NOVELS

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52 WEEKS & 52 WESTERN NOVELS edited by Scott Harris & Paul Bishop. First, I have to admit a bias. The coauthor of this book, Paul Bishop, is an old friend of mine and many of the authors profiled, and the contributors who wrote about them, are my friends, too. Also  one of the books covered, OUTRAGE AT BLANCO, is published by Brash Books, a company I co-founded. All that said, I love this book and I believe I would even if I didn’t know so many of the people involved.

52 Weeks & 52 Western NovelsIf I were really industrious, I’d list 52 reasons why this slick, beautifully designed book is a must-have for western fans…especially those who are just getting into the genre. #1 on my list would be that it offers a great overview of key western novels that offer a wide-ranging perspective on the genre. #2 would be that each entry is affectionately, and knowledgeably written by either well-read experts in the genre or acclaimed western authors. #3 would be that even long-time western fans will learn some interesting facts about books and authors they thought they knew everything about. Count me among them. This book is packed with information and will make you want to read, or re-read, every single title.

It’s not clear to me how the 52 books that are covered were chosen…or why some authors get two or more listings (like Claire Huffaker, Marvin Albert and Louis L’Amour) while other landmark authors/novels aren’t listed at all (like Larry McMurtry’s LONESOME DOVE and A.B. Guthrie‘s THE WAY WEST, for example). There are lots of well-known titles (especially among western fans) and many obscure ones that were new to me (and that I am eager to read!).

If I have a criticism, it’s that the write-ups can be a bit too familiar at times, with the contributors talking too much about themselves or about how they know the authors (“I’ve had the great pleasure to get to know Arnold and his wife Bonnie over the years” or “Bill and I first met through the pages of fanzines” etc). I also wish the two editors had resisted the urge to refer to their own western novels (“In my own series of western books…”) in write-ups of other books or to have their books included in the listings — it gives the book an unnecessary, self-promotional aspect that detracts from the overall professionalism of the endeavour.

But those are minor quibbles. The passion the editors and their contributors have for the genre, and for these books, is palpable. This isn’t a dry, stodgy reference work. It’s a fun read, written in a casual, energetic style that makes you feel like you’re having dinner with a group of really smart, really passionate western fans who can’t stop talking about the books they love…and that they want you to love as much as they do.

Cheesecake

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Here’s the main title sequence for SABLE, an awful series that only lasted for a month in 1988. William Rabkin & I wrote an awful freelance script for this awful series that thankfully wasn’t shot — but it had a lasting impact on us.

The show had a terrible, expository character, an African-American tech wizard in a wheelchair, named Cheesecake. We hated that character…because it wasn’t a character. It was a painful cliche. So “Cheesecake” became our shorthand, and is to this day, for a cliche character who exists only to provide dull exposition.

It’s amazing and depressing how many times that EXACT SAME DREADFUL CHARACTER — the exposition/computer whiz character in a wheelchair — has been repeated in shows since then.


Cheesecake came to mind today because I just watched the first regular episode of Bill Bixby’s THE MAGICIAN, from the newly released DVD boxed set, that had that same “Cheesecake ” expository character — though it was a white guy in a wheelchair and aired several years before SABLE premiered. Just goes to show how long that dreadful, lazy writer cliche has existed. 

A Brash Birthday

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Lee Goldberg & Joel Goldman making a brash fashion statement

Three years ago this week, Joel Goldman and I launched our publishing company Brash Books with thirty titles, all of them acclaimed, award-winning books that had fallen out of print…and that we brought back in new print and digital editions.

Our mission was cocky and ambitious: to publish the best crime novels in existence. We believe we’ve lived up to that brash goal. We now have just about 100 titles in print, more than a dozen of them brand new books, many by first-time authors who’ve never been published before. Our books have consistently scored rave reviews from the industry trades… including three STARRED reviews from Publishers Weekly. We’ve also sorted through nearly 900 manuscript submissions.
 
We want to give our heartfelt thanks to all of our readers and especially to these amazing authors for putting their faith in us:
 
Leo W. Banks, Robert E. Dunn, Patrick E. McLean, Bill Crider, Bob Forward, Phoef Sutton, Margaret Moseley Burris, Mark Rogers, Jane Waterhouse, Jim Sanderson, Philip Reed, Robin Burcell, Gar Anthony Haywood ,Warren Ripley, Andy Straka, Dick Lochte, Craig Faustus Buck, Noreen Ayres, Michael Genelin Gerald Duff, Max Allan Collins, Dallas Murphy, A.W. Mykel, Phillip Thompson Mark Smith, Barbara Neely, Maxine O’Callaghan, Geoffrey Miller, Tom Kakonis, Jack Bunker, Michael Stone, and the estates of Jimmy Sangster, Ted Thackrey Jr. , Jack Lynch, and Stan R. Lee.
 
This year we made a big push into audiobooks and we couldn’t have done it without our amazing, super-talented narrators. So we’d like to thank Travis Baldree, Harry Dyson, J Rodney Turner, Shawn Compton and John Burlinson for their stellar work.
 
And finally, none of this would have been possible without the hard work of our office manager Denise M. Fields and graphic artist Jacqui Hair, who created our Brash logo and does all of our advertising. We’d also like to thank the many freelance graphic artists who designed our covers.
 
We can’t wait to see what 2018 brings for Brash Books, our authors, and our readers.

My Strange Encounter With Shelley Berman

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Shelley Berman in an episode of CURB YOUR ENTHUSIASM

Comedian Shelley Berman died yesterday. I never worked with him but we did spend an afternoon together.

Six years ago, I was having my car repaired at MBZ Motors in a dreary corner of the San Fernando Valley. I can’t remember why, but I was stuck there all day while the work was being done. There was no where else to go. I had my laptop with me and I was trying to write. Shelley Berman came in to have his Mercedes repaired and sat on the couch across from me to wait it out. I recognized him immediately (my Dad had his records when I was a kid and I saw him perform once — I believe it was in San Francisco) but I didn’t pay attention to him out of respect for his privacy. And I wanted to get some work done.

But it soon became apparent from the way he was talking to people in the waiting area, all of whom were relatively young, that he was very eager to be recognized and was greatly disappointed that nobody knew who he was. They treated him as an irritating old man they wished would just leave them alone (though, I must say, the staff at MBZ was incredibly friendly and respectful to him — they clearly had known him for some time). I felt sorry for him. He was an incredibly talented comedian and actor…and it broke my heart that it appeared to him that he was forgotten. So I spoke up, addressed him by name, told him that I knew who he was, and that I enjoyed his work on BOSTON LEGAL, CURB YOUR ENTHUSIASM, and that my father had his records. 

He broke into a big smile. Berman then went on to regale me over the next few hours with amusing and emotional anecdotes from his life — even sharing with me the heartbreak over the death of his young son (and tearing up as he told me). It was remarkable experience…and also a bit uncomfortable. There was something not quite right about his need for attention or how open he was with me, a complete stranger, about his life (I remember wishing I’d recorded it all). Now that I’ve read his obit, and learned that he passed away from Alzheimers, the strange encounter makes a bit more sense. But it was a memorable afternoon and I felt honored to have been his audience of one.

Making Movies: Gun Monkeys and The Walk

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Eugenio Mira and Lee Goldberg

I’ve got lots of movie news to share that I’ve been keeping bottled up for some time. First off, my novel THE WALK is being made into a movie, to be directed by Eugenio Mira, who made the clever, stylish Hitchcockian thriller GRAND PIANO (starring Elijah Wood and John Cusack) and did some amazing second unit work on THE IMPOSSIBLE (the tsunami movie with Naomi Watts). He’s fresh off of directing the second unit for JURASSIC WORLD II… so with that big-budget, action and disaster-movie experience behind him, he’s obviously the perfect guy to do THE WALK. The movie will be produced by Paul Hanson, George Paige and John Baca for Covert Media.

Covert Media is also producing my screenplay adaptation of Victor Gischler‘s Edgar-nominated novel GUN MONKEYS , which will be directed by Simon Brand. The development history of GUN MONKEYS goes back years. I optioned the book myself, wrote the script on spec, and for a long while it was set up with actor Kevin Costner and director Ryuhei Kitamura. That project came real close to getting made…and then fell apart. A new producing team came on board, offers are going out to big-name actors now, and we’re on track to shoot in late 2017/early 2018.

Back in September, Simon shot an action scene from my script as a camera/lighting test…and I’ve just been given the okay to share it now that he’s posted it on his site. The key parts are played by his friends and it has a voice-over that isn’t in the script — I wrote it just for this so that the action makes sense out of context. I think the footage looks terrific. Here it is. I hope you like it! 

Gun Monkeys from simon brand on Vimeo.

 

DVD Reviews: DECOY and CORONET BLUE

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Two short-lived, NY-based crime shows have finally come out on DVD…and they are both gems.

DECOY stars Beverly Garland as police woman Casey Jones and was the first TV series to shoot on location in New York. It was also the first series to feature a police woman in the lead role. All 39 episodes from its brief, 1958 run are included in this boxed set, which also comes with a nicely detailed brochure of synopses, brief episodic credits, and some interesting background on the series — one I have to admit I wasn’t familiar with at all. I’ve always been a fan of Beverly Garland, and was fortunate to work with her on the “Mannix” episode of DIAGNOSIS MURDER, but I’d never seen this series before. I’m glad I took the gamble and bought the DVD set. Think of DECOY as a grittier DRAGNET…but with a female star. The series is straight-forward, ripped from the case files, police procedural storytelling. But unlike DRAGNET, Garland manages to give her character an emotional life beneath the action and dialogue purely through her facial expressions, dialogue delivery, and body language. Her acting strengths, some sharp writing, and the consistently excellent NY location shooting make this a dandy piece of TV crime noir well worth your time. I’d argue it’s actually a far more realistic and interesting series than POLICE WOMAN, which came decades later. You’ll also see early guest appearances from future stars Peter Falk, Suzanne Pleshette, Martin Balsam, Diane Ladd and Larry Hagman.

 

 

CORONET BLUE is primarily remembered for its cool theme song…if its remembered all. Which I guess is fitting, given what the show was about. Frank Converse stars as a guy who is shot, thrown in the Hudson river, and left for dead. He survives, but can’t remember anything about his past except the words “Coronet Blue.” The 13 episodes followed his efforts to discover who he is and, as is customary in series like this,  help other people in trouble along the way. This boxed set lives up to my memory of the show…pun intended. The theme song and score are great, the writing is strong, the location shooting is excellent, and the casting is top-notch.  It’s a real time capsule of talent — lots of future writing, acting, and directing stars worked on this series including Roy Scheider, Jon Voight, Candice Bergen, Billy Dee Williams, Albert Ruben (writer of KOJAK, etc), Lamont Johnson (director of EXECUTION OF PRIVATE SLOVIK, etc), Alvin Sargent (writer of PAPER MOON, SPIDERMAN 1, 2, 3 etc) . The prints are good and the DVD has one extra, an on-camera interview with creator Larry Cohen, who is perhaps best known for creating BRANDED and THE INVADERS…and directing IT’S ALIVE.  It was nice to have the interview  — I just wish he’d gone into more depth. It’s also a shame that they didn’t interview some of the other surviving actors, writers, directors who worked on the series. Even so, that’s a minor quibble. This is a terrific boxed set, one I have been waiting on for years.

 

The Mail I Get – Long Overdue Monk Edition

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I’ve been getting lots of questions about my MONK series. Here are just a few of them.

Hi Lee, quick question about the Monk books. I know they’re stand-alones, but did you intend for the characters to have gradual progressions from book 1 to book 15, which wouldn’t necessarily require the reader to read them in order, but that the reader would get more out of the overall storyline arc if they *did* read them in order?

Yes, particularly after MR. MONK IS CLEANED OUT and onwards through my last book, MR. MONK GETS EVEN. Also, early in the series, the books MR. MONK GOES TO GERMANY and MR. MONK IS MISERABLE (aka Mr. Monk Goes to France) take place basically within hours of each other, so those are best read in order.

Love the Mr Monk book series. I’m in need of a jacket cover for a hardcover book “Mr Monk on the COUCH”. Any idea where I might be able to go and get just the cover?

I don’t have a stack of dust jackets in my closet. You’ll have to buy a used book. There are plenty on Amazon and ABEbooks.

I just finished reading your last book on Monk and something bothers me. Where was the daughter of Trudy – Molly? How is it possible that she was not at the wedding Ambrose and Yuki? After all, she is part of the family. Why she was not invited to the wedding? Was there any reason why you did not mention Molly Evans in your book? Please reply.

If memory serves , I had Molly appear in “Mr Monk on The Road” and I felt that was enough attention paid to her. The character appeared briefly in the last episode of Monk, so she barely registered as a character . She wasn’t monk’s daughter, so she wasn’t related to him or Ambrose. Her character barely existed in the tv show. I saw no reason to spend any more time with a character that viewers and readers didn’t really know or care about. That approach has proven correct since you are only the second person, out of the tens of thousands of readers who bought the book, to bring her up to me in the years since the novel was published. 🙂

Thanks for writing the Monk series. I love them. I love the way you have developed the characters, especially…all of them. I am just very disappointed that you are not going to write any more of them. If you change your mind I shall rejoice.

Thank you, but to quote a cliche, the ship has sailed on the MONK books. I won’t be doing any more. I think writing fifteen books and three Monk episodes is more than enough Monk for me!

I was wondering if you still talk to the maker of monk because if you do I was wonder if you could ask him to make a monk movie! I would love that and I know a lot of fans would love it too!

Andy Breckman wrote a MONK reunion movie several years ago for USA Network. But, from what I understand, it ended up being too expensive to produce.

I’m a HUGE fan of the Mr. Monk book series and the TV series! I’m having a very hard time finding your first book, “Mr. Monk Goes To The Firehouse” so, I was wondering if you could send me a copy at your earliest convenience. Here is my address. Please sign it, too.

I’m so glad that you enjoy the MONK books. I don’t know why you’re having troubles finding MR. MONK GOES TO THE FIREHOUSE. It is widely available from hundreds of booksellers, in some cases for as little as one penny plus postage! That said, I’m not a bookseller nor do I send out free copies of my books to anybody who asks.

I am a huge fan, I have seen the Monk tv show and read all of the Monk books.  How do I go about obtaining a copy of the short story Mr. Monk and the Seventeen steps?

The short story is actually a chapter from one of the MONK books… MR. MONK ON THE ROAD. All the short stories that were published in Ellery Queen Mystery Magazine were excerpts from the books that just worked as standalone stories

The Mail I Get – Scammers Edition

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Even in this age of easy self-publishing, the scammers are still out there… and there are still plenty of suckers. I recently ran into an author who not only “published” his book through Authorhouse, he also paid them extra to buy positive reviews for him in the worthless “self-published books” versions of Publishers Weekly and Kirkus. Not only that, he was seriously considering a sleazy marketeer’s $25,000 campaign to “get his book on bestseller lists” by paying people to buy copies and leave positive reviews on digital platforms. He firmly believed that this is how Stephen King, John Grisham, Janet Evanovich and others get their books reviewed and on the bestseller lists. I, of course, told him was wrong and that he’d been swindled. Afterwards, he emailed me this plea:

Okay, so I’m ready with open ears to figure out how to get my book marketed, put on best seller lists, then get it made into a movie. I asked you last week if I could send you a copy to take a look at, cause it’s pretty damn dynamic. I know you have your own writings to take care of, but If there’s anything at all you can do to help me, I would be more than happy cut a nice juicy percent of gross profits…of everything. Please, please, please guide me in the right direction and if possible, drive the damn car for me.

The first thing you need to know is that Authorhouse is a notorious scam that operates under several names (Author Solutions, iUniverse, xlibris, etc.). They prey on the desperation of aspiring authors and squeeze them for every last penny they can get. Don’t pay them another dime for anything. You’ve been swindled out of enough money by these crooks as it is. Here’s just one of many posts out there about the Author Solutions/Authorhouse scam. The good news is that people have finally gotten wise to their con and the company is in a downward spiral.

But before they crash and burn, you should demand that Authorhouse revert the rights to the book back to you, along with the PDF and Kindle files that you’ve paid for, and pull the book from sale. Your book is ranked at 2 million on Amazon, which frankly means you aren’t selling any books anyway, so you aren’t risking anything by yanking it. Nobody knows the book exists.

I’m sorry, but I don’t have the time to help you untangle yourself from Authorhouse or to walk you through self-publishing your book. But before you consider self-publishing again, or marketing your book to real publishers, you should really go back and rewrite the manuscript. I read the Amazon sample and, I mean no offense, but it needs substantial editing by a professional. It’s bloated with endless, dull exposition…and isn’t ready to sell to anybody. Rewriting the book under the guidance of an experienced freelance editor, or a knowledgeable creative writing instructor (perhaps through UCLA Extension), is really the best use of your resources now rather than investing time, effort, and money self-publishing a book that is unlikely to find an audience in its present form.

Goldberg News: Two Thrillers Coming in 2018 & A Big Screen WALK

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I’ve got lots of exciting news to share…so let’s get to it!

James Grady and Lee at the Edgars

TWO THRILLERS COMING IN 2018

The big news is that I’ve signed a two-book deal with Amazon Publishing/Thomas & Mercer that kicks off with the publication of my new thriller TRUE FICTION in April 2018, followed by the sequel in the fall.

I’ve described the book as a cross between SIX DAYS OF THE CONDOR and NORTH BY NORTHWEST. So it was a real thrill when I finally got to meet James Grady, author of CONDOR at the Edgars in April.

TRUE FICTION takes place in Hawaii, Seattle, Los Angeles, Nevada, and Washington D.C…. and I finished writing it in a cafe in Paris on a rainy day in January. It’s about a thriller author who discovers that one of his fictional tales is becoming horrifyingly real. To say more now would spoil the fun. I’ll give you more details about the book, and my research and travels for it, when we get closer to the pub date.


CHASING FOX & O’HARE

Many of you have asked when the next Fox & O’Hare book is coming…especially since THE PURSUIT, which I co-authored with my good friend Janet Evanovich, was such a big success, hitting #1 on the New York Times bestseller list back in June 2016. Unfortunately, we’re still trying to work out a satisfactory agreement with the publisher for future books. As soon as I have news, I’ll be sure to share it with you. I took an extensive research trip to Australia and New Zealand for that as-yet-unwritten sixth book in the series and I’m eager to take Nick & Kate there for their next adventure.


THE WALK … COMING TO A THEATER NEAR YOU?

A movie version of THE WALK is in pre-production based on my own script. A terrific director has been signed and offers will be going out to A-list actors soon. I wish I could say more than that, but I am bound to secrecy for the time being. There have been false starts in the past but I am cautiously optimistic that filming could start in early 2018.

BEING BRASH

Brash Books, the publishing company that I launched with Joel Goldman, is going strong as we approach our third year in business. We’ve published close 100 titles so far! Our latest title is Patrick McLean’s new novel THE SOAK, a terrific thriller that evokes the best of Donald Westlake’s Parker novels. I think you’ll love it. I also heartily recommend the new audiobook edition of Jack Bunker’s TRUE GRIFT. Harry Dyson does a fantastic job narrating it and I guarantee that you’ll laugh your way through your next traffic jam or gym work-out.

LOS ANGELES TIMES FESTIVAL OF BOOKS

I had a great time, as usual, moderating panels and hanging out at the Los Angeles Times Festival of Books. Here are a couple of photos from the event:


Lee with former Barnes & Noble events exec Lita Weissman and authors Gar Anthony Haywood, Laura Lippman and Megan Abbott


Lee with authors Eric Jerome Dickey, Chris Farnsworth, Gregg Hurwitz, and Daniel Suarez

That’s all the news for now…more soon!

Book Review: Two Masters at Work

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Little White Lies By Ace Atkins. I’ve said this before and I’ll say it again… Ace Atkins is writing better Spenser novels now than the last few that Robert B. Parker wrote before his death. Not only does Atkins perfectly channel Robert B. Parker’s voice, without slipping into satire or pastiche, he also matches Parker at his best in terms of character and story. Longtime fans of the series will be glad to see the return of some familiar faces and references to past cases in this tale, which pits Spenser against a conman, a mega-church, and paramilitary bad guys. I doubt anybody but Parker himself could top Ace at writing Spenser. I can’t wait to see where Ace takes Spenser next.

Writing the Pilot: Creating The Series  by William Rabkin. This book is so much more than that straight-forward title suggests. Yes, it will teach you the key elements that every series needs to get on the air…and stay there for 100 episodes. My old friend and former TV writing partner William Rabkin does it well, with a disarmingly casual, conversational approach that will make you feel as if you have a best friend in the business. You will finish the book eager, and well-prepared, to create television’s next cutting-edge show. But the book is so much more than a mere how-to guide to being the next Shonda Rhimes, JJ Abrams, or Greg Berlanti. This book can also can stand alone as a brilliant, succinct overview of the history of the television business and, more importantly for writers, the evolution of television storytelling (the two subjects are inseparable, which is another brilliant insight that Bill shares). The introduction alone is worth the purchase price…you can consider the rest extra value. He examines the way stories are told on television with a thoroughness and understanding that nobody else ever has before… perhaps because there hasn’t been anybody better positioned to do it than Bill. He’s not only a respected writer-producer and a beloved teacher, but he’s also an experienced entertainment industry journalist. He is able to take a step back from a business and a craft he knows so well and look at it objectively, with a journalist’s eye, to see the bigger picture as well as the telling details. Television is going through a long-overdue creative and business evolution and this is the first book that truly captures the moment, the metamorphosis, and the challenges…and does it in what feels like real time. If television writing is a calling, than “Creating the Series” is the gospel.