Donald Westlake

by

01westlake_650
Donald Westlake not only wrote great books that entertained millions of people, he wrote books that inspired people to become authors. All you have to do is look at all the heart-felt tributes from authors in the aftermath of Westlake's death yesterday to discover that. 

My brother Tod and I met Westlake a few years ago at the after-party for the Los Angeles Times Book Awards. We gathered up our courage and nervously approached him. We only meant to say hello, to tell him how much we loved his work, and then hurry along so as not to take up his time. But he engaged us in a conversation about writing, publishing and the movie business that lasted well over an hour (at one point, author Denise Hamilton joined us, too). He regaled us with funny, shocking, and revealing anecdotes from his long career in publishing and film. It was amazing. Many times during the conversation I met Tod's eye and I knew we were sharing the same thought:  I can't believe we are having this conversation with Donald Westlake!  (I found out later that Denise was thinking the same thing). Now it's impossible for us to attend the Los Angeles Times Book Festival without remembering that wonderful night…and that great writer, who also happened to be a hell of a nice guy. 

I am going to miss him.

UPDATE: My brother Tod shares his memories of an excellent panel he moderated with Westlake (I'd forgotten about that) and our conversation with him at the party…though he seems to think the chat we had lasted for three hours. The truth is, it doesn't matter how long the conversation was…because for Tod and I, it won't end, the memory and its influence will stay with us for years. And that's how I will measure it.

[…]the really cool thing was that it wasn't just that
Westlake was pontificating, he was asking us stuff, too, we were
actually talking to Donald Westlake and he seemed perfectly
content, never mind that Lee and I were very nearly slobbering fools in
his presence. He was sweet, effusive and told us great stories for an
entire evening and then Lee and I sat in the car on the way home and
repeated all of the stories back to each other, as if we hadn't both
experienced them together.

A Gunsmoke Treasure Trove

by

Gunsmoke 4
I stumbled on this fantastic link today — it will lead you to all 480  GUNSMOKE radio shows in absolutely pristine listening condition (as well as the two pilots). Not only that, but there's also tons of fantastic extra material…like PDFs of all the early GUNSMOKE books, dozens of GUNSMOKE articles & interviews, complete rehearsals of GUNSMOKE episodes, the first TV episode, and a five-hour radio documentary on the making of GUNSMOKE featuring interviews with all the key writers, producers, composers and actors…and much much more. This is a treasure trove of stuff for GUNSMOKE fans…and best of all, it's free!  

Best Laugh of the Day…

by

…comes from my friend author Harley Jane Kozak at Lipstick Chronicles.

Those of you who recall my family’s holiday incident, “The Death of Santa,” earlier this month will not be surprised to learn of its domino effect. Last week my 8-year old daughter found an old note from the Tooth Fairy.

“Mommy,” she said, studying it, “this printing looks like yours.”

I said nothing. My daughter looked up at me.

“It’s you!” she yelled. “Again! Every fairy is you, every Claus is you – is God you?”

“No, no,” I said quickly. “I’m not God.”

Free Mystery Scene

by

For next few days, the fine folks at Mystery Scene are offering to send out sample copies of their excellent magazine to anyone who wants one absolutely free. All you have to do is visit their website and request a copy — there are no strings attached. Be sure to tell'em that Lee sent you.

Is Flashpoint the Turning Point for Canadian TV?

by

Since we're talking about Canadian TV here lately…
During the writer's strike, CBS and NBC looked the the Great White North for replacement programming. CBS snagged the Canadian series FLASHPOINT and NBC grabbed THE LISTENER. 

FLASHPOINT did modestly well and is coming back for more episodes next month, THE LISTENER hasn't aired yet. But Globe & Mail TV critic John Doyle seems to think FLASHPOINT already marks a significant turning point for Canadian TV: 

FLASHPOINT changed everything. It benefited from the paucity of new shows available in the United States, thanks to the Writers Guild of America strike, but as soon as it became a hit, it brought the Canadian TV industry alive with hope and ideas. It also got better, episode by episode. And it showcased great Canadian actors to Hollywood and the world.

I think it may be too soon for the Canadians to assume FLASHPOINT is a major game-changer for their industry (or a certified hit on American TV).

It's certainly not the first time a Canadian show has been tried on U.S. primetime. CBS has toyed with Canadian content many times over the years…first with their "Crimetime After Primetime" latenight  schedule of Canadian shows (NIGHT HEAT, ADDERLY, DIAMONDS, etc) in the 1980s. They occasionally tried out the shows in primetime without success. And in 1994, CBS carried DUE SOUTH in primetime for a couple of seasons but it failed to spark a wave of home-grown Canadian programs on American airwaves (to be fair, it wasn't a true Canadian series, though. FLASHPOINT is set in Toronto….DUE SOUTH was a twist on McCLOUD, bringing a Canadian Mountie to Chicago).

Five or six years ago, UPN aired the popular Canadian series POWERPLAY…and cancelled it after just one disasterously low-rated airing. And, more recently, Lifetime briefly aired the Canadian vampire series BLOOD TIES to little notice.

It will be interesting to see if FLASHPOINT can hold its own now in a much more competitive environment than it faced during its initial airing…and if lives up to all the hopes the Canadian TV industry seems to be pinning on it

Spying is Hard Work

by

The Washington Post reports that the CIA is offering Afghan warlords Viagra in return for their help battling the Taliban.

"You didn't hand it out to younger guys, but it could be a silver bullet to make connections to the older ones," said one retired operative familiar with the drug's use in Afghanistan. Afghan tribal leaders often had four wives — the maximum number allowed by the Koran — and aging village patriarchs were easily sold on the utility of a pill that could "put them back in an authoritative position," the official said.

TV, eh?

by

Canadian TV writer Denis McGrath laments the current state of the TV biz up there:

The business model here — buy U.S. shows at dumped fire sale prices, and show 'em at the same time while you paste on your commercials — was always a far more fragile model than the one in the USA. But as the model that made their piggyback-industry possible crumbles, all the signs point toward the mandarins here taking in exactly the wrong lessons, and doubling down on a dying strategy.

As I have mentioned in past posts, Canada isn't particularly well-known for the quality of their home-grown, episodic dramas. But that doesn't mean they aren't producing a lot of them — the problem is, many are American shows that are merely shot in Canada for the tax breaks. Or, as blogger Will Dixon pointed out:

[…]as far as 'defining' us, service producing US programming is certainly high on the list of things we do as an industry…and the Stargates' definitely fall into that category (which is kind of an unfair rap against them because even though the vast majority of cast, crew, writers, showrunners are Canadian, it's primary investors and broadcasters have been American – MGM and US's Showtime and then SciFi channel). Thus, most people up here don't perceive them as distinctly 'Canadian' shows.

STARGATE, THE X FILES, THE COMMISH, BATTLESTAR GALACTICA, PSYCH, and SMALLVILLE (and the first season of MONK) are just a few of the many American shows that have been out-sourced to Canada. Although the shows were shot entirely in Canada, and 95% of the cast and crew were Canadian, nobody considers them Canadian series…because they were created, developed, and financed in the United States, where they had their initial airings. 

The unfortunate truth is that without American out-sourcing of TV production to Canada, the TV industry up there would be hardly an industry at all…and that's not good for the future of Canadian TV.