The Mail I Get – Scammers Edition

Even in this age of easy self-publishing, the scammers are still out there… and there are still plenty of suckers. I recently ran into an author who not only “published” his book through Authorhouse, he also paid them extra to buy positive reviews for him in the worthless “self-published books” versions of Publishers Weekly and Kirkus. Not only that, he was seriously considering a sleazy marketeer’s $25,000 campaign to “get his book on bestseller lists” by paying people to buy copies and leave positive reviews on digital platforms. He firmly believed that this is how Stephen King, John Grisham, Janet Evanovich and others get their books reviewed and on the bestseller lists. I, of course, told him was wrong and that he’d been swindled. Afterwards, he emailed me this plea:

Okay, so I’m ready with open ears to figure out how to get my book marketed, put on best seller lists, then get it made into a movie. I asked you last week if I could send you a copy to take a look at, cause it’s pretty damn dynamic. I know you have your own writings to take care of, but If there’s anything at all you can do to help me, I would be more than happy cut a nice juicy percent of gross profits…of everything. Please, please, please guide me in the right direction and if possible, drive the damn car for me.

The first thing you need to know is that Authorhouse is a notorious scam that operates under several names (Author Solutions, iUniverse, xlibris, etc.). They prey on the desperation of aspiring authors and squeeze them for every last penny they can get. Don’t pay them another dime for anything. You’ve been swindled out of enough money by these crooks as it is. Here’s just one of many posts out there about the Author Solutions/Authorhouse scam. The good news is that people have finally gotten wise to their con and the company is in a downward spiral.

But before they crash and burn, you should demand that Authorhouse revert the rights to the book back to you, along with the PDF and Kindle files that you’ve paid for, and pull the book from sale. Your book is ranked at 2 million on Amazon, which frankly means you aren’t selling any books anyway, so you aren’t risking anything by yanking it. Nobody knows the book exists.

I’m sorry, but I don’t have the time to help you untangle yourself from Authorhouse or to walk you through self-publishing your book. But before you consider self-publishing again, or marketing your book to real publishers, you should really go back and rewrite the manuscript. I read the Amazon sample and, I mean no offense, but it needs substantial editing by a professional. It’s bloated with endless, dull exposition…and isn’t ready to sell to anybody. Rewriting the book under the guidance of an experienced freelance editor, or a knowledgeable creative writing instructor (perhaps through UCLA Extension), is really the best use of your resources now rather than investing time, effort, and money self-publishing a book that is unlikely to find an audience in its present form.

Goldberg News: Two Thrillers Coming in 2018 & A Big Screen WALK

I’ve got lots of exciting news to share…so let’s get to it!

James Grady and Lee at the Edgars

TWO THRILLERS COMING IN 2018

The big news is that I’ve signed a two-book deal with Amazon Publishing/Thomas & Mercer that kicks off with the publication of my new thriller TRUE FICTION in April 2018, followed by the sequel in the fall.

I’ve described the book as a cross between SIX DAYS OF THE CONDOR and NORTH BY NORTHWEST. So it was a real thrill when I finally got to meet James Grady, author of CONDOR at the Edgars in April.

TRUE FICTION takes place in Hawaii, Seattle, Los Angeles, Nevada, and Washington D.C…. and I finished writing it in a cafe in Paris on a rainy day in January. It’s about a thriller author who discovers that one of his fictional tales is becoming horrifyingly real. To say more now would spoil the fun. I’ll give you more details about the book, and my research and travels for it, when we get closer to the pub date.


CHASING FOX & O’HARE

Many of you have asked when the next Fox & O’Hare book is coming…especially since THE PURSUIT, which I co-authored with my good friend Janet Evanovich, was such a big success, hitting #1 on the New York Times bestseller list back in June 2016. Unfortunately, we’re still trying to work out a satisfactory agreement with the publisher for future books. As soon as I have news, I’ll be sure to share it with you. I took an extensive research trip to Australia and New Zealand for that as-yet-unwritten sixth book in the series and I’m eager to take Nick & Kate there for their next adventure.


THE WALK … COMING TO A THEATER NEAR YOU?

A movie version of THE WALK is in pre-production based on my own script. A terrific director has been signed and offers will be going out to A-list actors soon. I wish I could say more than that, but I am bound to secrecy for the time being. There have been false starts in the past but I am cautiously optimistic that filming could start in early 2018.

BEING BRASH

Brash Books, the publishing company that I launched with Joel Goldman, is going strong as we approach our third year in business. We’ve published close 100 titles so far! Our latest title is Patrick McLean’s new novel THE SOAK, a terrific thriller that evokes the best of Donald Westlake’s Parker novels. I think you’ll love it. I also heartily recommend the new audiobook edition of Jack Bunker’s TRUE GRIFT. Harry Dyson does a fantastic job narrating it and I guarantee that you’ll laugh your way through your next traffic jam or gym work-out.

LOS ANGELES TIMES FESTIVAL OF BOOKS

I had a great time, as usual, moderating panels and hanging out at the Los Angeles Times Festival of Books. Here are a couple of photos from the event:


Lee with former Barnes & Noble events exec Lita Weissman and authors Gar Anthony Haywood, Laura Lippman and Megan Abbott


Lee with authors Eric Jerome Dickey, Chris Farnsworth, Gregg Hurwitz, and Daniel Suarez

That’s all the news for now…more soon!

Book Review: Two Masters at Work

Little White Lies By Ace Atkins. I’ve said this before and I’ll say it again… Ace Atkins is writing better Spenser novels now than the last few that Robert B. Parker wrote before his death. Not only does Atkins perfectly channel Robert B. Parker’s voice, without slipping into satire or pastiche, he also matches Parker at his best in terms of character and story. Longtime fans of the series will be glad to see the return of some familiar faces and references to past cases in this tale, which pits Spenser against a conman, a mega-church, and paramilitary bad guys. I doubt anybody but Parker himself could top Ace at writing Spenser. I can’t wait to see where Ace takes Spenser next.

Writing the Pilot: Creating The Series  by William Rabkin. This book is so much more than that straight-forward title suggests. Yes, it will teach you the key elements that every series needs to get on the air…and stay there for 100 episodes. My old friend and former TV writing partner William Rabkin does it well, with a disarmingly casual, conversational approach that will make you feel as if you have a best friend in the business. You will finish the book eager, and well-prepared, to create television’s next cutting-edge show. But the book is so much more than a mere how-to guide to being the next Shonda Rhimes, JJ Abrams, or Greg Berlanti. This book can also can stand alone as a brilliant, succinct overview of the history of the television business and, more importantly for writers, the evolution of television storytelling (the two subjects are inseparable, which is another brilliant insight that Bill shares). The introduction alone is worth the purchase price…you can consider the rest extra value. He examines the way stories are told on television with a thoroughness and understanding that nobody else ever has before… perhaps because there hasn’t been anybody better positioned to do it than Bill. He’s not only a respected writer-producer and a beloved teacher, but he’s also an experienced entertainment industry journalist. He is able to take a step back from a business and a craft he knows so well and look at it objectively, with a journalist’s eye, to see the bigger picture as well as the telling details. Television is going through a long-overdue creative and business evolution and this is the first book that truly captures the moment, the metamorphosis, and the challenges…and does it in what feels like real time. If television writing is a calling, than “Creating the Series” is the gospel.