The Eyes of a Ranger Are Upon You

Walker is back. Chuck Norris is returning to Dallas next month Clintto shoot "Walker Texas Ranger: Ring of Fire," a two-hour movie for CBS that producer/director Aaron Norris hopes will relaunch the franchise, which was cancelled in 2001. Norris tells Variety:

"Reunions are more about one-offs," he said. "I would like to do more of
these."

To that end, action in "Ring of Fire" will pretty much pick up "as if we’ve
been doing the show the whole time," with Walker simply doing what he’s always
done: collar criminals and kick bad-guy butt (and not necessarily in the that
order).

Plot of "Ring of Fire" has Walker investigating whether one of his Ranger
buddies is a serial killer — or just being framed. He’ll also try to track down
a teen on the run from a crime syndicate.

The big question is, will Chuck still sing the theme song?

There’s No Need to Fear, Another TV Remake is Here…

Following on the heels of SCOOBY-DOO, Variety reports that Disney is developing a live-action version of the TV cartoon UNDERDOG.

Underdog"Anything where you have a dog in that superhero context, that’s appealing on a
global basis," producer Gary Barber said. "Those films do very well, and there’s no better
brand than Disney for this kind of movie."

…The tongue-in-cheek "Underdog" skein, created by Buck Biggers and Chet Stover,
made its debut in 1964 on NBC and ran until 1973. The character was an unlikely
superhero: a beagle who sheds his milquetoast identity of Shoeshine Boy to
become a caped superdog who speaks in rhymed couplets. Wally Cox provided his
voice.

In the feature script, by Joe Piscatella and Craig A. Williams, a diminutive
hound named Shoeshine gets superpowers after a lab accident. When he’s adopted
by a 12-year-old boy, the two form a bond around the shared knowledge that
Shoeshine is really Underdog.

The Persuaders

PersuaderslogoVariety reports that Ben Stiller and British comic Steve Coogan are teaming up for a Dreamworks feature film version of  the 1971 UK-produced TV series THE PERSUADERS, the one-season bomb that starred Roger Moore and Tony Curtis as ner-do-well playboys drafted by a retired judge to work as detectives in Europe. The series began as a spin-off episode of  Moore’s  THE SAINT,  with Stuart Damon in the role that eventually went to Tony Curtis. Despite the immediate  failure of THE PERSUADERS  here, the John Barry instrumental theme is still a beloved hit in France to this day (where it is known as AMICALEMENT VOTRE) and the show remains unaccountably popular overseas.  (Trivia tidbit: Roger Moore also designed the wardrobe on the show. He went from THE PERSUADERS straight into James Bond)

The Night Stalker

ABC has announced their fall schedule and one of the shows they picked up is Frank Spotnitz’s new version of THE NIGHT STALKER.  The original starred Darren McGavin as a down-on-his-luck wire service  reporter who inevitably stumbled on stories involving the supernatural. It was a very funny series with its share of scares. Think ROCKFORD FILES with ghosts.  But Spotnitz is seemingly going in a much, much darker direction…at least according to this report from TVTracker.

Network: ABC
Genre: Drama
Title: NIGHT STALKER
Studio: Touchstone
Television
Commitment: Series Pick Up (13 Episodes)
Auspices: Frank
Spotnitz (EP, W-Pilot), Daniel Sackheim (D-Pilot, EP N/W)
Cast: Eric
Jungmann, Cotter Smith, Stuart Townsend, Gabrielle Union
Logline: There are things in the dark, things adults deny but children are right to fear… When a pregnant woman is snatched from her home, the shocked citizens of L.A. believe it’s an act of domestic violence. But crime reporter Carl Kolchak
suspects that the truth is far more complicated. That’s because 18 months ago, Kolchak’s wife was killed in a bizarre fashion and he has been the FBI’s #1 suspect ever since. Kolchak’s determination to find out the truth behind his wife’s mysterious murder has led him to investigate other crimes that seem to have some kind of supernatural component. But he’s trying to piece together a puzzle that keeps changing its shape. Who or what is committing these crimes? How are they all related? And why do some victims end up with a strange red mark on their hands in the shape of a snake? With sidekick Perri Reed, a sexy if skeptical fellow reporter in tow, Kolchak will go to any lengths to answer these questions. But when he does discover the truth – will anyone believe him?

This, by the way, is one of two new series on ABC (the other is John Wells THE EVIDENCE) involving heroes haunted by the unsolved murders of their wives.  This is a popular theme on series television these days  (MONK is another example that comes to mind).

Pilot Tape Crackdown

The networks announce their fall schedules in a week or two and, usually, around this time tapes of the various pilots under consideration start floating around town. But this season, that has changed. Variety reports that studios are cracking down on the practice. The studios are getting so tight with tapes, even the producers of the pilots have a hard time getting screeners of their own shows.

"It’s unlike anything I’ve ever seen," said one insider at a major
tenpercentery. "You hear rumors of execs telling assistants they could go to
jail if they leak something out."

Another said he can’t even get his hands on his own network’s tapes, at least
prior to the pilot’s official screening.  Studios and nets always make noises about not wanting tapes to be traded with
other studios or nets. So why are the rules actually being enforced this year?

Some trace it back to a dictate from top brass at 20th Century Fox TV, who
laid down the law last month when early copies of a couple of the studio’s
pilots started floating around town — even before the networks where the shows
are set up had had a chance to formally screen them.  Others speculate that Leslie Moonves’ control of Paramount Television has
further restricted the free flow of tapes. Moonves insists on a strict cone of
silence surrounding the development process at his units.

As frustrating as the crackdown has been for some, one studio exec said it’s
necessary in a world where "there’s a tremendous incentive for agents to try to
create a bad buzz" about projects with which they’re not associated.

"When you have people who’ve seen tapes calling network execs and saying, ‘Do
you really like that?,’ it starts to have an impact on your project," the
exec said.

One agent admitted he’s guilty of spreading bad buzz. "Everyone talks shit
about everyone’s pilot," he said.

I wonder if the crackdown will be as strongly enforced after the schedules are announced. Usually, tapes of  busted pilots start floating around town during the summer and you get a chance to see what didn’t  make the schedule and why. 

Last season, I was eager to get my hands on the Lost in Space pilot directed by John Woo and had a hell of a time tracking down a tape through my usual sources (When you’ve written a book on unsold pilots, and filmed two TV specials about’em, you have lots of sources). But once I did get the tape and put it in the VCR I could see why WB wanted to bury it.  It was horrendous, misguided, and stupid.  (I’m still trying to get a copy of The Time Tunnel revival pilot).

Many years ago, I really wanted to see the Stephen J. Cannell-produced  Hawaii Five-O  pilot starring Gary Busey and Russell Wong. But it was done for CBS, and Moonves is notorious about keeping his busted pilot under lock-and-key.  It took me a year or so, but I finally scored a tape from someone who made me promise not to tell anyone where I got it for fear that Moonves would crush him. It wasn’t so bad…but it wasn’t so good, either.

Good-Riddance to Star Trek

It’s about time STAR TREK was cancelled, or so says bestselling science fiction author Orson Scott Card in the Los Angeles Times. He was no fan of the original series, either.

The original "Star Trek," created by Gene Roddenberry, was, with a few
exceptions, bad in every way that a science fiction television show
could be bad.

Yikes, is he in for it from "The Fen. " And he takes a shot at them, too.

And then the madness really got underway. They started making
costumes and wearing pointy ears. They wrote messages in Klingon, they
wrote their own stories about the characters, filling in what was left
out — including, in one truly specialized subgenre, the "Kirk-Spock"
stories in which their relationship was not as platonic and emotionless
as the TV show depicted it.

He’s certainly one author who isn’t afraid to express a controversial opinion that could, uh,  alienate his readers.

Don’t Hire This Spenser

Bob Sassone reports over at TV Squad that Rykodisc is releasing the four, made-on-the-cheap-in-Canada SPENSER reunion movies  on DVD. Those crappy, flatly-directed, and exceedingly dull MOWs shouldn’t be mistaken for the underappreciated SPENSER FOR HIRE  series (and I’m not just saying that because I wrote for it).

Robert Urich and Avery Brooks were the perfect Spenser and Hawk,
the scripts were literate and intelligent, and the on
location filming in Boston added a lot of atmosphere and color. But
then the show was cancelled, and they decided to make these rather
so-so movies, and they don’t include Barbara Stock as Susan Silverman
(sorry again: Wendy Crewson and Barbara Williams just aren’t the same).
The good news? They aren’t the lame Joe Mantegna Spenser
flicks that A&E produced later, and it’s great to see Urich and
Avery together again. The bad news? It’s not the TV series.

I hope the TV series comes out on DVD soon and not just because I’d like pristine copies of my episodes. It was a very good PI series and seems to have dropped out of syndication a few years ago.

Unlike Bob Sassone, I actually liked Joe Mantegna as Spenser a lot (and I love his readings of the Parker novels on CD) …but he was teamed with lousy actors as Hawk and, once again, the movies were shot on the cheap in Toronto with bland Canadian actors. The scripts weren’t so hot, either.  I think if they’d cast Mantegna and Avery Brooks, and shot the movies in Boston, and hired better writers (like Bill Rabkin & me!), the movies might have worked…

Tom Selleck, who did a bang-up job playing Parker’s Jesse Stone on TV recently, would make a good Spenser. So would Robert Forster who, incidentally, does a great job reading the Jesse Stone novels on CD.

Land of the Lost

Variety reports that Will Ferrell will star in a feature film adaptation of the live-action children’s series LAND OF THE LOST, about a father and his kids who take a rafting trip and end up going back in time to when dinosaurs walked the earth. The movie will ditch the kids and is being directed by Adam McKay, who also helmed Ferrell’s ANCHORMAN. This will be Ferrell’s third big-screen, TV series remake — he’s also appeared in STARSKY & HUTCH and the upcoming BEWITCHED.  How long before he signs up to star in MR. ED and SHAZAM?

The Equalizer coming to a multi-plex near you

EqualizerBob Sassone at TVSquad reports that THE EQUALIZER is the latest TV series up for a big-screen redo.  I always felt THE EQUALIZER, about an ex-spy-turned-vigilante, was an under-appreciated series (with a great theme by Stewart Copeland). It was shot on location in NY and, as I recall, was very well written and produced (by James McAdams and Matthew Rapf, fresh off of KOJAK).   When star Edward Woodward was sidelined by a heart-attack, Robert Mitchum stepped in for a few episodes to take his place. Mitchum was so good, I was almost sorry when Woodward came back. 

History Repeating

TimetunnelZap2it reports that the SciFi Channel is developing a TV series remake of producer Irwin Allen’s TIME TUNNEL… a one-season wonder on ABC decades ago (Fox shot a revival  pilot in 2002 but never aired it). Then again, SciFi has had great success reviving another, decades old, one-season wonder on ABC: BATTLESTAR GALACTICA.