Signing On and Signing Off

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Yesterday, I had a booksigning for MR. MONK AND THE TWO ASSISTANTS and DIAGNOSIS MURDER: THE LAST WORD at Mysteries to Die For in Thousand Oaks. It was the first formal signing I have done in eight months and I had a great time. The crowd was big and enthusiastic and there was a lot of laughter. I’m looking forward to my signing next Saturday at the Mystery Book Store in Westwood. But those are the only signings I have set up and I am not rushing to schedule any more.

In a way, it was probably a good thing that I took an unintentional signing hiatus, thanks to my travel committements overseas for FAST TRACK. Since about 2003, I’ve had about four new books out a year and I was doing a LOT of booksignings. I was signing too much…the events were becoming less special for me and for readers.

I also took an unplanned year off from conventions, missing Bouchercon, Thrillerfest, Left Coast Crime and Men of Mystery (I’m also missing Bouchercon next month), even though I had new books out to promote. I think that turned out to be a good thing for me, since you can become such a familiar face and frequent participant on panels that it diminishes the impact you have…it actually becomes counter-productive. There are some authors who are at every convention and do the same panels over and over and over…to the point that most readers probably know their advice and anecdotes by heart. I don’t want to become one of those  authors ("Oh God, not Lee again. Do we have to hear that Ian Ludlow story for the 112th time?"), though I fear that I already have.

For another thing, a big signing schedule and a lot of convention travel just isn’t cost-effective for me. It might be on a stand-alone original novel, but it doesn’t make a lot of sense with the lower royalty percentages I get on my tie-in work. And with all the international travel I have been doing lately for my TV work, I’m not eager to jump on a plane again to attend a convention as soon as I get home.

The next convention that I will definitely be attending, and am eagerly looking forward to, is Left Coast Crime 2009 in Hawaii…but I don’t know if I will be attending any before that. We’ll see.

Out of Touch

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070815cover2 Mark Harmon is on the cover of TV Guide, illustrating their story on the "turmoil" behind-the-scenes on NCIS. The article is tepid, out-of-date and hopelessly vague…and laughable to anybody in the TV business. It just goes to show completely out-of-touch and irrelevant the reporting on the entertainment industry is in the mainstream media and even in the trade publications like Daily Variety and the Hollywood Reporter. Most of entertainment industry reporting, and I used the term "reporting" lightly, is driven by press releases. There is no actual reporting going on any more…much less anything approaching "investigative" journalism. This week’s TV Guide story about NCIS is just the latest, obvious example. The fact is that the "turmoil" on NCIS is hardly anything new and has been common knowledge in the TV industry since the show’s first season. Just about every writer/producer but me, it seems, has been on – and quickly off – the show at one time or another. For the last few years, stories about the script woes and costly production problems on the show could be heard at just about any casual gathering of TV writer/producers. Did any of it creep into the press? Nope. And by the time the showdown between Harmon and series creator/showrunner Donald Belisario was reported by the press in a very watered-down form, it was old news and irrelevant to everybody in the TV business. The real story is why CBS allowed the ugly and expensive situation at NCIS to continue for as long as it did…but nobody is going to report that story. It would be too interesting and informative…and embarrassing for the studio and the network. There are several other shows that have had, or are presently experiencing, more turmoil than NCIS was…and we aren’t hearing about it in the press. And we probably won’t.

I’ve been slogging through the four months worth of issues of Daily Variety that accumulated while I was shooting FAST TRACK in Berlin and am shocked by how little useful information there is. I can get the same information – maybe even more – by just browsing the web each day. I am seriously considering dropping my Daily Variety subscription…and I’ve been a subscriber since I was nine years old.

Slush Hour

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Blofeld4 I saw RUSH HOUR 3 today. The story made no sense at all, but I Flashweb005 had a good time anyway…mostly because of Chris Tucker. He was the movie. He made lines funny that weren’t funny. Max Von Sydow was in the movie, too, which I also found amusing. If you cast him in a part, you might as well hang a sign around his neck that says: ——-

Well, you know what it should say. 

Chiseling

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Ah1l14poin I spent the day writing yesterday…but I am being generous. I only got a few pages done and it was like chiseling at stone. Today I looked at the crap I wrote yesterday and was convinced that I’ve lost whatever minimal talent I had. My days as a writer are over. Then I read an excerpt of Walter Mosley’s book THIS YEAR YOU WRITE YOUR NOVEL in Oprah magazine…and felt much better.

If you skip a day or more between your writing sessions, your mind will drift […] You will find that you’ll have to slog back to a place that would have been easily attained if only you wrote every day.

He’s right, and of course I already knew this, but I’m a writer, so I am naturally insecure. The fact is, I didn’t write for two days because I was bogged down with catching up on my life (after four months away from home) and with FAST TRACK stuff. So when I finally sat down with the book again, I was starting from a dead stop. It should go a bit better today…then even better tomorrow.

SEA CHANGE

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I caught up with last May’s JESSE STONE: SEA CHANGE, the Tom Selleck TV movie that was loosely based on Robert B. Parker’s novel. It was definitely the weakest of the four Stone movies…then again, it was also one of the weakest of the Stone novels. The plot of the movie was actually better than the plot of the book, but that’s not saying much. The mystery was no mystery and Stone was largely ineffectual and passive throughout. But I enjoyed the movie nonetheless, largely because of Selleck’s performance and the general mood of the piece, which is greatly helped by Robert Harmon’s directing and Jeff Beal’s score. Selleck is perfect in the role and I hope he decides to keep doing the movies long after he runs out of books to base them on, especially since the last Stone novel, HIGH PROFILE, was lousy (there is still one good Stone novel, TROUBLE IN PARADISE, that hasn’t been filmed). I wonder why CBS and Selleck haven’t turned JESSE STONE into a weekly series…though now that he’s busy on NBC’s LAS VEGAS, I suppose it’s a moot point for the time being.

News on the Fast Track

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Now that FAST TRACK is finished, we are deep into post…working on the score, etc. I’ll be flying to Montreal later this month to record actor Andrew Walker’s ADR (to replace poor tracks and to record new dialogue) and to meet with potential Canadian broadcasters for the show. And then, in early September, it’s back to Berlin to record the ADR with our European cast. We’re also actively trying to find a U.S. broadcaster for the show…but more on that later. In the mean time, here are some publicity stills from the movie, taken by photographers extraordinaire Gordon Muehl and Stefan Hoederath.

Fasttrack023 Fasttrack393 Fasttrack233 Fasttrack185 _sth8516 _sth8575

A Jewcy Assignment

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While I was away, my brother Tod actually got paid to read Harry Potter fanfiction…and he lived to write about it for Jewcy.com.

I haven’t read much fan fiction over the years; saddled as I’ve been with student writing, I figure reading stories about Kirk and Spock gang-banging a Romulan cum slut or Scooby and Scrappy taking it to a whole new level with "Scooby snacks" probably won’t enrich my life much. But it’s summer, and I’ve got some time.

What he found is absolutely hilarious…

Catching up

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I finally saw LIVE FREE OR DIE HARD and BOURNE ULTIMATUM.  DIE HARD was over-the-top, by-the-numbers, and dull. BOURNE ULTIMATUM was fresh, invigorating, and exciting…I loved it. I wish more movies were as smart and exciting as the BOURNE trilogy.  The geek in my can’t wait to get ULTIMATUM on DVD so I can watch all three movies back-the-back in one sitting (as if I will ever have the time for that).

I also caught up with the last five episodes of THE SOPRANOS. They were definitely a big improvement over last season’s episode, a real return to form dramatically and comedicly for the series. But like everyone else, I don’t really get the point of the abrupt ending that felt more like a technical/broadcasting error than a scripted, dramatic moment.

Next on my Tivo… JESSE STONE: SEA CHANGE and the last five episodes of the season of HEROES and LAW AND ORDER: SVU.