On Other Blogs

Obscure TV on DVD

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There’s no logic behind the TV shows that are turning up on DVD. Is the world really clamoring for the complete "The Joey Bishop Show," "Dusty’s Trail," "The Doris Day Show," "Highlander: The Raven," "Baa Baa Black Sheep," "Beastmaster," "Doc," "That’s My Mama," "Guns of Will Sonnet,"  "What’s Happening?" and "Earth 2?"

And yet, where are the shows I’ve done? Where are those lost classics  "She-Wolf of London," "Murphy’s Law," "Likely Suspects," "Deadly Games," "Cosby Mysteries," "SeaQuest," "The Highwayman," "Cobra," "Diagnosis Murder," and, of course,  the complete "New Adventures of Flipper" starring the teenage Jessica Alba?

On the other hand, some real gems are coming out… I was thrilled to learn from the folks at TVSquad that all 26 episodes of the classic sitcom "Buffalo Bill" are coming to DVD in September.

Now if they’d only put out "Harry O," "Spenser For Hire," "The Night Stalker,""Search,"  "The Rockford Files," and "Maverick"…

You Don’t Know Jack

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Cynthia Potts discovered Jack:

Jack is a magazine by fanfic writers, designed to showcase homoerotic fiction.
And even they don’t want any fanfiction! But the kicker: To submit, you have to
have been a fanfic writer at some point.

Translation: We only want lazy
thieves to contribute to our magazine. People who don’t see a problem with
stealing other writer’s work and perverting the intent of the story. It helps if
they’re so clueless that they don’t know the stealing is wrong, but are actually
proud of the theft.

This seemed just too bizarre to be true. But it’s for real.

Welcome to JACK, an ezine of original homoerotic fiction written by Fanfiction
Writers. The staff of JACK firmly believes in the artistic validity of textual
erotica. Our goal is to create a zine that reflects our enthusiasm and love for
homoerotic (both male/male and female/female) literature while also showcasing a
wide range of talented authors…

…The only requirement for our authors (beyond writing good fiction and being of
legal age) is that you must have written fanfiction at some time. Links would be
appreciated. Submit all stories in plain text format in the body of an email to:
keystrokepress@gmail.com with
JACK Submission in the subject header. Because of virus concerns, all
attached files will be deleted unread.

So fanfiction really is practice for writing…if you want to write for an online magazine featuring homoerotic stories. 

Pros and Cons of POD

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The Sacramento  News & Review ran an interesting, and very balanced, article about the pros-and-cons of Print-On-Demand publishing (ie "vanity presses").

there’s a difference between the POD printing technology–which has many
uses–and POD publishing. In recent years, a number of companies have begun to
offer POD publishing services to authors who want to see their books in print
but haven’t been able to interest a traditional publishing house in their work.
These writers often turn to companies with names like AuthorHouse, iUniverse and
Xlibris to publish their books for them. For a fee, which varies depending on
the level of marketing, editing and other services the author selects, POD
publishers will set up the book and print copies as they are ordered.

Wales, who published his first novel with AuthorHouse, makes a distinction
between using a POD publisher and self-publishing. “The basic difference,” he
said, “is that when you use a company like AuthorHouse or iUniverse, they are
the publisher. That means they own the ISBN [International Standard Book
Number], and all payments for the book get channeled through them.” But because
the author has paid for the publication, and the company has no input into
content other than banning obscenity or pornography, according to Wales, “those
companies are vanity presses.”

“They’ll set you up,” he said, “but they don’t have any sort of criteria for
what’s going to be published and what isn’t.” Wales initially went with
AuthorHouse (which was called 1stBooks at the time) because he’d had difficulty
finding an agent or publisher for his first book, a rather epic fantasy novel.
It runs more than 600 pages–more than 300,000 words–in length.

…Many would-be authors decline to use the editing services offered by POD
publishers–either because it costs extra or because they think, wrongly, that
editing isn’t necessary. Without the agents and editors of the traditional
publishing system to weed out the unprepared and unworthy, some really bad books
are out there.

The folks at Pod-dy Mouth (where I found the link to this article) exchanged emails with the reporter, Kel Munger, while she was writing the article. In one of them, the reporter said:

I’m genuinely torn between a
healthy respect for access to publishing for all and aggravation that so many
people think anybody can write a good book. It’s like saying anyone can be a
brain surgeon; it would be nice if it were true, but it’s just not so.

I recommend the article for anyone who is thinking about self-publishing their book.

No Rewrites, No Editing

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I remember reading an interview with Robert B. Parker somewhere where he said he doesn’t go back and rewrite his work…he just bangs it out and moves on.  Apparently, his books aren’t edited by his publisher, either. Bill Crider posts the evidence.

From Appaloosa,

p. 266: "The room was quiet and
noisy."

p. 238: "Bragg took a tan leather case out of his inside coat pocket. He offered a cigar to Bragg and
me."

The RWA Demolition Derby

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It’s fun, in a way, to watch the ongoing demolition derby over at the Romance Writers of America. First their Board tries to institute "graphical standards" and  for book covers and member websites (banning certain images and words). That brilliant move went down in flames. Having not learned a thing from that embarrassing debacle, now they want to strictly define "romance" so they can presumably squeeze out writers and content the antiquated Board members (have you seen their hair?) find offensive, or don’t read, or  simply don’t like.

Romance writer Alison Kent reports that the RWA sent out a survey to its members asking them to choose from their two arbitrary definitions of romance (which, like their "graphical standards," they probably devised without any input from their membership):

“Romantic Fiction” or “Romance” means a story in which a predominant
part of the story line focuses on the romantic relationship that
develops between CHOICE #1 one man and one woman / CHOICE #2 two people
on more than a physical level. Although other elements and subplots may
also be components of the story line, by the book’s conclusion the
romantic relationship has been resolved in an emotionally satisfying
manner.

Hard to believe this is an organization of WRITERS isn’t it? I’ve never seen a writing organization so eager to alienate its membership and destroy its credibility in the professional writing community at large. Why would any romance writer want to be associated with the RWA? You’re better off joining the John Birch Society instead.

“I’m currently watching the pilot of KOJAK, waiting for my bowels to erupt into a Jackson Pollock painting.”

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What is TV Writer Paul Guyot talking about? Check out his blog and see.

It’s nice to know I’m not the only TV Writer who is a total TV Geek.

My recent TV Series boxed set purchases include:  MAGNUM PI,  GREATEST AMERICAN HERO, CRIME STORY, DUSTY’S TRAIL (I admit it, I couldn’t help myself), RESCUE ME,  BOB NEWHART SHOW, KAVANAGH QC (British series), and THE HUSTLE (British series).   

I also have all the box sets Paul just bought with the exception of QUINCY, which I think he is going to be heart-broken to discover actually sucks. KOJAK, however, is every bit as good as he remembers. I even recommend the TV movies they made a few years after the show was cancelled, particularly KOJAK: THE BELARUS FILE.

Ride on My Coat-Tails…For a Price

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There’s hot gossip making the rounds in mystery-writing circles  about the husband of A Famous Author who sent letters to first-time novelists recently offering to sell them blurbs from his wife as part of a promotional "break-out bestseller" package they’ve put together. The services allegedly include having The Famous Author rave about the book on her website, provide links on her website to the writer’s, and provide the writer witha  mailing list of the "Minotaur 100" reviewers as well as members of MWA and SiC.  In that spirit, author Donna Andrews jokingly offers her own menu of promotional services.

I’m not going to introduce my own competing service.  But
I have some ideas.   Just tossing around some rough figures, mind you,
but here’s what I’ve come up with so far:

Website link: $5
Working website link: $50
Blog mention: $5
Humorous blog mention: $50
Blog entry claiming that I’ve read your book: $100
Actually reading your book and saying something intelligent about it: contact management for current rates.
Mentioning your book in public as what I’m currently reading: $25
Mentioning
your book as one of my year’s favorites: sliding scale, depending on
where the mention appears.  Contact management to negotiate terms.

Pen Pals

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TV Writer Paul Guyot talks about how important it is for writers to have other writers as friends.

The intangible. See, I can talk to my wife about story, and she
reads everything I write, but even though she actually worked with
writers for a living, understands story and structure, gives very good,
precise notes, there is still something altogether different when it’s
a writer talking with another writer. There’s some nebulous thing
that’s shared.

My advice to any "aspiring" writers, be it screen or prose, is to find yourself a writer buddy.

Just don’t date another writer. I’ve made that mistake.

How Hated Am I?

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I got this email today:

Do you realize that EVERYBODY in fandom hates your fucking guts you asshole?

I think it was from my Mom, but I’m going to answer it anyway. No, I had no idea. So, for fun, I thought I’d take a look at what some people are saying. Here’s a sampling:

From Jocelyn’s Other Desk:

Thy lips rot off, Lee Goldberg!  Thou jarring, fat-kidneyed scullian!  You speak an infinite deal of nothing!  […] Goldbergs one and all, thine sole name blisters our tongues.  Thou hath more hair than wit, and more faults than hairs.

From Nobody Knows Anything Blog:

I understand the impulse to write and read fanfic—you want to live in
this wonderful world as much as you can, and twenty-four hours a year
or one book every two years or whatever just isn’t cutting it for you.
There are several novel series that I am forever hoping will just happen to have a new installment at the bookstore every time I check. But
fanfic is like a steak dinner made out of meringue—might look the real
thing, but it’s not really going to fill you up.

From Dawn Rivers Baker’s Blog:

You know, it’s all very well to nitpick about the legal shimmies and shakes of fanfic,
but the legal stuff doesn’t cover what it must be like for the author
who feels violated by other people dipping their fingers into the
author’s creation. All you really have to do to "get" the author’s perspective is to ask a victim how it feels to have just been raped.

From Nick Mamatas:

Mystery writer and TV producer Lee Goldberg picks up a stick and whacks a hornet’s nest by taking on fanfic.
I have no dog in the fight; after all, what can I say? NOBODY had
better RIP-OFF my ORiGINAL CHARACTERS like … uh … Jack Kerouac and uhm Cthulhu and William S. Burroughs and and and…
However, I do like a good brawl, especially when everyone is so
obviously speaking past one another. "It’s illegal!" "It’s a hobby!"
"It’s illegal!" "It’s a hobby!" Haven’t these people ever heard of an
illegal hobby before? They sure seem to be acting like they run their
neighborhood meth labs.

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