The complete first season of CANTERBURY'S LAW, a show from last season that nobody on earth watched, is coming out on DVD this week. All six episodes. To which I say….WHY!?
Film and Television
This Stone Finally Turned
Jesse Stone is back…finally. CBS is airing THIN ICE, the fifth of Tom Selleck's Jesse Stone movies and the first one not adapted from a Robert B. Parker novel, on March 1. The big mystery, though, isn't the one that Stone solves in the movie — it's why it has taken so long for this one to show up on TV. It was shot in August 2007 and has been on the shelf ever since, even though the Jesse Stone movies are consistently strong performers for CBS (and the last one earned Selleck an Emmy nomination). And the network hasn't lost faith in the franchise…they've already ordered and shot NO REMORSE, the sixth movie in the series. So why was THIN ICE on ice for a year-and-a-half?
UPDATE 3/2/2009: Just finished watching it. I think it might be the best of the Jesse Stone movies.
UPDATE 2/27/2008: MaryMcNamara at the Los Angeles Times loved the movie, too.
"Thin Ice" is filled with great performances; what is surprising is that so many of them are so marvelously small and subtle. This is a slow-moving film, especially in comparison with the often hyperkinetic pacing of today's television, but that's one of its greatest strengths.Like good police work, good storytelling requires time and a eye for detail; "Jesse Stone: Thin Ice" has both.
It's a role that fits star Tom Selleck like a glove. "Thin Ice" is Selleck's fifth Stone movie, and the first not directly adapted from one of Parker's novels, even though several Stone books remain unfilmed. (The eighth book, "Night and Day," came out this week.) Given the richness and cinematic quality of the Stone books, I was nervous about the TV series moving away from the source material, but Selleck so thoroughly embodies Jesse's flinty yet wisecracking personality that "Thin Ice" feels like something Parker might have written, even though he didn't.
When Boobs Aren’t Enough
I caught up on the premiere of DOLLHOUSE, which is MY OWN WORST ENEMY with boobs, a much more muddled concept, and much less compelling characters. But even nice boobs aren't reason enough to tune in for another episode. So I won't be watching again.
UPDATE: I broke my resolve, mostly because of Kay Reindl's rave review, and watched episode #2. I liked it even less than episode one. The story-telling in the episode is a time-shifting mess (that felt like clips from the scrapped pilot) hung around one of the dustier TV cliches — yet another variation on "The Most Dangerous Game," and not a very interesting one at that. Kay found depths of emotion in the episode that I didn't see — or, should I say, feel — at all. It was about as cold and distant as a TV show can get, which isn't a good thing. By it's very nature, DOLLHOUSE is a show devoid of character because each week Ms. Boobs-in-a-tanktop gets imprinted with a new personality. So the only constant are the boobs-in-a-tanktop (to the point of of being unintentionally funny)…and the enormous suspension of disbelief required by the franchise itself, which is overly and unnecessarily complicated and not the least bit enthralling. LA FEMME NIKITA — the movie and the series — told the same basic story as DOLLHOUSE. So did MY OWN WORST ENEMY. At least with ENEMY there were two distinct characters to care about, both played by Christian Slater. And the concept was a much easier buy, and more cleanly dramatized, than the one in DOLLHOUSE. But ENEMY still bombed. I'm betting that this one will, too. You'd have to be a diehard, slavishly devoted Whedon fan to stick with this. I'm not.
Lost in Space Main Titles Reimagined
Someone has done a cool update of the classic LOST IN SPACE second season main title and posted it on YouTube. Here it is.
Another guy took a shot at remastering the season three titles and they're pretty impressive, too.
Lazy Days and Beloved Characters
I finished writing my latest MONK novel the other day and I felt like lazing around. I’ve had a lot on my mind lately and after writing a book I didn’t feel much like reading one. So I vegged out on television…some new, some old.


Watching HARRY O, ROCKFORD and THE OUTSIDER, I realized what those old shows had over those two, recent episodes of GALACTICA and TERMINATOR. Character. Keep in mind, GALACTICA and TERMINATOR are two of my favorite shows (well, they were). But, at the risk of sounding like an old coot blogging from his bungalow at the Motion Picture Home, I think that too often shows today confuse angst with character, dread with depth, misery with complexity. A character doesn’t have to be in endless spasms of self-loathing, denial, heart-break and agony to be someone worth watching or caring about. That’s cheap and easy “complexity” for a writer, it’s writing a character rather than creating one…and it’s a beating for the audience. Characters are more than the sum of their pain, anguish and loss…and their capacity for cruelty to themselves and others. It’s not superficial or weak writing to explore more subtle conflicts…and to season them with humor, compassion, vulnerability, and some joy. There are people I love very much who are going through very hard times…and yet they haven’t lost their sense of humor or their ability to find joy in their lives, even in their darkest moments. If anything, it’s that capacity for humor and joy that is seeing them through it.
Remakes A-Go-Go and Not-A-Go
Variety reports that Fox has cast Kathryn Hahn as Edie (played by Jennifer Saunders in the original) and Kristen Johnston as Patsy (originally played by Joanna Lumley) in their latest attempt to remake the hit UK sitcom ABSOLUTELY FABULOUS. Hahn was the neighbor in REVOLUTIONARY ROAD and Johnston is best known for her work on 3rd ROCK FROM THE SUN.
No Heroics
This British sitcom about superheroes is absolutely hilarious. I have to thank Denis McGrath for tipping me off to it. Here's a taste: