I was having dinner with my daughter at HOME TOWN BUFFET (I lead such a glamorous life!) and a guy came in wearing a black t-shirt that said in big, white letters PURE FUCKING METAL. The management wouldn’t let him in and he left without incident. It’s a family restaurant and it was filled with kids. I would have done the same thing if I was the manager. But it got me thinking, was this man’s rights violated? Would he have grounds for a successful lawsuit? What if his t-shirt had a picture of a penis or a vagina on it instead?
Another reason for me to love Hawaii
I got a very nice review today from Burl Burlingame in the Honolulu Star Bulletin for MR. MONK GOES TO HAWAII. He writes, in part:
This is a real novel, not a fleshed-out screenplay, as it is told in
the first person of Natalie, which is fascinating because she’s still
relatively undeveloped on the show. The story, as it is, unfolds from
her point of view and gives the character an inner life and complexity.
I came away from the book with a greater appreciation of the back-story
of Natalie’s character.[…]"Mr. Monk Goes to Hawaii" is an entertaining and ruefully funny
diversion that stars one of television’s best-loved characters, and
because it’s a mystery novel, it will stick long after you’ve forgotten
the plot of the latest "Monk" episode.
Thanks so much, Burl!
Hanging with the Sistahs
Today, I headed out to the South Pasadena Public Library for the monthly meeting of Sisters-in-Crime, where I read from MR. MONK GOES TO HAWAII and was "in conversation" with author Denise Hamilton. We talked a lot about our different approaches to writing, plotting and constructing scenes. We also discussed how to write dialogue that reveals character, the merits of "standalones" vs "series," and how we go about rewriting work. I enjoyed myself, met a lot of friendly people, and only saw three women in the audience fighting sleep, so I consider it a success.
Priorities
Let’s see… the Bush administration finally admits that there are secret CIA prisons abroad, the Bush Administration wants "evidence" extracted using torture to be admissable in court, and the Bush administration not only lied to us about Iraq having weapons of mass destruction, but it turns Iraq never supported Bin Laden, either. So what are the Democrats in an uproar about? Some cheesy TV movie that implies that 9/11 happened because President Clinton was too busy getting blowjobs from Monica Lewinsky. Unbelieveable. Where are their priorities?
Speaking of THE PATH TO 9/11, my friend Bryce Zabel sent me the photo on the left…note the similarities between the ad campaign for the TV movie and his cult-hit TV series (Click on the image for a larger view)
Big Bucks from iUniverse
About a year ago, I shared with you my iUniverse royalty statements for some of my books, all of which were previous published titles that were reprinted, at no cost to me, through programs at the Authors Guild and Mystery Writers of America.
For those of you contemplating actually paying to get your unsold manuscripts printed in book form by iUNiverse, I thought I’d give you a reality-check by sharing with you my latest royalty statement for the period 4/1/06-6/30/06.
TITLE / QTY/ NET $ SALES/ROYALTY %/ROYALTY
MY GUN HAS BULLETS 2/$24.26/25/$6.07
UNSOLD TV PILOTS 10/$89.30/30/$26.79
UNSOLD TV PILOTS v1 7/$120.75/5@25 and 2@30/$31.92
UNSOLD TV PILOTS v2 6/$95.82/25/$23.96
TOTAL: $88.74
Canadian Logic, eh
I’ve been fascinated by TV pilots since I was a kid (and even wrote several books about them). One thing I’ve learned is that almost everybody in the business agrees that making pilots is a deeply flawed, inefficent, outrageously expensive way to create TV series and that the system needs to be changed.
The Entertainment Industry Development
Corporation reports that 131 pilots were made last season at a cost of $365 million. Of those pilots, maybe 40 got picked up. Of those 4o
series, maybe three or four will survive the season.
Insane, isn’t it?
So, naturally, the Canadians think it would be a great idea to imitate our system.
According to the latest issue of Canadian Screenwriter magazine (one of the perks of being a member of Writers Guild of Canada), the state-supported Canadian Broadcasting Company is "shifting its development process to pilots." Here’s their thinking:
"(The U.S. networks) pilot a lot of things that never make it to air," says Kristine Layfield, the CBC’s executive director of network programming. "We’re going to have a lot better ratio of shows that actually make it because we’re hoping that if we’re putting more money, time and effort into the development process, by the time you get to pilot, that pilot has much more than a one-in-ten chance."
With all due respect, she is deluding herself. Does she really think we don’t put enough time, money and effort into the development process? We spent $365 million! What’s incredible is that instead of learning from our mistakes, the Canadians want to repeat them.
No wonder the Canadian TV business is virtually non-existent.
In the Driver’s Seat
Yet another writer in my family is blogging. Sam Barer, auto-writer extraordinaire, launched FOUR WHEEL DRIFT with some new slogans for today’s automakers. Here’s a sampling from the top of the list:
Acura – Buy an Acura, your local car thief will thank you.
Aston Martin – See yourself like James Bond, even if women don’t
Audi – Because all the people you hate drive BMWs
Bentley – Phat cars for people with fat wallets
BMW – Even Chris Bangle and I-Drive can’t stop our cars from selling
Buick – Buy a Buick, so we don’t end up like Oldsmobile
Cadillac – Really, you don’t have to be black or Jewish to own one!
Chevrolet – The best vehicles that cost-cutting can create.
But my personal favorite comes towards the end:
Volvo – Safety: you can’t get killed in a car that’s always being serviced at the dealership
What’s For Lunch?
While I was away, there was an amusing, and oh-so-true article in the LA Times on the politics of food on a TV writing staff:
For the writing staff of the hit sitcom "Everybody Loves Raymond," a
good meal "was more than essential," recalls Phil Rosenthal, the show’s
creator and executive producer. "I’d say it was the most important
element in terms of establishing a camaraderie on the show. Good food
makes you happy."In
Rosenthal’s shop, four dry-erase boards had equal prominence. One
contained the titles of every "Raymond" episode ever produced, and
another featured ideas for upcoming shows. The third listed restaurants
the writers loved or wanted to try, while the fourth displayed their
favorite places for takeout.No wonder Rosenthal named his production company Where’s Lunch.
Harlan Ellison Cops a Feel
Ron Hogan over at Galleycat reports that author Harlan Ellison groped a woman’s breast as she was presenting an award to him…and that later Harlan argued on his website that she was asking for it. At least Harlan wasn’t in his bathrobe and pjs at the time (he once came to a WGA meeting like that). Ron writes:
You know, for the most part, we like to maintain some sense of
journalistic objectivity on this blog, but I feel reasonably
comfortable going into outright opinionating: Ellison’s gone way over
the deep end on this one. For years, people have been encouraging him
in his self-righteous, self-indulgent schtick, excusing away
his most outrageous behavior as manifestations of some sort of
uncensored passion for justice and creative expression, and years of
believing his own hype reflected back to him by both his peers and his
fans have finally worked their toll. With his boorish behavior and
subsequent outbursts, Ellison has become nothing more than a sad,
pathetic spectacle..
I’ve had a few run-ins with Harlan myself over the years. The one I remember most fondly had to do with an interview I did with him for Starlog Magazine. We were both speakers that year at the Santa Barbara Writers Conference, so we did the interview there. Knowing that Harlan bites everyone in the ass, I decided to protect myself a little bit by doing a straight Q&A…unedited. I met him in his bungalow at the conference, gave him the tape recorder and let him go. I then transcribed the tapes and added a brief introduction. Easiest article I ever wrote. The article was published in two parts in Starlog. Naturally, Harlan said some things that offended people and, instead of taking the heat for his own opinions, he accused me of altering his words. So I sent him the tape and asked him to point to even one instance in which his words were altered or taken out of context. I’m still waiting.
That incident clearly pissed him off, because a few months later, he tried to get back at me. At the time, there was a radio talkshow here about science fiction (I think it was called HOUR 25). They were discussing the new TV series version of THE TWILIGHT ZONE, which Harlan briefly wrote for. One of the guests who was criticizing the show was a woman who may, or may not, have been an old girlfriend of Harlan’s. I don’t know. But some listener called in saying that the only reason she was trashing the show was because Harlan kicked her out of his bed. The caller identified himself as "Lee." The host hung up on the guy. Well, as it turns out Harlan was, unbeknownst to the listeners, in the studio, too. Harlan grabbed the microphone, said the caller was Lee Goldberg, and went on to trash me as a sleazy, lying, scumbag masquerading as a journalist.
Of course, the caller wasn’t me. I was out-of-town at the time, on assignment for Newsweek, and came home to find my answering machine smoking with phone calls from people furious at me for calling the radio show. I contacted the radio station, got a copy of the tape, and listened to it. I was more amused than anything else, but I wanted Harlan to be held accountable for his actions for a change. So I sent the station a letter on Newsweek stationary pointing out the irresponsibility of naming me as the caller and trashing me on the air. I demanded an on-air apology from Harlan within one week…or else. The station acknowledged they were at fault and agreed to immediately comply.
So, a week later, Harlan called into the show and apologized….and then said something like "the caller wasn’t Lee Goldberg, but you can’t blame me for thinking it was him, because he IS a dishonest scumbag whose articles aren’t worth wrapping a dead fish in," and on and on he went, basically repeating everything he’d said about me before. I wasn’t angry…in fact, I found it very funny and pure Harlan Ellison.
I later served with Harlan for a few years on the Editorial Board of the WGA Journal, where we frequently disagreed with one another. He’s a great writer, who deserves respect for his work, but I’ve always found his act tiresome and silly. Which reminds me…
When I was a student at UCLA, I remember taking the bus to campus and seeing him sitting in the window of a science fiction bookstore and writing like some sort of animal on display in a zoo. A writer at work in his natural habitat. I guess you could call it performance art…maybe that’s what his grope was, too.