Film and Television

The Invisible Character

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Helfer2On NIP/TUCK last week, one of the characters had a long conversation at a bar with someone who wasn’t there — an old lover who ran off to France. But as I was watching the scene, I realized what seemed like a novel notion just a few years ago — characters talking to full-bodied ghosts/figments of their imagination — has rapidly become a cliche. Now the technique is being used everywhere you look on TV and in every genre you can think of.  SIX FEET UNDER, NIP/TUCK, BATTLESTAR GALACTICA, GHOST WHISPERER, LOST, MEDIUM,
MISSING, and MONK are just some of the shows that regularly employ the "talking to people who aren’t there" gimmick. I don’t know for sure where it started (SIX FEET UNDER?) but it’s become a staple now of dramatic television. And it’s stupid. Think about it  — when was the last time you, or anybody you know who isn’t institutionalized, believed they were seeing and talking to someone who, actually, wasn’t there?

(Oh, and a caveat — this rant is coming from someone who has used the gimmick once or twice himself).

The Flash in the Pan

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Flash_completeYet another flop TV series I didn’t write or produce is being released on DVD. All 22 episodes of the one-season bomb THE FLASH are coming to DVD in a boxed set.

Not that this is related to THE FLASH…but since I’m talking about TV shows on DVD today, I thought I’d mention that  Universal is finally releasing SEAQUEST on DVD. The complete first season, starring Roy Scheider before his face lift,  is being released in December. I’m looking forward to the release of the 13 episodes from Season 3, when the show was retitled SEAQUEST 2032 and starred Michael Ironside (that was the season I worked on).

A History Of Violence

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I’ve never been a big David Cronenberg fan, but I liked A HISTORY OF VIOLENCE, though it could have been so much better. It’s a shame the mobsters were played, costumed and directed,  so cartoonishly over-the-top…had they been as realistic and controlled as the rest of the characters (and performances), this movie really could have soared.

There was a reason FIREFLY was cancelled after eight episodes…

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I saw SERENITY last night.

I know I’m in the minority here, but I thought it was a loud, boring, uninspired mess…that played like what it was: a hyped up episode of a not-very-interesting TV series. Even so, the movie wasn’t nearly as well-written, well-acted, or exciting as a typical episode of the new BATTLESTAR GALACTICA (proving, once again, that what’s on TV these days is better that what’s in the theaters). It had a real TV pilot feel… despite an entire universe to play with, the action was mostly limited to four soundstage sets that looked like soundstage sets.

The cast, with the exception of the captain (Nathan Fillian) and the bad guy (Chiwetel Ejiofor), have no discernible range and no chemistry with one another.  The characters themselves are one-dimensional cut-outs that only a true fan of the short-lived series could care about.

The special effects had a cheesy, computer-game feel…as did the story  (the bad guys, the flesh-eating RESIDENT EVIL-esque zombies, are just so much target practice…and blandly reminiscent of the cannibal aliens on STARGATE ATLANTIS).

The action set pieces and the plot seemed cobbled together from STAR TREK episodes, old westerns, and Hong Kong movies and I got tired of the constant  "take-a-cliche-line-from-another-movie- and-add-a-petulant-whine-to-it" style of dialogue ("Do you want to be Captain of this ship?" "Yeah, I do." "Well, uh, you can’t.")… when they weren’t using phrases from old westerns or speaking Chinese. 

I really wanted to like this movie but came away disappointed.

Can HELLO LARRY Be Far Behind?

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Lotsaluck_completeseriesAfter years of letter-writing, praying and dreaming… the long wait is finally over. All 22 episodes of the 1973 flop sitcom LOTSA LUCK, starring Dom DeLuise, are coming out on DVD.

And if you’re one of the tens of thousands of people who’ve been pining for the DVD release of the 1967 flop sitcom GOOD MORNING WORLD, the complete series of 26 episodes starring Ronnie Schell is  also headed to a Best Buy near you. While you’re there, don’t forget to pick up the complete series sets of THE JOEY BISHOP SHOW,  FAR OUT SPACE NUTS, THAT’S MY MAMA, NED AND STACY, TABITHA and PINK LADY AND JEFF.

Crimetime Television

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From Variety today…

DESPERATE HOUSEWIVES creator Marc Cherry is teaming up with CHUCKY creator Don Scardino to develop an "hour-long suspense" drama for ABC called KILL/SWITCH (which features a "dead heroine").  Cherry is also mulling a DH spin-off called VICIOUS CHEERLEADERS.

24 creators  Joel Surnow and Robert Cochran are developing a private eye series for FOX. The series is described as a modern-day LA CONFIDENTIAL and will track a single case for 13 episodes.

Surnow said he and Cochran were also inspired by everything from "The Maltese
Falcon" to Raymond Chandler.

"We’re going to steal from as many movies as possible," Surnow quipped.
"There’s a wonderful, visual style to it that we haven’t really seen on TV. What
we like about film noir is it’s very sexy – we hope to do to that genre what we
did with the spy genre."

Meanwhile, things aren’t looking good for the critically savaged E-RING, which was fourth in it’s timeslot, and the ratings for CSI:NY were down 37% compared to last season.

The Plotting of LOST

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There are creative squabbles on every show. Former LOST producer David Fury has made his public in a recent Rolling Stone interview, and my friend Javi, supervising producer of the show,  isn’t happy about it. But the squabbles aside, Javi’s lengthy post (which refutes Fury’s assertions) offers a fascinating insight into the development of LOST. While the details are unique to LOST, the process is applicable to most TV shows I’ve ever worked on…especially when it comes down to how individual episodes are crafted:

a good example of how the writers room works in a series such as
"lost"- and one that is extremely appropriate to this situation – is
the creation of the story that eventually became david’s emmy-nominated
episode "walkabout."

now, let me make one thing perfectly clear.
david wrote the living hell out of that episode. he deserved the emmy
nomination (and in my opinion, the emmy itself) for an episode which is
rightfully hailed as a turning point in the series and a signature
moment of "lost."

however, like all episodes of this – and
almost any television show – that story was "broken" in the writers
room. it was discussed, conceived and divided into acts and scenes in
an environment where a group of writers sat together, shared their best
ideas and thoughts, and collectively filtered out the chaff to come up
with the best possible version of that story: which david – to his
complete credit – then turned into one of the best hours of tv that i
have ever seen.

Two and out

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HEAD CASES was cancelled by Fox after only two episodes, but it’s hardly the first series cancelled so abruptly. It joins an infamous list, compiled by TrivialTV, that includes such forgotten failures as BIG SHAMUS LITTLE SHAMUS, CHARLIE LAWRENCE, FOUR CORNERS,  THE PAULA POUNDSTONE SHOW, PRINCE STREET, SLEEPWALKERS, THE MIKE O’MALLEY SHOW, and RYAN CAULFIELD: YEAR ONE.

Another Show Nobody Wants to See Coming to DVD

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MGM is releasing the flop series version of THE MAGNIFICENT SEVEN on DVD. I think they release shit like this just to make me crazy wondering why shows I worked on like SEAQUEST, MARTIAL LAW, and SPENSER FOR HIRE remain in the vaults (are they any worse than THAT’S MY MAMA, RENEGADE, AIRWOLF or BEASTMASTER? I know what it is…it’s me. I’m the reason why they aren’t being released).