Remembering the Forgotten Laughs

forgotten laughs-500x500I really enjoyed Richard Irvin’s book Forgotten Laughs: An Episode Guide to 150 Sitcoms You Probably Never Saw and, as any regular reader of this blog knows, I am a sucker for TV reference books. This one hit particularly close to home, since Irvin picked a subject almost as narrow and obscure as my own book Television Fast Forward: Sequels and Remakes of Cancelled  TV Shows. So I had to know more about his book, why he wrote it, and how he did the research.
LEE : What is that’s so fascinating about short-lived, forgotten sitcoms that made you want to write a book about them?
RICHARD: I’ve been a lifelong TV fan and have always been interested in how series get on television.  While there has been a lot published about popular shows like Mary Tyler-MooreAll in the Family, and Seinfeld, not that much information exists about series that quickly disappeared from the air.  Even websites like IMDb.com and TV.com do not contain much information about such series.
How hard was it to research and write? How long did it take?
It took about two years to research the book.  The  biggest difficulty in doing research, particularly for the older series, was that many people contacted did not remember a lot about the series and videos for many series appear to no longer exist.  The best TV archive collection is held by the Library of Congress.  While they do not have videos of every series ever made, they do have many shows that are not available through other sources.
Did you have a hard time tracking down the writer/producers of the shows? And how did they react once you contacted them?
About half of the writers and producers I contacted did reply to my inquiries.  Using “people search” websites was very helpful in locating writers and producers.  For better or worse, the internet has made it fairly easy to find people’s addresses.
Most of the writers and producers who responded appreciated the fact that someone wanted to document their efforts with respect to these short-lived projects.  Only a handful said they were willing to talk about any other series they had worked on except the one I was profiling.  One writer/producer even said that working on the series was so frustrating that he no longer wanted credit for producing the series and that if I wanted the credit, I could take it (although I think the Producer’s Guild might object to that).
Did you also reach out to network executives to find out what they were thinking when the bought, shelved and canceled these series?
I didn’t attempt to contact network executives about these series.  Instead I relied on newspaper accounts at the time for the reasons they quickly axed a show.  Some of the writers and producers I contacted also didn’t want to be quoted directly about their experiences with the networks on a particular project saying words to the affect that “they still have to work with these guys.” File0917
How did your family and friends feel about you writing this book? It was obviously a passion project. A book like this is not something destined to be a bestseller…or particularly profitable (believe me, I know! I wrote the books UNSOLD TV PILOTS 1955-1989 ). What reaction did you get from publishers?
My best friend accompanied me on my many trips to Washington DC to view videotapes at the LOC.  While not every series profiled in the book is a lost gem, both he and I were happily surprised about how funny many of them were. I must confess that one of the funniest series I found was the never-aired sitcom The Grubbs starring Michael Cera and Randy Quaid. At the time, many critics who say the Fox preview of the series, called it the worst sitcom ever.  But I found that Randy Quaid’s performance was particularly hilarious.  In one episode, he was trying to get in the Guinness Book of World Records by holding his breath under water in a bucket.  The director filmed his efforts from the bottom of the bucket and Quaid’s reactions were priceless.
The book was one of my passion projects.  I don’t think anyone gets rich writing books anymore unless you write about vampires or wizards.  I know that many people think that Forgotten Laughs contains episode information about shows that you can get for free from the Internet not realizing that the Internet has little data about such short-lived series.
However, getting the book published was almost too easy.  The first publisher I contacted was BearManor Media, and they quickly agreed to publish it.
$T2eC16NHJHQE9nzE)jdZBQEV+1pFlQ~~60_35What is your background? Is this your first book? Do you have other books on the way?
As for myself, I have a Master’s degree from The Ohio State University in sociology with a focus in mass communications.  I worked for a state agency dealing with higher education for the past twenty-five years publishing newsletters and study guides, but now that I am retired, I am focusing on my avocation as a documentarian of TV history.  Currently, I’m working on a book about the various series and pilots the late actor-comedian George Burns produced in the 1950’s and 1960’s.
I’ll definitely be the first in line to buy that. You’ll be able to find lots of details on the George Burns stuff in my book, Unsold Television PilotsAny chance you might tackle Forgotten Dramas next?
That is a definite possibility.  I guess there must be at least 100 TV dramas that had very short runs on the different networks. Few probably remember George Clooney in Sunset Beat or Hugh Jackman’s attempt to produce a musical drama titled Viva Laughlin.

The Forgotten

forgotten laughs-500x500There are two great new books out that deal with forgotten entertainment: Richard Irvin’s Forgotten Laughs: An Episode Guide to 150 TV Sitcoms You Probably Never Saw and Brian Ritt’s Paperback Confidential: Crimes Writers of the Paperback Era.

Forgotten Laughs is a fantastic book from Bear Manor Publishing that focuses on comedies that lasted six episodes…or less. Many of the sitcoms were initially picked up for thirteen episodes but didn’t survive past their first or second week on the air. Some of the shows were cancelled before even one episode got on the air.  The book includes detailed episode guides for the aired, unaired or, in some cases, unproduced episodes of each series and gives the backstories on their development and cancellation. It’s a treasure trove of information and a fascinating glimpse into the world of network television scheduling and development. It’s an exhaustively-researched, smoothly written, must-have reference book for TV industry followers. I absolutely loved it. I hope Irvin will follow up with a sequel covering forgotten one-hour dramas.

images-3Paperback Confidential is an essential reference book for lovers of hard-boiled/noir paperbacks of the 1930s through the mid-1960s, most of them forgotten by most readers today. Ritt profiles 132 of the best loved, and also some of the most obscure, authors of the era. Authors include David Goodis, Norbert Davis, Marvin Albert, Dolores Hitchens, Fletcher Flora, Cornell Woolrich, Ann Bannon, Harry Whittington, and so many others. Ritt not only tells you all about them and their books, he also provides their pseudonyms and a selected bibliography of their work (some of these authors wrote dozens, if not hundreds, of books). Now whenever I pick up a vintage paperback from some author I’ve never heard of, this book will save me the hours I would have spent on the Internet searching for more information. It’s no surprise that this terrific book comes from Stark House Press, the people who’ve so lovingly republished “lost” and/or long out-of-print books by Harry Whittington, Gil Brewer, Dan J. Marlowe, and James Hadley Chase among others. The people at Stark House are doing God’s work, as far as I’m concerned.

(For the record, I independently bought both of these books…there were not provided to me for review)

 

Wonderfully Brutal Review

The Have and Have Nots
The Have and Have Nots

Review Gleefully Decimates “The Haves and Have Nots”

I loved Los Angeles Times TV critic Mary McCarthy’s brutal review today of Tyler Perry’s new series The Have and Have Nots. Her very funny comments brought back fond memories of the reviews written by famed Times critic Howard Rosenberg’s during his glory days in the early 1980s. Here are some choice snippets from her review:

Well, it’s official: The nine most frightening words to cross a television screen are: “Executive Produced, Created, Written and Directed By Tyler Perry.”

Whatever hopes Perry had for this overwrought, derivative story line are dashed almost immediately by acting that can only be described as uniformly terrible and an unrelenting background score the likes of which has not been heard since talkies were invented.

Characters utter meaningless sentences into the air in front of the camera and then just stare at each other while maddening mood music insists that we feel something.

The show may be crap, but it  scored record high ratings for Oprah’s struggling network. It will be interesting to see if those same viewers who sampled the show return for episode two…

Where’s the Story?

 

Lee with SNL actress Kate McKinnon at the Big Island Film Festival 2013
Lee with SNL actress Kate McKinnon at the Big Island Film Festival 2013

For the past few days, I’ve been attending the Big Island Film Festival in Hawaii, where my short film Bumsicle is screening. I’ve seen quite a few shorts and I’ve been struck by how slick they are technically…and how weak so many of them are when it comes to story telling. It’s as if the film-makers had an idea for a moment, or a character, and then went ahead and made a movie before figuring out if they actually had a story to tell. It’s incredibly frustrating. So many of the shorts start out with promise and then peter out into nothing.

What these film-makers don’t seem to understand is that the story is the most important element… not the kind of camera, editing software, or lighting package you’ve got.  All of the technology , all of the acting, all of the directing, are in the service of one thing: telling a great story. If you have a great story, then you can overcome poor production values, iffy sound, and weak acting and still have a strong film. But if you have terrific production values, great sound, and good acting, but your story sucks, or doesn’t go anywhere, your gonna have a crap film, guaranteed.

That said, I’ve also seen some really great stuff here. I think my favorite film so far was PERVERTIGO, a very clever, refreshingly original noir/comedy about a peeping tom who gets strong-armed into committing a murder. It was a technically top-notch for an ultra-low-budget film and the script was terrific.

I also got the chance to spend a few minutes chatting with Saturday Night Live castmember Kate McKinnon, who is one of the Festival’s special guests. This is her first season on the show and she was an immediate, break-out hit with her impersonations of Ellen DeGeneres, Penelope Cruz, and Martha Stewart, among others. But you’d never know that talking to her. She’s very soft-spoken, low-key and self-deprecating. Success is still new to her…a little over a year ago, she was reeling from the cancellation of her show on the Logo network. She told us she got by on unemployment benefits and writing children’s books under a pseudonym. Every year, Kate sent an audition tape to SNL and never heard anything…but this time was different. She got a call-back and, much to her surprise, got hired as a new cast member. The season finale was only last week, so she’s still getting used to the fact that she’s got a steady job on a hit show. It was nice to meet a TV star who is still very much a “normal person.” I hope she stays that way, despite the success and fame that is surely coming her way.

Our chat reminded me of another celebrity encounter I had many years ago. My wife and I were vacationing in the Bahamas and shared a bus ride to the airport with George Clooney, who was a regular on Sisters at the time.  He was friendly, approachable, and came across as a nice, average guy, despite his celebrity gig. We had a very pleasant, relaxed conversation. The bus driver, an older woman, complimented him on his straw hat, and he told her some amusing anecdote about how he got it. The bus broke down and the driver started crying, distraught that we’d miss our planes. Clooney reassured her that it was no big deal, that these things happen, and gave her the straw hat on his head as a gift to calm her down. Every time I see Clooney in a movie, I remember that encounter and hope he’s still the same, nice guy despite his wealth and fame.

“That Thing You Did With Your Mouth”

GameOfThrones-Leslie-Harington-630-2-jpg_235220

Virgin Jon Snow brings cunnilingus to the Wildings

I got a big kick out of GAME OF THRONES last Sunday…when virgin Jon Snow introduced the Wildings to cunnilingus and won the undying devotion of his lover, who was “amazed” at “that thing you did with your mouth.” It was hilarious, matched only by the ridiculous moment in Jean Auel’s novel VALLEY OF THE HORSES when blond Cro-Magnon cavewoman Ayla gave her astonished Neanderthal lover Jondalar a blowjob, demonstrating one of the ingenious reasons why Cro-Magnons would survive and Neanderthals wouldn’t. It was a rare GAME OF THRONES misstep, but entertaining nonetheless.

 

Big Week for BUMSICLE

2013 SELECTION LAUREL AWARD NOMINEE copyWe've had a flurry of festival acceptances this week for Bumsicle...and we learned that we've been nominated for Best Dramatic Short by the Bare Bones International Film Festival. The attention we're getting from all of these festivals is a real thrill for me and the entire cast & crew.

Here's the tally of festival picks so far… 

White Sands International Film Festival, Las Cruces, New Mexico – August 2012

Louisville's International Festival of Film, Louisville, Kentucky – October 2012

River City Festival of Film, Owensboro, Kentucky – November 2012

Trail Dance Film Festival, Duncan, Oklahoma – January 25-26, 2013

Bare Bones International Film & Music Festival, Muskogee, Oklahoma – April 4-14, 2013
Selected as Nominee for Best Dramatic Short Film

Myrtle Beach International Film Festival, Myrtle Beach, South Carolina – April 24-27, 2013

Cape Fear Independent Film Festival, Wilmington, North Carolina – May 9-12, 2013

Big Island Film Festival, Hawaii – May 23-27, 2013

…and, we hope, more to come!

“Bumsicle” Gets Some Love

405191_264384426980041_853296782_nThis has been a great week for my short film Bumsicle, which I wrote and directed in Owensboro, Kentucky last year. We were picked up by both the Big Island Film Festival in Hawaii and the Cape Fear Film Festival in North Carolina. 

So far, "Bumsicle" has been selected by half-a-dozen festivals… from Hawaii to North Carolina, from Oklahoma to Kentucky. There are still thirty festivals that we've submitted to and haven't heard from yet…but at least we're on par now with Remaindered, the short mystery that also featured Todd Reynolds as Detective Bud Flanek. Clearly I am going to have to do a third short one of these days about Flanek.

These festival picks are the result of the wonderful work done by actors Todd Reynolds, Rick Montgomery, Sadia Brimm, and Josh Loren, singer/song writer Matt Branham, producers Rachael Nunn, J. Laine Nunn, and Roxi Witt, and everyone else in our talented cast and crew. I'm so glad they they are getting some notice outside of Owensboro for their work.

UPDATE 3-21 Bumsicle has been nominated for Best Dramatic Short at the Bare Bones International Film Festivals in Oklahoma. Winners will be announced April 14.