The Mail I Get – Advice Edition, the Sequel

For some reason, people come to me for advice. As if I know anything, which I don’t. But occasionally, I’ll fake it.

I’ve been an avid reader all my life, and have recently been looking at changing my passion into a living by hoping to go into publishing/editing. Unfortunately, I have no idea where to start. College is an obvious beginning, but could you possibly point me in the direction of which majors would be the most useful in this journey? I’d appreciate any and all insight and advice you could provide. Thank you for your time in reading this.

Most editors I know have degrees in literature or communications. An MFA in Creative Writing would be helpful…and would also give you the credentials to teach as well. The bottom line is that you need to have a thorough understanding of fiction… of the craft of writing and the structure of novels…so that you can work with authors. Alternatively, a business degree and/or an MBA would be helpful, too, so you can navigate the corporate/political/business world of a publishing company.

Here’s a request for advice that I got from a 12-year-old girl…

I know that this is totally ridiculous but I want to write a show, and I am twelve years old. I know it’s impossible. It’s just I have had the idea for a show for years now and I tried writing it as a book but I would love to see it on TV instead. I would also like to write my show if anyone ever even thought about  even making it a reality because I don’t want people to twist my years of work into something that’s…not mine. However, like I said I’m twelve years old and this is probably a waste of time but, how would I know, I’m twelve. There are some people out there who have done great things at a younger age. So please just tell me if you think that this dream is complete crap or if I might have a chance.

You are clearly very articulate and sharp for a 12 year-old. But I’ve got to be honest with you, there is virtually no chance of writing a TV series at your age. First off, networks don’t buy ideas. They buy the execution of ideas. There’s nothing revolutionary about, say, BLUE BLOODS. It’s a show about cops in NYC. What CBS bought was the proven talent of the writer/producers involved in BLUE BLOODS, and their ability to deliver a show, on time and on budget and at a certain creative level, every week. Keep in mind, television is a business, like making cars or building houses, and just one season of a TV series is a nearly $100 million enterprise that employs hundreds of people. It’s a major investment, and one unlikely to be entrusted to a child…or dependent upon a child’s creative output (I mean no offense when I call you a child…it’s just a fact of life). Writing a series isn’t just telling stories…it’s writing stories that can be told within a certain shooting schedule, budget, etc. There’s much more to it than may be apparent to you. Also, writing a TV series is a full-time job…one you are in no position to take on at your age. My advice would be to stick your idea in your pocket…to keep writing…and keep an eye on how the busines is run. Because by the time you are an adult, the business will have radically changed…I’m certain of that. And if you’ve sharpened your skills, and kept up on how the business has evolved, you’ll be poised to take advantage of it when you become an adult.

I know that isn’t what you want to hear. But I also I know that advice can work because it worked for me. I know exactly how you feel. I felt I was ready to run a show when I was nine years old. But I also knew it couldn’t happen for me yet. So instead, I started educating myself. I read everything on the business I could get my hands on. I interviewed the top TV producers by phone for articles in my local newspaper (because I did the interviews by phone, and could imitate my father’s deep, TV anchorman voice, they didn’t know I was a teenager). I also started writing a book on unsold TV pilots — every idea rejected by the networks since the dawn of TV. And I never stopped writing fiction. I must have written a dozen unpublished novels.

That work paid off. I put myself through college writing about TV as a freelance writer for major magazines…and, in the process, I learned more about the business than I could ever have picked up in a classroom. My first novel was published when I was still a UCLA student and sold to the movies before I graduated (the movie never got made). And that book on unsold TV pilots that I started writing when I was nine years old was published a few years after I graduated…and was a big bestseller. There is no doubt in my mind that all that work I did as a teenager made me a sucess as an adult.

So what I am telling you is not to give up on your dream…but to recognize you aren’t ready to achieve it yet. Instead, start building towards it.

The Mail I Get – Lame Solicitations Edition

61AtgxJFs0L._UX522_I get swamped with email solicitations asking me to buy services or review products. Some of the solicitations are so awful, it’s amazing to me that they do any business at all. Here’s one I got today from a book-binding company:

Dear Manager, Sorry to bother you. Located in Hanghzhou,China ,Rootis printing is a printing hoouse who specilalized in different kinds of books such as catalog,hardcase,spiral binding,pop-up,board books and packaing products We always keep strict principle of high quanlity,upon the basis of quanlity,we provide the best price for the clients. May I get the chance to introduce our pricing and our products? It will be great hornor to hear from your suggests about our company and our printed products I am sure we can become valuable partners and bring good work to each other. Please let me know your any comments on this matter.  Best regards, Frank

Well, it’s clear from your email, Frank, that you  “keep strict principle of high quanlity.” Your email, and your obvious pride in attention to detail, says it all. The same goes for this other company that reached out to me today for a review:

Hello, Dear Amazon product reviewer

We are the seller selling on Amazon.com

Would you mind to have a test with our product ASIN :B00LL462CE

Our selling link on Amazon is : http://www.amazon.com/dp/B00LL462CE

We would be great appreciated if you can write a fair product review
for us after you got and using the product.

Kindly please contact me at this email with your shipping address(except PO BOX address) if you are interested in our product.

We will send the product for you as soon as get your confirmation.

Thank you very much for your interesting

 

unnamed-3So glad you contacted to me with your compelling sales pitch. I can always use a new “Outop Women Harness Body Chain Bikini Chain Crossover Belly Waist Chain.” But I have a question: Is it a chain?

If you missed our first review round for the cat tunnels, here is your chance!
Our company has cat tunnels and designed for cats. Your opinion matters to us and the other customers, so we would appreciate if you can take a few moments to review our product. Please reply with your address, we will send the product over to you via mail.

I did miss your first round. I think it’s great that you’re designing cat tunnels for cats instead of cat tunnels for squirrels or other animals that are not cats. I also think its great that you want to mail me a cat tunnel via mail rather than donkey, or bicycle messenger, since I think that might be difficult.  I don’t have a cat, but I think everyone should have a cat tunnel in case a cat shows up.

The Mail I Get – I Don’t Remember Edition

Some recent mail I received asking me questions I can’t answer because I don’t remember:

I’ve long admired your work on Diagnosis Murder, especially the fifth season. I emailed you about ten years ago asking if you had a floor plan of the beach house from Diagnosis Murder. You said you had one but misplaced it. I’ve taken it upon myself to draw a floor plan myself using footage from the show as well as from satellite images and the movies Lovelines and Malibu Bikini shop to help with the lower level. I’ve also found many photos at three different websites trying to rent or sell the house, but most of those are photos from a significantly renovated version of the house. I’ve tried to keep my floor plan of the house as close to the way it was on the show as possible, though I’ve filled in missing parts with photos of the current version of the house where I could. For the parts left completely unseen, like a few of the bathrooms, I’ve tried to come up with how they might be laid out. If I send you the floor plan I created would you be able to give me feedback?

It’s been over a decade since I shot Diagnosis Murder. I don’t remember anymore exactly how the house was laid out. Sorry!

Hello Lee , I just finished reading Mr. Monk goes to the firehouse. I wonder, where’s the ax (?) that being used to kill Sparky? Seems nobody search for the bloody ax to get finger prints or something.
Hope to hear from you bcause I couldn’t sleep thinking about this.

Sorry, but it has been so many years since I wrote the book, I don’t remember what, if anything, came of the ax or if it even mattered. It’s certainly not worth losing sleep over!

I have not yet read all the Monk books nor seen all the episodes, so I apologize if my question has already been addressed, but I wondered what you thought of something that occurred to me recently, and that is concerning Adrian Monk and the Wedding Ring.Reading how he reacted to Julie’s cast, and his insistence that she have two to be balanced, I suddenly wondered how he coped with wearing a ring on the third finger left hand, and not a matching one the right. I assume that Adrian takes the ring off when he’s completing his obsessive bathroom cleaning routines etc. but I’m sure he still wears it at other times – his love for Trudy is too strong for him to abandon it. He is wearing one on the cover of Mr Monk is Miserable.
So – how does he cope? Does he, in fact, wear an identical ring on the right hand? I’ve not noticed one. Knowing the character as you do, what do you think? If you have an answer I’d love to hear it. If you find it fascinating as I do and decide to write it into your next Monk book, please credit me in the acknowledgements for giving you the idea!

I dealt with the ring issue in one of the books… MR. MONK IS A MESS or MR. MONK GETS EVEN, I believe. But I may be mistaken about which one. The 15 tend to blur together for me.

The Mail I Get – Monk Edition

MrMonkOnTheCouchI still get lots of questions and comments each day about my Monk books… here’s a sampling:

Dear Lee, It was with mixed feelings that I read Mr. Monk’s last adventure.  Happiness at reading more enjoyable Monk escapades, and sadness that there will be no more of them. I did appreciate that one of the lipo-suction patients was Frank Cannon.  ha ha   What a ride.  Barb

Thank you, Barb. The other lipo patient was McCabe, the character William Conrad played on JAKE AND THE FATMAN…but so far, nobody has caught that reference.

It’s a rare to find an author who understands that a unique quirky character is really one of the most important parts of a good book. Love your character and I think the books are really wonderful. So often they are just plot oriented by vanilla unmemorable characters. So congratulations of writing truly fantastic books. Allan

Thank you, Allan. But I can’t take credit for creating that brilliant character. The credit belongs to Andy Breckman. He just let me borrow Monk for the books.

Hello Lee, You end your chapters in a manner that makes it difficult to not keep reading. Please stop doing that. You will thank me later. It might tempt some people into stopping in the middle of a chapter, and that violates the natural order of the universe.

Now that the above is out of the way, let me pass along my delight for both the Monk series and the Fox and O’Hare series – mysteries and absolutely hilarious! After thirteen years of retirement at age 70 it is getting harder to head for the treadmill daily, books the only way to get through it. My wife and I had read all the Janet Evanovich books (also all the Agatha Christie’s and a whole lot in between), so glad to have found The Heist, The Chase, and will read The Job (a Christmas book to each other) after Mr. Monk and the Two Assistants. We have also seen all of the Monk TV episodes, and reading the books and remembering the appearance of the characters is extra fun. Thanks for these two series, and will explore your other books! Leonard

Thank you for your very kind words about my MONK and FOX & O’HARE books… though they are meant to be serious drama. It troubles me that you find them funny.

I just want to let you know that I really enjoy the books you contributed to the Monk series. As someone who has been diagnosed with OCD (whether rightly or wrongly), I have to say that you seem to have done a good job portraying what really goes on in the brain of an OC person (here I should add the caveat that I haven’t actually gotten far in any of your books – they’re too thought provoking to finish in a timely fashion). If in the past I would firmly deny that I had OCD (“My unusual behavior is not symptomatic of any illogical thought processes, thank you very much. It is a combination of *ultra*-logical thinking, and natural responses to my excess anxiety”), now I am not so sure. I find it very easy to identify with your version of Mr. Monk. [..]Without changing the way I view myself and my rationality, I now find it easier to accept the label of OCD.[..]In the future, I intend to use your books as “textbooks” to help other people better understand the true nature of OCD. Sammy

Now that is frightening. You do know I make it all up, right? I have no special understanding of OCD… I just have a rich fantasy life.

A Brash Idea Becomes a Publishing Company

Lee Goldberg & Joel Goldman making a brash fashion statement
Lee Goldberg & Joel Goldman making a brash fashion statement

All mystery writers have them—the cherished, often underappreciated, out-of-print books that we loved and that shaped us as writers. They are the books that made an impression on me in my teenage and college years and still feel new and vital to me today. They are the books that I talk about to friends, thrust into the hands of aspiring writers, and that I wish I’d written. They are the yellowed, forgotten paperbacks I keep buying out of pure devotion whenever I see them in used bookstores . . . even though I have more copies than I’ll ever need.

I’ve been at this long enough that many of my own books have fallen out of print, too. But I brought them back in new, self-published Kindle and paperback editions and, to my surprise and delight, they sold extremely well. It occurred to me that if I could do it for my books, why couldn’t I do the same thing for all those forgotten books that I love?

So, a little over a year ago, I started negotiating with the estate of an obscure author whose books I greatly admire but that never achieved the wide readership and acclaim that they deserved. I was in the midst of those talks when, at a Bouchercon in Albany, I told Joel Goldman, a good friend, mystery writer, lawyer, and a successful self-publisher of his own backlist, what I had in mind.

Joel got this funny look on his face and said, “That’s a business model. I really think we’re on to something.”

We?

It turned out that, like me, he’d been getting hit up constantly at the conference by author-friends who were desperate for his advice on how they could replicate his self-publishing success with their own out-of-print books . . . many of which had won wide acclaim and even the biggest awards in our genre. He’d been trying to think of a way he could help them out.

Now he thought he had the solution. What if we combined the two ideas? What if we republished the books that we’d loved for years as well as truly exceptional books that only recently fell out of print?

It sounded great to me. And at that moment, without any prior intent, we became publishers of what we considered to be the best crime novels in existence. It was a brash act . . . and that’s how, as naturally as we became publishers, we found our company name.

Brash Books.

One of the first calls I made was to Tom Kakonis, whose books were a big influence on me, to ask if we could republish his out-of-print titles. His thrillers, including Michigan Roll and Criss Crossachieved that perfect, delicate balance between drama and dark, almost outrageous humor, without going too far in either direction. It’s a skill that Elmore Leonard and Tom mastered, and that I’d hoped to some day be able to pull off myself. (I’m still trying.) I read Tom’s books the first time for pure pleasure but then again . . . and again . . . to see if I could discover how the magic was done.

In the mid 90s, I sold my first hardcover novel under my own name, My Gun Has Bullets, to St. Martin’s Press and went to a Bouchercon with a bunch of bound galleys in my bag. I spotted Tom there and nervously approached him for a blurb . . . and to my astonishment, he not only agreed to read my galley, but a few weeks later, he gave me a great review.  Getting that blurb was almost as exciting for me as being published in the first place.

I’d never forgotten that experience. Or him. So naturally he was at the top of my call-list when we started this venture. And this time, he thrilled me again by saying yes to letting us republish his books. He also mentioned that he had a novel that he wrote some years ago, but had stuck in a drawer because he’d been so badly burned by the publishing business. I asked if I could read it . . . and he sent it to me. I was blown away by it and so was Joel. We couldn’t believe that a book this good, that was every bit as great as his most acclaimed work, had gone unpublished. It was a gift for us to be able to publish it. And that’s how, unintentionally, we decided to publish brand new books, too.

4666650_FrontCoverTom’s unpublished novel, Treasure Coast, became our lead title when we launched in September 2014 with thirty books . . . from authors as diverse as Barbara Neely, Dick Lochte, Gar Anthony Haywood, Dallas Murphy, Maxine O’Callaghan, Bill Crider, and Jack Lynch, to name just a few. Now we’re on track to publish eight to ten novels each quarter, one or two of which will be brand new, never-before-published books.

It’s a business that’s very much a labor of love for us both. We get a bigger thrill now out of seeing new copies of our authors’ books than we do our own. The widow of one of our authors got teary-eyed over Brash’s editions of his out-of-print books because we were treating them the way he’d always wanted. We got tears in our eyes, too. We started Brash Books for moments like that and for Tom’s dedication in Treasure Coast:

“For Lee Goldberg, who may have rescued me.”

For me, that was coming full circle. I may have rescued him, but the example he set with his books helped launch my career . . . and now a publishing company, too.

Our goal with Brash Books is to introduce readers, and perhaps future writers, to great books that shouldn’t be forgotten and to incredible new crime novels that we hope will be cherished in the future.

And yet, to our frustration, our list still doesn’t include any books by that obscure, deceased author who brought Joel and I together in this brash publishing adventure. We’re still negotiating with that author’s estate. But we’re not giving up. I love those books too much to let go. I just bought two more of them at a flea market today. . . .

The Mail I Get – Question & Answer Edition

I get lots of questions about my books…and occasionally I even have a few answers.

I have read every Monk book that my library owns. They are wonderful! Will you be writing any more ?

Judy

Nope, I’ve been done with Monk for a while now. My last Monk book was Mr. Monk Gets Even. I’ve moved on to other projects and am co-writing a new series with Janet Evanovich. Speaking of which…

I’m love the Kate O’Hare and Nicolas Fox books you write along with Janet Evanovich. I seriously read all the books within days as I’m totally hooked by them. This is a surprise as I am one who will only read books if I am forced too.I would like to know of there is another book to the serioes that is being made or will be released soon etc. Thanks again.
Joanna

I’m so glad that you are enjoying the series. We are in the midst of writing book #4…it should be out this summer or in the fall.THE JOB by Lee Goldberg and Janet Evanovich

I have just finished King City, wow! Your characters in the Kate O’Hare and Nick Fox books with Janet Evanovitch were some of the best I had come across. Tom Wade is even better. Your blurb following the ending says you were hard at work on more Tom Wade books, but that was 2011. I was so disappointed to find none listed. And I guess I’m writing to encourage you to go back to that story and keep going. I liked the book so much in fact that I thought, well maybe I’ll have to write a sequel just to have more to read! A silly idea of course, but it will convince you how much I felt involved with your characters. I will now try The Man with the Iron-On Badge, and then maybe another series. Thank you, Elizabeth

Thank you for your kind words about KING CITY and the Fox & O’Hare series. I intended to jump on the KING CITY sequel right after I finished the book…but the Evanovich project came along and I haven’t had a chance to get back to it. My hope is to write it this year. BTW, “Man with the Iron On Badge” was re-released as WATCH ME DIE a few years ago in both ebook and trade paperback editions.

Dear Mr Goldberg,
Hello, how are you? Don’t want to take up much of your time…I’m a huge fan of the wonderful books you have written for the Monk series! I have a few of them and I was wondering if  you would sign the ones I have and send me the ones I don’t have yet with your autograph. Thanks for keeping Mr Monk and company going!
               -Meg : )

I genuinely appreciate your kind words about my Monk books, and your desire to have my autograph but no, Meg, I won’t sign the books you already have and send you all of the books in the series that you don’t have yet. I don’t give away my books. That’s not how I make my living. I also don’t sell books (not that you asked to buy any) because I am not a bookstore, either.

Lee: I wrote a full length script on semi vampire of genre fiction and fantasy recently and I want to sell it. Are you interested?

Why would I be interested? I’m a screenwriter. I don’t buy scripts, I write them. Besides, what the hell is a “semi vampire of genre fiction and fantasy?”

Hello Lee, I love your work and have read most of your books — Where can I see a list of new books coming out? I like to pre order so I don’t miss the  new ones. Thanks for the many hours of great reading — I can just loose myself in your books. Julie

Thank you so much, Julie! The best place to keep up with my releases is right here on my website. Or join my mailing list, using the form on the right. My latest novel, THE JOB, also co-written with Janet Evanovich, came out in November.

The Mail I Get – Advice Edition

Here are some recent queries I’ve received lately asking for my advice…

A number of readers have suggested my XYZ series of books would be a great springboard for a TV series. I’m not so sure of that, but it has occurred to me that my new release (XYZ) might be a good candidate for a movie, given the characters and setting. […] If you have the time and inclination, any advice about who to contact or where to promote it to producers would be appreciated. If not, best of luck with Brash (not that you need it!).

Unless your book is a NY Times bestseller, with a large following, and huge critical acclaim, your chance of selling it as a movie or TV series is nil. I say this from experience… and having worked on several TV series based on books (Spenser For Hire, Murphy’s Law, Nero Wolfe, Missing, etc) and having adapted many others (Aimee & David Thurlo’s Ella Clah, Mary Higgins Clark’s The Lottery Winners, William Kent Krueger’s Iron Lake, etc) for studios for film and TV that didn’t get made. Those books were all hugely successful. It took 20 years for Janet Evanovich’s Stephanie Plum to become a movie…over a decade for Lee Child’s Reacher books to become a movie…and they are among the biggest selling, most well-known authors on planet earth.

No offense, but your series is obscure, self-published, reviewed by little-known media outlets (The Kindle Book Review, Story Circle Review, etc) and blurbed by authors nobody has ever heard of (XYZ? His highest ranked book is #1,403,740 on Amazon…his worst #12,649,676. Why on earth would you tout his review?).

I don’t say this to hurt you feelings, or to be a jerk, or to kill your dreams, I am just trying to be honest with you about your chances of selling your books as a movie or TV series. Bottom line… you need to be realistic in your expectations. 🙂

Hi Mr. Goldberg,
Some film school student in L.A. just asked me if my XYZ detective series has been optioned yet. I get the general gist of that sort of stuff, but is that something a) to take seriously, given that he’s only tangentially in the biz or b) that would warrant getting an agent? Any quick advice or links to advice,

I don’t see any upside in optioning anything to a film student. What would be the point of that? I wouldn’t take it seriously. There are thousands of film students out there, most of whom will never make it in the business.

If he wants to shoot a student film based on your book, and you like the idea of that, then let him do it without optioning it to him. Just write up a document that says you’re okay with it as long as it’s never used / sold for profit (tickets, DVD sales, etc), not distributed to theaters, not shown on television, and that it’s clear he has no rights whatsoever beyond using it as a non-profit, project as a demonstration of his skills.

Sammy Davis Jr. Sings his Eight Favorite TV Theme Songs

One of my guilty pleasures are Sammy Davis Jr’s craptastic TV themes song covers… some of which he must have commissioned just to sell records (who knew there were vocals to KOJAK!?). Here they are:

1. KOJAK

2. THE JEFFERSONS

3. THE MARY TYLER MOORE SHOW

4. CHICO AND THE MAN

5. MARY HARTMAN, MARY HARTMAN

6. HAWAII FIVE-O

7. BARETTA

8. MY MOTHER THE CAR

The Mail I Get – Lame Suck-Up Edition

I get lots of suck-up emails aimed at making me promote, or sample, or buy, or blurb, a stranger’s work. Here are some of the lamest, recent examples:

I’m always looking for professionally-written crime novels and I’m mostly disappointed. Having just published my 16th novel I know solid writing when I see it. I was pleased to discover your work. I’ve now read two of your books, “Watch Me Die” and “King City.” I’m trying to decide which one to read next. If someone were to ask me which books of mine I liked best  I would say “XYZ” and “XYZ.” Let me ask you the same question: Of your own books, which are your top two or three favorites?

This guy’s self-published books are ranked in the millions, meaning he’s not even selling copies to his family, and his covers look like they were drawn by hand. I wonder what his definition of “professionally-written crime novels” is?

Here’s one from someone sucking up for a blurb:

I hope you don’t mind my contacting you. I am a published author and playwright of “science-in-fiction.” Whatever it may be – quantum physics, the genetics of gender, or consciousness – such mysteries allow me to explore the big questions. For my newest book, due out this August, the editor at XYZ has asked me if I know an author who would be willing to read and review it in the interest of supplying a “blurb.” In fact, I don’t know many authors, but have a whole host of favorite writers whom I have always wanted to write to. (DELAYED DIAGNOSIS is a favorite.)

I’ve never written a novel called DELAYED DIAGNOSIS, so her attempt to flatter me fell flat. Note to people trying to suck-up: it’s important to get right the name of the person you are sucking up to and the titles of their books and shows that you supposedly love.

Here’s one sucking up for a job:

Dear Lee

I am a South African screenwriter who has recently completed a feature length screenplay that I believe your agency may be interested in representing.
Please find a short pitch below for your review.

Title: Side Time [copyright 2015]
Genre: Action Fiction
Pitch: U.S. Marines meeting Nazi’s soldiers throw a time machine

Log Line: The U.S. government is on the verge of completing the building of a time machine underground N.Y.C.

John [Project Manager] decides to test the time machine by going back to Germany during the time of WW2.
His private mission- to steal the Nazis biggest diamonds from Hitler’s treasury!

In general, it’s a good idea to find out if the agency you are sending your pitch to is actually an agency. I am not an agency. I am a writer. Secondly, if I was an agent, I wouldn’t represent you because your grasp of English grammar is iffy (“meeting Nazi’s soldiers throw a time machine”?) and your story sounds awful.

Recovering from Bouchercon 2014

It’s taken me three days to recover (and to get my voice back) from my fun-filled weekend at Bouchercon 2014, the world mystery convention, which was held in Long Beach, California. It was four-days of talking about mysteries, thrillers and writing with my fellow authors, crime novel fans, editors, agents, and booksellers. It was a great event. I met so many new readers and learned so much from my colleagues.  I also talked up (before my voice went out) Brash Books, the new publishing company I launched on Sept 3rd with my buddy Joel Goldman, and our thirty new releases. And I signed lots of books, including THE JOB, my third Fox & O’Hare novel co-authored with Janet Evanovich. Here are some photos from the conference…

Lee Child, Boyd Morrison, Paul Levine, Jeffery Deaver, and yours truly
Lee Child, Boyd Morrison, Paul Levine, Jeffery Deaver, and yours truly
Phoef Sutton, Max Collins, Lee Child and Lee Goldberg at Bouchercon 2014
My friends Phoef Sutton, Max Allan Collins, Lee Child and yours truly
The Co-Authors club: Lee Goldberg, Boyd Morrison, and Phoef Sutton at Bouchercon 2014
We should start a Co-Authors club! That’s me with Boyd Morrison, who writes with Clive Cussler, and Phoef Sutton, who is writing WICKED CHARMS with Janet
Lee Goldberg, Christa Faust, Alison Gaylin and Michelle Gagnon at Bouchercon 2014
Me with my friends Christa Faust, Alison Gaylin and Michelle Gagnon at Bouchercon 2014
Brash Books co-founder Joel Goldman, and Brash Books authors Dick Lochte and Gar Anthony Haywood, with me.
Brash Books co-founder Joel Goldman, and Brash Books authors Dick Lochte and Gar Anthony Haywood, with me.

You can find more photos from Bouchercon in the photo gallery on my website.