Flanek: The Kentucky Columbo

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Bud Flanek is a rumpled, amiable, deceptively low-key homicide detective on the Owensboro, Kentucky police force, the hero of three short, funny mystery movies that now have their own YouTube channel.

Nobody set out do a series of movies about the character… it was a happy accident. It began when Zev Buffman invited my friend David Breckman, the outrageously talented MONK writer-producer-director, to be a guest at the International Mystery Writers Festival at Riverpark Center in Owensboro a few years back.

David came up with the brilliant, insane idea of writing, producing, and directing a short film using primarily local talent … all during the course of the festival… which was, if memory serves, ran just four days. Amazingly, he pulled it off. The result was Murder in Kentucky, a twenty minute short starring Todd Reynolds as an unnamed homicide detective who solves a murder that happens during the rehearsal for a live-radio theater show. I loved it. But for reasons too complicated to go into, mostly technical, the movie only screened once and wasn’t seen again for several years (but don’t worry, there’s a happy ending to the tale).

20x30_Remaindered_Novel_Way_FestivalsNot long after that, Zev invited me to write & direct a short film in Owensboro. I decided to adapt my short story Remaindered, which had been published to some acclaim in Ellery Queen Mystery Magazine, and was about a once-famous author on a miserable, last-ditch book tour that leads to murder. I cast Todd to play Bud Flanek, a homicide detective who appears late in the story. Although Flanek wasn’t intended to be the same character as the one Todd played in Murder in Kentucky, that’s what he became, main because he was the same actor playing a cop in the same town in the same wardrobe. And it helped that my cop had pretty much the same personality and attitude as David’s unnamed lawman.

Remaindered became a hit on the national film festival circuit, winning awards and rave reviews, including praise from writer-producer William Link, co-creator of Columbo, who loved Todd’s performance and christened Flanek “The Kentucky Columbo.” Wow.

So when Riverpark asked me to do another film, I knew I had to bring Todd back as Flanek. I adapted another short story of mine, Bumsicle, and recrafted it with Todd Reynolds in mind. Unlike Murder in Kentucky and Remaindered, though, Flanek was very much the center of this story, which was darker than the other two, but still had a few laughs.

Bumsicle also became a hit on the festival circuit and garnered lots of praise. After a year on the road, we brought the film back to Owensboro and screened it outdoors in a triple bill with Murder in Kentucky and Remaindered, drawing a crowd of over 500 people.

After that, we knew we had something special and decided to create a channel devoted to Flanek on YouTube. But first we had to tweak Murder in Kentucky a bit, which had poor sound (due to cheap equipment) and temp music lifted from Bonnie Raitt (due to the very hurried production schedule… did I mention it was written, produced, and shot in just four days?). So Firelight Entertainment Group in Hawesville Kentucky, with whom I shot Bumsicle and the Dead Man music videos, remastered the sound on Murder in Kentucky, and replaced the music. To tie the short into the series, I asked singer-songwriter Matt Branham, who did the score for my two films, to write & perform a new end theme song expressly about Flanek…”Nothing Fun About Murder”

..he even manages to mention Monk!

Now the Flanek channel is live with all three movies. Our hope is to whip up enough enthusiasm for the films to merit the funding of more short Flanek mysteries, perhaps even a webseries of 20 minute episodes. It’s in your hands.

So if you like the movies, please please PLEASE leave comments on our FLANEK channel, “like” our Flanek Facebook Page, and spread the word to all your friends!

How to Write a Crime Novel When You’re Afraid of Cops

The Big Keep by Melissa Olson
The Big Keep by Melissa Olson

To write her hot new crime novel  The Big Keep, my friend author Melissa Olson had to spend a lot of time in police stations, which meant conquering her fear of cops. Here’s how she did it…

I’ve been a little bit afraid of the police for as long as I can remember.

Maybe it’s because I was a child of the movies, where being a police officer is never just someone’s job; it’s a larger-than-life identity. Onscreen, a person and a badge are much bigger than just the sum of those two parts. Movie and TV cops are usually a representation of authority itself, charged with the power to do anything from ruin your day to kill you and make it look like an accident, Dirty Harry-style.

Or maybe I’m just afraid of cops because an encounter with the police represents getting in trouble, and I was never one for trouble. I never even had a detention; the idea of getting arrested in terrifying to me. I prefer my conflict on literary terms only, thank you very much.

At any rate, after a long path that wound from Wisconsin to Los Angeles and back, I ended up becoming a fiction writer. And despite my fear, I eventually found myself writing about a couple of very large, very famous police departments: first the LAPD (In Dead Spots and its sequels) and then later, the Chicago Police Department (in The Big Keep).  While I was writing these books I decided to adopt a “forewarned is forearmed” attitude with some serious research, but that wasn’t always reassuring – for example, the CPD Wikipedia page alone has a long list of scandals and coverups for your perusal. It’s a skewed sample of what these departments actually do, of course, but it’s still intimidating as hell.

Before long I began checking over my shoulder as I wrote, half-convinced that at any moment the cops would knock on my door, angry that I was making them too cartoonish or too intense. I’m not much of a speeder to begin with, but by the time The Big Keep was in edits I was keeping a careful eye on the rearview mirror, especially whenever I found myself in Chicago. It’s only paranoia until you’re pulled over for a brake light that isn’t broken.

All right, I may be exaggerating the danger just a touch. Eventually, I got past these early anxieties and realized that the only way to write cops is to write people who work as cops. Although some television shows (not written by Lee Goldberg, of course) may depict all police in black hats or white hats, the truth is that real police officers come in as many shades of gray as any other group of people. In The Big Keep, there are kind, thoughtful cops, like the protagonist’s friend Sarabeth Warrens, and there are vulgar asshole cops, too, like her partner Flanagan and his cronies. But all of them have their own histories and motivations, because they’re still characters, modeled on people, and brought to life as part of a larger story. I made myself remember that having a badge may give you authority, but it doesn’t make you one-dimensional. And hopefully that comes through in my novel.

I might stay out of Chicago for awhile, though. Just in case.

Melissa Olson was born and raised in Chippewa Falls, Wisconsin, and studied film and literature at the University of Southern California in Los Angeles. After graduation, and a brief stint bouncing around the Hollywood studio system, Melissa landed in Madison, WI, where she eventually acquired a master’s degree from UW-Milwaukee, a husband, a mortgage, a teaching gig, two kids, and two comically oversized dogs, not at all in that order. She loves Madison, but still dreams of the food in LA. Literally. There are dreams. Learn more about Melissa, her work, and her dog at www.MelissaFOlson.com.

A Feast for TV History Buffs

Roy HugginsTwo new books from McFarland & Co. are a feast for TV history buffs.

Roy Huggins by Paul Green explores in great detail the TV career of writer/producer Roy Huggins, creator (or co-creator) of such classic shows as Maverick, The Fugitive, 77 Sunset Strip, Toma, Baretta, The Rockford Files, The Bold Ones: The Lawyers, and Run For Your Life, as well as the driving force behind the creation of the “TV movie.” He also produced many other series, including The Virginian, Cheyenne, Hunter, Kraft Suspense Theater, and Alias Smith and Jones, to name a few. The book is based on dozens of personal interviews, Huggins’ own unpublished memoirs, newspaper & magazine articles, as well as my own, six-hour video interview with Huggins for The Archive of American Television.

It’s a great book, exploring all of the creative issues, production details, political machinations (studio and network), and personnel matters  (his relationships with actors, writers, producers etc), that shaped the weekly series, TV movies, pilots and mini-series that Huggins made as a producer, studio chief, and later as a hired gun. It’s exactly the kind of book that I wish somebody would write about Stephen J. Cannell, Glen A. Larson, Fred Silverman, Steven Bochco, Bruce Geller, Goff & Roberts, Levinson & Link, and so many other TV producers.

Green clearly admires Huggins, but is not so enamored of his subject that he ignores the producer’s faults, mistakes and failures. This is a serious, well-researched, information-packed reference work that is nonetheless an easy and engaging read. You don’t have to be familiar with Huggins’ shows to find the behind-the-scenes stories both fascinating and informative. This book isn’t just for fans of Roy Huggins or his shows — it’s a must-read for students of TV history and anyone interested in a career as a TV series show runner. It’s hands-down one of the best books ever written about a TV producer…or being one.

Everyone knows about George Burns the actor and comic, but few people these days are aware of his influence as a TV producer and head of a successful production company. Much like Desi Arnaz, another major actor/producer/studio chief of the 1950s and 1960s, Burns did ground-breaking work that is still influencing TV writers and producers today. That’s why Richard Irvin’s George Burns Television Productions: The Series and Pilots 1950-1981 is a much overdue and necessary piece of TV scholarship.

George BurnsBurns famously broke the fourth wall with his Burns & Allen Show, about a showbiz couple with a TV show playing a showbiz couple with a TV show. He also produced such series as The Bob Cummings Show and Mr. Ed, and many of the writers, directors and producers that he worked with and supported went on to create huge hit series (like Paul Henning, who went on to create The Beverly Hillbillies and Green Acres).  Burns and his company refined the art of using episodes as spin-off pilots, though none of the ones he did on Burns and Allen, or on Mr. Ed or The Bob Cummings Show, ever took off.

Irvin’s fine book delves extensively into every business and creative aspect of the Burns & Allen Show, the Bob Cummings Show, and The People’s Choice, as well as every single project that Burns’ production company ever produced…every series, every pilot, and even the stuff that never got made. It’s one of the few books about the history of a TV production company and its a strong one…and for that reason alone, Irvin and McFarland & Co are to be commended. This is clearly a labor of love for author and publisher…because outside of a few diehard TV historians, and TV geeks like me, I can’t imagine there’s much, if any, market for a book with such a narrow focus. Unlike Roy Huggins, this is not a book that is a must-read for scholars or wanna-be TV show runners. You’d have to already be interested in the shows that George Burns produced, or in unsold pilots in general, or in 1950s and 60s TV history, to find this book worthwhile. For me, it was a home run. I loved it.

A note on my biases/possible conflicts of interest: I bought my copy of Roy Huggins, because I have a strong interest in his work. I’ve admired Huggins since I was a kid. I interviewed Huggins many times during my career as a journalist. In fact, I went into this expecting to be disappointed, to find very little “meat,” lots of errors, and to learn little that I didn’t already know. I was very pleased to be wrong. I’ve also worked with Jo Swerling Jr., who is quoted frequently in the book, during my time as a writer/producer at Stephen J. Cannell Productions. And, finally,  I was a writer on Hunter, but several seasons after Huggins produced the show.

I received a review copy of George Burns Television Productions from McFarland & Co, which published my reference books Unsold Television Pilots, Television Series Revivals, and Science Fiction Filmmaking in the 1980s over twenty years ago.

The Mail I Get – Lame Pitches Edition

I get some really lame pitches from people who want me to review their books, read their screenplays, or co-write novels with them. Here’s a sampling, the first one from a man who wants to co-author novels with me:

My Name is XYZ, I am a Law Man, writing such things as Natural Laws and Society Laws in drama, ENT and others. Lets Collaborate. It going to be good.I await your response.

How could I ignore such a compelling pitch? I’m setting aside my next collaboration with Janet Evanovich to write a novel with him. Here’s a review pitch, one of the many I get every day:

Hello.
I really need your help!!
I understand that you may be interested in reviewing erotica works?
I finally got my act together and published 5 works (Yay me!) but frankly, I have no idea if I’m actually any good or if I completely suck. I can’t give them to family to review because that would make family dinners really awkward and my friends (after mocking me big time) would only tell me they were fabulous because their my friends.
I’m already making steady sales on Amazon which is awesome but no one has left any feedback so I don’t know how the material is being received. Is it good, bad or completely awful? If it’s drivel, what do I need to work on?
I would really appreciate it if you could read and review one of my works:

So to find out if her books suck, she’s self-publishing them and asking people who don’t read or review erotica to post on Amazon their opinions of her work. Now that’s a winning strategy. Next time I’m in the mood for a book about a woman who gets it on with “one sexy, kinky horned God,” I’ll be sure to check her book out. Here’s another one:

Let me introduce myself, I am X, author of  “XYZ” to teach you the perfect foundation of Knitting (Knitting Patterns, Crochet, Yarn) which is currently available in digital format on Amazon Kindle for 0$. I am inquiring if you may have the time to read and provide an honest unbiased review? I got your contact form Amazon Top Reviewer list, and from your profile it shows that you do book reviews.If you would be interested to review my book, I would be highly grateful. I’d be happy to give you a free copy of the book if you miss to purchase book on regular promo, just let me know. If you decide to post your review please write that you got it as free complimentary copy, or something which will indicate that you provided an unbiased review.

Aside from the fact I don’t knit, and I have never reviewed a book on knitting before, her pitch is loaded with grammatical, spelling, and typographical errors. It’s a solicitation that’s doomed to failure,  just like her book.

I hope this email finds you in the best health. My name is XYZ and I, previously, offered you my FREE Appetizers book and I hope you like it. And I’d love to offer you my latest cookbook ‘Salad Recipes XYZ’.  I figure it might well appeal to you, particularly if you’re in the mood for a light read and something different. I absolutely love your reviews, since they provide lots of value to potential customers and are absolutely honest and straightforward. Therefore, I want to ask you whether you are potentially interested to review my book?

If he’s read my reviews, which he clearly hasn’t, he’d know I don’t review cook books and that my idea of light reading for relaxation is not a book of salad recipes. Beyond that, his pitch is horribly written. Otherwise, it really works.

The Back-Door onto PrimeTime

Patricia Arquette, right, stars in CSI: Cyber, a backdoor pilot which aired on CSI, which features Elisabeth Shue (left)
Patricia Arquette, right, stars in CSI: Cyber, a backdoor pilot which aired on CSI, which features Elisabeth Shue (left)

Last week, CBS picked up two series for next fall — CSI: Cyber and NCIS: New Orleans — that were shot as so-called “back-door pilots,” embedded in episodes of existing series. CSI:Cyber aired as an episode of CSI and NCIS: New Orleans aired as an episode of NCIS (which, itself, began as a back-door pilot as an episode of JAG).

A back-door pilot is a way to save money on making a pilot, a sample episode of a proposed TV series. Since standalone pilots that don’t lead to a seires cost millions of dollars, have no commerical value, and will usually never air anywhere, shooting them as an episode of an existing series allows studios to recoup their costs from the syndication revenue of a hit series. It’s a practice that has been going on for fifty years — The Andy Griffith Show began as a back-door pilot episode of The Danny Thomas Show.

The problem is, backdoor pilots usually end up being one of the worst episodes of whatever series is hosting them. That’s because the stars of the host series, by design, have to take a back seat to the stars of the pilot…and let’s face it, people aren’t tuning in to see the pilot characters, they are tuning in to see the characters they already know and love.  Star Trek ended it’s second season with Assignment Earth, a back-door pilot starring Robert Lansing, and The Mary Tyler Moore Show ended it’s second season with a back-door pilot for a series with Bill Daily. Both pilots failed to sell.

The networks and producers can’t really disguise backdoor pilots — because they can’t function as pilots without being pilots, introducing us to the characters and franchise of the proposed show. But it’s a practice that has worked.

Some of hit shows that began as backdoor pilots (also known, some years back, as “nested spin-offs”) include Diagnosis Murder, NCIS, CSI: Miami, Maude, SWAT, Petticoat Junction, Laverne  & Shirley, Barnaby Jones, Empty Nest, Knots Landing, and Stargate: Atlantis.

The many, many shows that have hosted one or more backdoor pilots include Magnum PI, Cosby, Spenser: For Hire, Star Trek, Vegas, Bones, Married With Children, Gunsmoke, The Practice, Charlie’s Angels, Barnaby Jones, NCIS, Ironside, Criminal Minds, Murder She Wrote, Smallville, House and The Rockford Files (which had four of’em!). Back in the day, anthology shows like Zane Grey Theater, Dick Powell Theater, and Police Story (which begat Police Woman, Joe Forrester and David Cassidy: Man Undercover)  were often used for back-door pilots.

Bill Rabkin and I were the executive producers of Diagnosis Murder with Fred Silverman, the man who once ran CBS, ABC and NBC and was known as the “king of the spin-off.” Since Diagnosis Murder was a nested spinoff of Jake and the Fatman, which itself was a nested spin-off of Matlock, Silverman was a big believer in backdoor pilots and  insisted that we do at least one every season. Diagnosis Murder tried at least six of them that I know of and they all went nowhere.

We personally did three of them, including Whistlers, basically a tame Lethal Weapon with women, and The Chief, starring Fred Dryer as the leader of the LAPD. Here’s  the main title sequence for Whistlers:

and the sales pitch for The Chief:

 

We were very clever with how we structured The Chief as a back-door pilot…and it was the only one of the Diagnosis Murder backdoor pilots that actually had a shot getting picked up.

We wrote it as a tw0-hour, sweeps episode of the series…but crafted it in such a way that we could edit it down to one-hour and cut almost all of the Diagnosis Murder cast out of the show for internal sales purposes

Fred Dryer was great in the part…and newcomer Neal McDonough had real star power (since proven on Band of Brothers, Justified, Desperate Housewives, etc.). We were sure we were on to something. The two-hour movie was one of the highest rated shows of the week, #12 if memory serves, and when we had the one-hour version tested, the scores were among the best Fred Silverman had ever seen. Silverman was convinced we were a lock for the fall schedule.

Unfortunately, this was one of the rare cases where ratings and testing didn’t mean as much to the network as personality…nobody at CBS wanted to work with Fred Dryer (which begs the question, why did CBS let us cast him, and why did they pay the  “pilot breakage” on his salary for the guest shot, if they had no intention of greenlighting a series with him in the lead?).

But Silverman wasn’t concerned. With the numbers and testing we had, and with Dryer’s successful track record with the hit series Hunter, he was convinced we’d have a sale in a matter of weeks with another network.  

We took it to every network and pitched it face-to-face to their presidents (that was the power of working with Silverman), and every one of them had some personal reason for not wanting to be in business with Dryer…and seemed to take great pleasure in passing on the project in the room to his implacable face.

As it turned out, a couple of years later CBS did a very simlar show (The District) with great success and a star reportedly as difficult as Dryer reportedly was (Craig T. Nelson)…and NBC ended up reviving Hunter for six episodes and discovered, or so we heard, that Dryer was even more reportedly difficult than he’d ever reportedly been before.

I guess we dodged a bullet.

Writing Advice from Owensboro

The Chase

As some of you may know, the finale of  The Chase, which I co-wrote with Janet Evanovich, is set in and around Owensboro & Hawesville Kentucky. Last week, author Joel Goldman & I trekked across the country to Owensboro for “An Evening with Lee & Joel,” a program put on by Riverpark Center and Daviess County Library. We talked about self-publishing, plotting, how we broke into the business, etc….and now you can see some excerpts from the event up on YouTube.

Here’s a clip of me explaining why I believe this is the Golden Age of Publishing for Authors…

Here’s Joel and I talking about how we broke into the business:

I’ll have more clips from that event up on my website in a few weeks.

Fake TV Writer James Strauss and his Advisors

Fake TV writer James Straus s
Fake TV writer James Strauss of Antares Research and Development

Be sure to check the updates at the end of this post!

Just when you thought the story of fake TV writer and convicted conman James Strauss aka James R. Straus couldn’t get any stranger or sleazier…it does. My relentless and intrepid Facebook friends, including Barbara Early and a few who wish to remain anonymous, have uncovered more disturbing stuff about Strauss. Follow along. Strauss has a company called “Antares Research and Development” that is, according to its webpage, involved in:

“Silver Mining, Indian Jewelry, Fabrication & Sales, Computer Hardware Assembly, Documentary Film Production, Literary Works for Hollywood & New York, Consulting for the United States Government in the areas of Diplomacy, Finance, & Cultural Accommodation Abroad.”

Strauss has a board of “Advisory Directors” for his company. They are:

Advisory Directors

USA, EUROPE, ASIA, AMERICAS, & OTHER AREAS

1. James Strauss, Author

Antares Productions, Inc.

2. Frank Samuelson, Washington State

Antares Productions, Inc.

3. MR. X [Name Redacted]*, California

Ask, Seek, Knock, Inc.

4. Jeremy Rosetta, New Mexico

Raincloud Silver

5. MOVIE PRODUCER [Name Redacted] *, California

Movie Production Company [Name Redacted]*

6. Chuck Bartok, California

Focus Society Mastermind, Inc.

7. Barry Johnson, Texas

Colonel, United States Army

Here’s where it gets really interesting

MR. X [Name Redacted] was convicted in the late 90s for conspiracy, money laundering, and a host of other charges. On Mr. X’s resume on IMdB, he claims a close association with “Movie Producer’s Movie Production Company” [Name Redacted]. A Mr. X was imprisoned in the same Federal pen as Strauss at the same time. Coincidence? You be the judge.

Speaking of coincidences, let’s talk about Jeremy Rosetta, another one of Strauss’ top advisors. He’s based in New Mexico, where Strauss once lived and was arrested back in the 1990s for fraud. There’s a picture of him here. On his website, Rosetta says “I create my work in a jeweler’s shop on the Santo Domingo Indian Reservation.” Oddly enough, that’s also where convicted sex offender Jeremy James Rosetta lives. He was arrested for “Criminal Sexual Penetration” and “Aggravated Sexual Abuse.” You can see a picture of him here. Same guy? You tell me. Maybe it’s just a coincidence.

So if you’re a world leader or an aspiring author who needs to negotiate an international trade agreement, or get a movie made, or have your printer set up, or you’d just like some really cool jewelry, you’ll want to go to Antares Research & Development and their crack team of convicted conmen and registered sex offenders will be glad to take care of you.*

(*hat-tip to Kelley Elder for letting me steal some of his lines)

*I’ve redacted the name of the movie producer and his production company at the producer’s request. He fears that associating his name with Strauss will damage his reputation and I certainly can’t argue with that.

*I’ve redacted the name of Mr. X, at the request of the movie producer mentioned above, who claims they’ve lost “hundreds of thousands of dollars” in financing as a result of being associated with Strauss, who included their names in his other scam business ventures without their knowledge or consent. Since Mr. X and the producer have cut all their ties with Strauss, I agreed to their request. 11/3/16

UPDATE AUG 12, 2024 – Strauss is battling three felony fraud charges.  Here’s the link to keep up on his prosecution as it moves through the courts. 

UPDATE FEB 15, 2023

A reader alerted me that he’s at it again. Take a look at this 2022 order from the State of Wisconsin’s Department of Financial Institutions… it speaks for itself.

UPDATE JAN 28. 2015
Fake TV writer and convicted conman James Strauss is back…this time expressing on Facebook his happiness that his author page is finally creeping up to top of Google search results for his name as opposed to all the posts on the web about his swindles. What amuses me about this bizarre post is how he casts himself as a victim…as opposed to the many people that he deceived and defrauded.
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Is James Strauss a Fake Anthropology Professor, too?

James-R-Straus_mugshot.400x800The fake TV writer and convicted conman James Strauss aka James R. Straus claims in his biography that he’s also a professor of anthropology. So far, I haven’t been able to find any evidence to support that claim. However, I have found this interesting nugget, published on his blog… a chapter from his novel-in-progress, in which the hero pretends to be an anthropology professor but gains confidence from the fact that suckers have paid thousands of dollars to hear him speak. Perhaps James is following that old adage: write what you know.

The Lido deck was filled with passengers lounging. Most took note of me when I walked by, but no one said anything. I behaved as I imagined a real anthropology lecturer and guide would. I wandered casually over to the bar. My corner spot was open, so I took it. Wedged in, I waited. A few moments later, Marlys rounded the corner from the storeroom behind the bar, carrying some liquor bottles. As always, she was stunning. White blouse, tied above the top of her black trousers. Her midriff was bare. It was a wonderful midriff. I checked the mirror, and found her reflection. I was unaccountably relieved. She poured a cup of coffee, and then came over to the corner where I sat. The cup was not a cup. It was one of those tall glass things. The way I glanced at it caused her to comment.

“You don’t like it?” she said in her dusky mysterious voice. The tinge of Dutch (or was it Surinamese?) was not irritating. It was alluring. I didn’t answer her, not wanting to say something stupid.

We have others cups,” she volunteered, seeming to know that the tall, vaguely feminine glass bothered me. “What do you normally drink your coffee from?” I searched for something profound to say. Anything.

“Ah, I drink my coffee from thick ceramic bowls, usually, when I can find them. It’s an old Navy thing.” I blushed. I could not believe what had come out of my mouth. She stood square and straight, and then looked directly into my face.

“Were you in the Navy?’ she inquired, waiting.

“Ah, no,” I answered, truthfully…. and stupidly. She just continued standing there, looking at the biggest idiot aboard the ship.

“I want to talk to you,” she stated, after a moment of silent staring.

“Yes, I know,” I began, reaching into my pocket for the anklet.

“No,” she said, her voice nearly a soft hiss. She extended one hand out toward me. “I’ll come to you.”

“But your anklet,” I tried again. She stopped me.

“The anklet is to hold you,” she explained, offhandedly, like it was something I might be expected to hear anywhere or anytime from anyone. She moved back toward the storeroom, while I admired the departing curve of her backside, the material covering it not tight, just warmly snug. Such quality, I thought, as I was left to consider what she might have meant by her comment. Maybe it was a language thing, I guessed. I fingered the anklet inside my pocket. Marlys reappeared, briskly walked the length of the bar, and grabbed my coffee glass. She poured its contents into a cream colored ceramic bowl. She walked away with neither look nor word. I stared into my swirling coffee.

“Great,” I chastised myself. I was doomed to spend the remainder of my time aboard drinking coffee like “Cochon,” the Navy veteran from the Golden Nugget in Nome. I was a Marine. There was some kind of reverse violation of code there, but I was not going to invest any more time thinking about it.

Don joined me at the bar. His great bulk was a comfort to have next to me.

“What are you going to say to the passengers?” he asked, innocently. I shrugged. We hadn’t seen anybody that entire day. Outside of the Russian fishermen, that is. We never did catch sight of any Russian Commandos. We weren’t even dead certain they’d been there. What could I report on since no anthropology had occurred? Other staff crew members gathered near the bar. Benito soon appeared, set up the pedestal microphone, and then lined up a row of chairs in a semi-circle behind the device. She motioned for all of us staff, sitting around, to occupy the chairs.

I left my bowl of coffee on the bar. My place was at the end of the row, with Don beside me. I looked behind him. High up on the bulkhead I spotted something that hadn’t been there before. I peered at the small insignia with squinted eyes. My eyebrows shot up, as I recognized the small drawing. It was the head of Mickey Mouse. I prodded Don. I motioned toward the small effigy, but he would not turn to look. He just chortled quietly.

“Your Mouseketeers are here,” he whispered. My stomach felt strange, looking again at Mickey, high up on the wall. The mission was still way up ahead of me, but the whole world around me was spinning out of control. It wasn’t just loss of control, I realized. It was worse than that. I had also lost the ability to comprehend what was spinning.

Everyone took his or her turn at the microphone. I was last. Benito introduced me. I got up and walked to stand behind the raised instrument. Benito passed behind me. She flagrantly moved her hand across my butt as she passed. To my credit, I did not jump, but I did look behind me into Don’s eyes. His face was screwed up and contorted, but he hadn’t let out a sound. The crowd of almost a hundred people had all had paid over twenty thousand dollars each to spend ten days with us. Somehow that reassured me.

“I’m Professor…” I began, but that was it. They applauded. Then they rose up and clapped some more. I was dumbfounded. I just stood there, like a mummy, until the din eventually quieted. I turned to Don, beseeching him for help. He leaned forward.

“Just tell them, you know, the story of what happened on the island,” Don suggested. “After all, it’s the big adventure of their cruise,” he finished. I thought for a brief moment, inhaled deeply, and then began to lie.

 

Where Have All The Cool Heroes Gone?

You want to know why I love writing the Fox & O’Hare books with Janet Evanovich? This blog post, which I first ran here ten years ago, explains why. While some of the TV references in the post are dated, nothing has really changed in the television or even literary landscape in the years since I wrote this. Which may be why readers have embraced The Heist and The Chase so enthusiastically, making them both top New York Times bestsellers.
KoD11There’s nobody cool on television any more.

Not so long ago, the airwaves were cluttered with suave spies, slick private eyes, and debonair detectives. Television was an escapist medium, where you could forget your troubles and lose yourself in the exotic, sexy, exciting world inhabited by great looking, smooth-talking, extraordinarily self-confident crimesolvers.

You didn’t just watch them. You wanted to be them.

When I was a kid, I pretended I had a blow-torch in my shoe like James T. West. That I could pick a safe like Alexander Mundy, seduce a woman like Napoleon Solo, and run 60 miles an hour like Steve Austin. I wanted to have the style of Peter Gunn, the brawn of Joe Mannix, the charm of Simon Templar, and the wealth of Amos Burke, who arrived at crime scenes in a chauffeur-driven Rolls Royce.

But around the time coaxial cable and satelite dishes made TV antennaes obsolete, television began to change. Suddenly, it wasn’t cool to be cool. It was cool to be troubled. Deeply troubled.

TV cops, crimesolvers, and secret agents were suddenly riddled with anxiety, self-doubt, and dark secrets. Or, as TV execs like to say, they became “fully developed” characters with “lots of levels.”

You can trace the change to the late 80s and early 90s, to the rise of “NYPD Blue,” “Twin Peaks,” “Miami Vice,” “Wiseguy,” and “The X Files” and the fall of “Magnum PI,” “Moonlighting,” “Simon & Simon,” “MacGyver,” and “Remington Steele.”

None of the cops or detectives on television take any pleasure in their work any more. They are all recovering alcoholics or ex-addicts or social outcasts struggling with divorces, estranged children, or tragic losses too numerous to catalog and too awful to endure.

FBI Agent Fox Mulder’s sister was abducted by aliens, his partner has some kind of brain cancer, and he’s being crushed by a conspiracy he can never defeat.

CSI Gil Grissum is a social outcast who works knee-deep in gore and bugs while struggling with a degenerative hearing disorder that could leave him deaf.

Det. Lennie Briscoe of “Law and Order” is an alcoholic whose daughter was murdered by drug dealers.
Det. Olivia Benson of “Law and Order: Special Victims Unit” is a product of a rape who now investigates the worst forms of sexual depravity and violence.

“Alias” spy Sydney Bristow’s loving boyfriend and caring roommate were brutally murdered because of her espionage work, she’s estranged from her parents, one of whom just might be a murderous traitor.
I’ve lost track of how many of Andy Sipowitz’s wives, children and partners have died on horrible deaths on “NYPD Blue,” but there have been lots.

screenshot_2_12516Master sleuth Adrian Monk solves murders while grappling with his obsessive-compulsive disorder and lingering grief over his wife’s unsolved murder. And Monk is a light-hearted comedy. When the funny detectives are this psychologically-troubled and emotionally-scarred, you can imagine how dark and haunted the serious detectives have to be not get laughs.

Today’s cops, detectives and crimesolvers work in a grim world full of sudden violence, betrayal, conspiracies and corruption. A world without banter, romance, style or fun…for either the characters or the viewer. Robert Goren, Bobby Donnell, Vic Mackey, Chief Jack Mannion… can you imagine any kids playing make-believe as one of those detective heroes? Who in their right mind would want to be those characters or live in their world?

And that, it seems, is what escapism on television is all about now: watching a TV show and realizing, with a sigh of relief, your life isn’t so bad after all.

I think I preferred losing myself in a Monte Carlo casino with Alexander Mundy or traveling in James T. West’s gadget-laden railroad car… it’s a lot more entertaining than feeling thankful I don’t have to be Det. Joel Stevens in “Boomtown” or live in the Baltimore depicted in “The Wire.”

At the risk of sounding like an old curmudgeon at my tender young age, I long for a return to escapist cop shows, to detectives you envied, who live in a world of great clothes, sleek cars, amazing apartments, beautiful women and clever quips. Detectives with lives that are blessedly free of angst and anxiety. Detectives who aren’t afraid to wear a tuxedo, sip fine champagne, confront danger with panache, and wear a watch that’s actually a missile-launcher. Detectives who are self-assured and enjoy solving crimes, who aren’t burdened with heartache and moral ambiquity.

Yeah, I know it’s not real. Yeah, I know it’s a fantasy. But isn’t that what television is supposed to be once in a while?

James Strauss, The Fake TV Writer, Revealed as Convicted Swindler

James-R-Straus_mugshot.400x800Be sure to check the updates at the bottom of this post!

My public outing of fake TV writer James Strauss aka James R. Straus on my blog yesterday prompted several of my enterprising Facebook followers, especially John Hendricks, Barbara Early and Mary Batchellor, to dig into him… and discover his sleazy, criminal past as a conman who was sent to prison for his swindles in the late 90s.

Strauss plead guilty in 1998 to defrauding a teachers’ retirement fund out of $400,000 in an international swindle…but even before stepping into federal prison to serve his two year term for that crime, he was charged with another con, embezzeling $20,000 from a Santa Fe company.

You can see his mugshot and booking info here.
 
UPDATE AUG 12, 2024 – Strauss is battling three felony fraud charges.  Here’s the link to keep up on his prosecution as it moves through the courts. 

UPDATE JAN 28. 2015
Fake TV writer and convicted conman James Strauss is back…this time expressing on Facebook his happiness that his author page is finally creeping up to top of Google search results for his name as opposed to all the posts on the web about his swindles. What amuses me about this bizarre post is how he casts himself as a victim…as opposed to the many people that he deceived and defrauded.

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